Blog Posts

Comics Review: The 2026 Hugo Award Finalists for Best Graphic Story

Hugo season is well underway—voting closes on August 8th—and as usual, I’m fascinated by the range of works that landed on the ballot for Best Graphic Story this year. It’s a diverse list—superheroes, cats, children, wizards, the living and the dead and those not entirely on either side of that question. A new take on a character who’s been published for decades, an installment of a webcomic that’s been running for twenty years, variations on a theme of deconstruction, an adaptation of a classic novel, and a brand-new tale about something as old as humanity—grief.

Cover of Godfestation, by Jendia Gammon, featuring a car driving with headlights down a dark mountain road, with a bird skeleton and morning glories at the lower edges and large eyes watching from a purple fog above.
Blog Posts

Book Review: Godfestation, by Jendia Gammon

Godfestation, by Jendia Gammon, is an interesting combination of vibes, from creepiness to revulsion to scariness, but also including homely home comforts, a long journey, a wonderful diner, familial and other kinds of love, cryptic admonitions, and unexpected delights. It’s definitely not a novella for someone who demands complete answers and explanations, but if you can put that desire aside, it ends up being rather comforting.

Cover of Titanium Noir, by Nick Harkaway, featuring a white silhouette of a man's head under a black fedora, against a lime-green background, with spires of a cityscape against the white face.
Blog Posts

Book Review: Titanium Noir, by Nick Harkaway

Ever since I listened to an episode about mystery novels on The Incomparable podcast last fall, the library holds that I’d placed have been intermittently coming through and inserting themselves onto my TBR queue. Since I’d waited eight months for Titanium Noir (2023) by Nick Harkaway, recommended by Jason Snell, I delayed my self-assigned reading (Hugo finalists and upcoming novels) a little longer to start this one. I’m glad I did (even if I feel a little guilty). I enjoy the noir subgenre, and this is a good noir plot; the science fictional elements here are also interesting, but what really raises this book to a remarkable level for me are the very human and sympathetic reasons for the way people act here, even the ones becoming transhuman or arguably posthuman.

Blog Posts

Book Review: Tales from Rugosa Coven (2026 edition), by Sarah Avery

Like most people, I never got to read the edition of Tales from Rugosa Coven that was published in 2013, even though it won the Mythopoeic Fantasy Award in 2015. When the rights reverted to author Sarah Avery, her blog said that it had only sold a few hundred copies, including print and ebooks. The book found a new home with publisher Candlemark & Gleam in 2025, and an updated and revised edition is now available for preorders, with the release set for Aug. 1. I have been privileged to read an eARC of this version, and it’s great! This is one of the most grounded-feeling urban fantasies I’ve ever read, with deeply developed characters whose real-life issues marvelously intertwine with the magic in their lives, featuring a strongly positive theme of a supportive, inclusive community.

Cover of transmentation-transgression, by Darkly Lem, featuring a swirl of red-orange-yellow colors and suggestions of structures or civilizations.
Blog Posts

Book Review: TRANSMENTATION | TRANSGRESSION by Darkly Lem

Last year on the podcast we interviewed Craig Lincoln & Cadwell Turnbull, two members of the multiverse SF writing collective published as “Darkly Lem,” which also includes Josh Eure, Ben Murphy, and M. Darusha Wehm. I this we discussed the first book of their Formation Saga series, Transmentation | Transcience, published by Blackstone Press. Our own Princejvstin also reviewed the novel for Nerds of a Feather. The Formation Saga stems from the Many Worlds, or The Simulacra anthology edited by Eure and Turnbull and featuring stories from the other members of Darkly Lem as well as other writers. Building a shared multiverse of “reality-bending stories” described as ranging “from quietly strange to ambitiously speculative,” the series rests on the foundational concept that societies of inter-dimensional travelers have developed across a primary universe through the ability of people to transfer consciousness between other universes, entering new bodies (known as proxies, or related terms depending on the society.) The bodies they leave behind in the primary universe continue existence, almost like automaton shells, while the state of the in-universe identities of the proxies their consciousness enters into become suppressed. Different societies have arisen through this power and ability of multiverse travel and expansion, with varying political and social characteristics across the spectrum. But as this has built up, the activities of the different societies find themselves interacting and in conflict more frequently at the level of individual travelers and society-wide machinations. Meanwhile, the nature of this ability to travel the multiverse, ‘gifted’ to humans via a mysterious entity known as the Simulacrum, itself remains enigmatic and ambiguous, raising core existential questions for the travelers. Do these abilities extend to life beyond humans? What is the nature of the body left left behind and its identity? Are the lives and rights of individuals in other universes equivalent to those in the primary universe? Are any from other universes entering the primary? Transmentation | Transgression: Or, a Spark on the Eve of the Five Hundred Year Burn continues the Formation Saga immediately following the events of the first book that climaxed with a clandestine assassination. The second novel continues to delve into a large cast of characters across the societies of travelers and through this also explore more into the nature and effects of traveling, particularly the confusion it can cause for self-identity.

Cover of Leviticus (2026) features the back and side profile of a young man in the embrace of another ... or ... ?
Blog Posts

Movie Review: LEVITICUS (2026), Directed by Adrian Chiarella

Back in February at this year’s Sundance, buyers reached the first deal of the film festival with the pick up of Adrian Chiarella’s Leviticus, produced by the Australian Causeway Films that also helped make Bring Her Back and the Babadook. Previously known for some well received short films in the past decade, Chirarella has kept busy directing episodes of several TV series amid writing and directing Leviticus. The rapid sale of Leviticus and its current summer release in theaters accurately reflects the quality, relevance, and resonance of this film described as conversion therapy supernatural horror. Yet for all its moments of darkness and uncanny terror, the ultimate message of Leviticus is one of resilience and hope.

Scroll to Top