Author name: trishmatson

Educated as a physicist yet living as a journalist, Trish Matson is an award-winning writer and editor whose ever-expanding list of interests includes a lifelong love of SF/F, plus wordplay, libraries, games, music, dancing, audio drama, and podcasting. She’s listed as TrishEM on various fora, but you can find her most easily on Twitter.

Cover of The Fist of Memory, by Wole Talabi, featuring white heat flare around an object descending toward Earth, seen through a geometric black and blue screen.
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Book Review: The Fist of Memory, by Wole Talabi

I really enjoyed Wole Talabi’s new book, The Fist of Memory. It has lots of action but also a lot of thoughtful exploration of the need for connections and empathy; I also enjoyed how disparate characters and plot elements ended up coming together. From the publisher’s summary: When a non-communicative alien spacecraft suddenly appears in the sky, global powers are thrown into turmoil. But for Tope, a principled Nigerian assassin with a talent for lethality in the employ of the mysterious witchdoctor known as “Baba,” it’s all just business as usual. At least until a job goes wrong, and Tope is caught in the scramble—a high stakes game of power and politics for the future that is to come. Joined by Itumeleng, a South African astronomer plagued by mysterious dreams, they must find a way to survive, navigate their complicated pasts, and come to understand how they, and all of humanity, are connected to the alien craft before it lands and the world changes forever. But it won’t be easy. There are sinister forces marshalled against them, including a strange assassin obsessed with a single memory.

Cover of The Killing of a Chestnut Tree, by Oliver K. Langmead, featuring a country scene of a tree with reddish leaves next to a building with lots of tall windows, beyond a tree stump with an axe embedded in it, with peach-colored flowers in the foreground.
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Book Review: The Killing of a Chestnut Tree, by Oliver K. Langmead

The Killing of a Chestnut Tree, by Oliver K. Langmead, is a cozy historical mystery/fantasy, with protagonists who are strongly reminiscent of Sherlock Holmes and John Watson. There were a few elements in the long prologue that kept pulling me out of the story, as I questioned the worldbuilding, but the characters were interesting enough that I kept going, and once I finally got to the main plot, I was hooked. The tree victimization here is indeed tantamount to murder, but It’s mostly a gentle story, and a hopeful one. For me, it was a sweet, refreshing break from some of the horror that I’ve been reading and listening to lately (both fictional and real-world).

Cover of Needlemouth, by K-Ming Chang, featuring a black background that blends into the hair of an Asian woman's forehead, eyes, and part of her nose; spiders are crawling out of her eyes.
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Book Review: Needlemouth, by K-Ming Chang

One of the protagonists of Needlemouth, by K-Ming Chang, reminds me a little of the French fairy tale, Diamonds and Toads, in which a girl is cursed so that foul creatures fall out of her mouth whenever she opens it to speak. But in Needlemouth, the objects that start appearing in Cindy’s mouth range from buttons to needles, and there is no sister who dribbles out diamonds or even flowers, because in this society, girls are worthless and produce nothing, not even children, because they are just viewed as hosts for the bloodlines of their husbands. Girls exist to pay off their debts of being born, and Cindy and her cousins Mandy and Yangyang are being raised to expect nothing better than wifely lives of suffering and endurance. Their futures look so bad that when the hungry ghost/demon Needlemouth appears, Cindy eventually yields to her demands. That decision pitchforks all of them into crisis. This book has been a difficult read for me, steeped as it is in pessimism and resentment, but it’s increasingly interesting. Once resentment boils over into anger, rage, and fury, and the dreamy/nightmarish adventures start, it becomes much more engaging, even exciting, although far more horrific. There’s a lot of body horror and gore here, and internalized misogyny (internalized, because the three cousin-protagonists hardly ever see or hear directly from men, just their lecturing mothers/aunts), and misandry, and incitement to harming innocents and other forms of evil. There is also a lot of intriguing ideation here, for instance, the surprising relationships between the girls and certain kinds of birds. So, I certainly can’t recommend this book for all audiences, but it’s a fascinating work of art, and some people will find it heartening as the initially quarrelsome cousins band together and refuse to surrender each other to their apparent fates.

Cover of The Death and Birth of Iliana Marek, by David Liss, featuring a stylized woman's face, with a patch of red against a blue-green face and arm in shadows.
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Book Review: The Death and Birth of Iliana Marek, by David Liss

Once again, I veered off my TBR for an impulse read, and once again I was rewarded with a fun book. This bodes poorly for my self-discipline, but at least I am having a good time. Anyway, if you’re looking for a thriller with comfort elements that feels kind of like a contemporary science-fiction version of John Wiswell’s Someone You Can Build a Nest In, combined with a mystery/thriller by Carl Hiassen or Andrew Mayne, then I recommend indulging in The Death and Birth of Iliana Marek, by David Liss. There are some intriguing issues of memory, identity, trust, and personhood here, with past trauma and current danger, but it’s still a pretty breezy and highly entertaining read.

Cover of Children of Owl, featuring a long-haired boy with wings /eyes of an owl above a mountain with a Lipan Apache girl with braided hair standing in front of a mountain.
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Book Review: Children of Owl, by Darcie Little Badger (illus. Abigail Rajunov)

Having been a big fan of Darcie Little Badger’s previous books (see my review of Sheine Lende) and enjoyed her readings at WorldCon and Armadillocon, I’ve been looking forward to reading her new contemporary fantasy novel, Children of Owl, but events conspired against me, so I didn’t finish it until today, publication day. However, any time is a good time to read this one! It has several engaging young-adult viewpoint characters, really interesting interwoven storylines, and themes of friendship and perseverance through loss and danger. Furthermore, I love the charming illustrations throughout, including quite a few graphic-novel-style pages that carry the story forward in picture form! The other way the format changes throughout the book is that the text alternates between regular first-person past and present narrative in the voice of the main protagonist, and diary entries by her and her friends (indicated by appearing on what looks like scholastic-type lined paper and a handwriting-style font); I didn’t have any trouble following the viewpoint changes, and they offered useful perspectives on what was happening. Middle-grade and YA readers should enjoy this very much, but I also highly recommend it for adults.

Cover of Call Me Traitor, by Everina Maxwell, featuring two people in a face-off on a peak next to an ocean.
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Book Review: Call Me Traitor, by Everina Maxwell

I yielded to temptation and skipped way ahead in my TBR lineup, to a book that’s not coming out until December. Unfortunately for my self-discipline, my impatience was amply rewarded, because Call Me Traitor by Everina Maxwell is amazingly good! I had seen it described as a romantasy, so I was expecting something similar to Maxwell’s previous science-fiction romances, Winter’s Orbit and Ocean’s Echo, where it was easy to ignore the somewhat handwavy worldbuilding because the lovely longing feelings took center stage. In Call Me Traitor, however, the worldbuilding starts with intriguing little hints, builds up as the action continues, and then starts getting a lot deeper and broader with flashbacks to an interrogation, until some truly horrifying foundational facts are revealed to the characters and the readers. There is romance, of course, and it is integral, but it doesn’t really manifest as a plot element until well along in the book. There is also horror, comfort, academia, exciting action scenes, some lyrical descriptive language, divided loyalties and identity conflicts, callousness and kindness, scary antagonists that may not be so villainous after all, and supposed allies that have terrible secrets. This is as good and deep as any great fantasy novel that I’ve read lately; it does a LOT, but it all comes together amazingly satisfyingly in the end.

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