Science Fiction

Cpver of Ignore All Previous Instructions, by Ada Hoffman, featuring a cartoonish rocket ship flying above Jupiter. The title lettering is tinted blue and orange, matching the predominant colors of the gas giant as pictured.
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Book Review: Ignore All Previous Instructions, by Ada Hoffman

I’ve been a fan of Ada Hoffman since I ran across some of their stories on podcasts (I reviewed their collection Resurrections here) and read their trilogy that started with The Outside (reviewed here by Kate Sherrod). Some of those stories and especially The Outside trilogy dealt with artificial intelligence, but there the term referred to the older idea of supercomputers gaining intelligence (and sometimes ruling humanity). Hoffman’s new book, Ignore All Previous Instructions, out today, deals with generative AI (Large Language Models using predictive text) rather than true AI, but because one corporation has bought all the rights to all stories of the past, present, and future (at least for anyone who lives near Jupiter), it’s also about who gets to tell stories, what stories are allowed to be told, and what happens with some people whose lives don’t exactly fit into the greatest-common-denominator story framework. It’s a great book, with thoughtful explorations of ideas and what feels like great characterization of an autistic lesbian storyteller who thinks following the rules will keep herself and others safe, and her former best friend, a hacker who delights in breaking what he considers bad rules. It’s also an exciting adventure with heartbreak, passion, and piracy (stealing from the rich and/or evil to redistribute ill-gotten gains to the needy).

The Skiffy and Fanty Show Podcasts

859. Deaf Crocodile + Dead Mountaineer’s Hotel (1979; dir. Grigori Kromanov)

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-859-deaf-crocodile_202605/SandF_859_DeafCrocodile.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAlien discos, mysterious resorts, and film restoration, oh my! Shaun Duke and Daniel Haeusser join forces to talk w/ Dennis Bartok and Craig Rogers about Deaf Crocodile Films. Together, they talk about how they got into film restoration, the trials and wonders of the process, global cinema, their upcoming Roy from Space release AND their latest release, Dead Mountaineer’s Hotel. Thanks for listening. We hope you enjoy the episode!

Movie poster for Touch Me (2025), directed by Addison Heimann, featuring a woman's tilted-down face, mouth open in ecstasy or pain, in pink-purple lighting.
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Movie Review: TOUCH ME (2025), directed by Addison Heimann

Joey (Olivia Taylor Dudley) and Craig (Jordan Gavaris) are two Millennial (Gen Y) friends/roommates who slip through life in a codependent relationship that avoids past trauma or current responsibility in shared coping mechanisms of alcohol, vaping, and dark humor. Until Joey meets the bizarre and entrancing Brian, a tracksuit-wearing self-professed extra-terrestrial who can calm Joey’s anxiety with a simple touch. Brian tells Joey that he is an orphan and refugee from a planet lost to climate change, but that he brought with him special trees that will help rescue Earth before it is too late. Joey rapidly falls under Brian’s seductive spell, until a moment of intense tentacle-filled cross-species sex drives her from him in fear. Joey relates this story in an engrossing, almost-ten minute monologue that opens Touch Me (2025) as the camera slowly zooms in on Joey’s face as she responds during a psychiatry session to her therapist’s suggesting of combating anxiety with absurdity. Then the film gets weirder.

Cover of Platform Decay by Martha Wells, featuring a helmeted, spacesuited Murderbot floating next to a ladder in a zero-gravity service tunnel.
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Book Review: Platform Decay, by Martha Wells

Platform Decay, which will be published on May 5, is the eighth book or novella in The Murderbot Diaries (there are a few short stories, too) by Martha Wells. It’s a fun extension of the series, but I strongly advise against coming in cold, without having read most of the series, or at least having watched the Apple TV show that’s based on it. The book starts in the middle of another infiltration mission, but we don’t find out the objective until halfway through the third chapter. So if you don’t already know a lot about Murderbot and its universe, you’ll be lost.

Cover of If We Cannot Go at the Speed of Light, by Kim Choyeop, featuring a moving starfield on a viewscren, with a person at the bottom, with a Mercator projection of the Earth on either side, with various symbols superimposed on the Asian and North American continents.
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Book Review: If We Cannot Go at the Speed of Light, by Kim Choyeop

The publisher’s description on NetGalley of If We Cannot Go at the Speed of Light says “From Korean science fiction author Kim Cho-yeop, a stunning and poignant collection of literary speculative fiction stories that explore the complexities of identity, love, death, and the search for life’s meaning, perfect for fans of Exhalation and The Paper Menagerie.” Unfortunately, as far as I’m concerned, the author (Kim Choyeop with no hyphen, as the book cover and https://library.ltikorea.or.kr/ transliterate her name, 김초엽) has a way to go before her works rise to the levels of Ted Chiang and Ken Liu, at least as far as they’re translated here by Anton Hur. However, some of the stories in this collection do include some interesting speculation, and engage this reader’s emotions.

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