Author name: Daniel Haeusser

Daniel Haeusser (He/Him) is an Associate Professor of Biology who teaches microbiology and biochemistry. He researches bacterial cell shape & division, and phage (bacterial viruses) that alter either in their host during infection. His constant reading spans many genres, but SF, Fantasy, Horror, mystery, and world literature remain closest to his heart. His regular book reviews can be found at Reading 1000 Lives, and he also contributes reviews to Strange Horizons, Fantasy Book Critic, Speculative Fiction in Translation, and World Literature Today. You can connect with him on Goodreads or Bluesky.

Cover of transmentation-transgression, by Darkly Lem, featuring a swirl of red-orange-yellow colors and suggestions of structures or civilizations.
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Book Review: TRANSMENTATION | TRANSGRESSION by Darkly Lem

Last year on the podcast we interviewed Craig Lincoln & Cadwell Turnbull, two members of the multiverse SF writing collective published as “Darkly Lem,” which also includes Josh Eure, Ben Murphy, and M. Darusha Wehm. I this we discussed the first book of their Formation Saga series, Transmentation | Transcience, published by Blackstone Press. Our own Princejvstin also reviewed the novel for Nerds of a Feather. The Formation Saga stems from the Many Worlds, or The Simulacra anthology edited by Eure and Turnbull and featuring stories from the other members of Darkly Lem as well as other writers. Building a shared multiverse of “reality-bending stories” described as ranging “from quietly strange to ambitiously speculative,” the series rests on the foundational concept that societies of inter-dimensional travelers have developed across a primary universe through the ability of people to transfer consciousness between other universes, entering new bodies (known as proxies, or related terms depending on the society.) The bodies they leave behind in the primary universe continue existence, almost like automaton shells, while the state of the in-universe identities of the proxies their consciousness enters into become suppressed. Different societies have arisen through this power and ability of multiverse travel and expansion, with varying political and social characteristics across the spectrum. But as this has built up, the activities of the different societies find themselves interacting and in conflict more frequently at the level of individual travelers and society-wide machinations. Meanwhile, the nature of this ability to travel the multiverse, ‘gifted’ to humans via a mysterious entity known as the Simulacrum, itself remains enigmatic and ambiguous, raising core existential questions for the travelers. Do these abilities extend to life beyond humans? What is the nature of the body left left behind and its identity? Are the lives and rights of individuals in other universes equivalent to those in the primary universe? Are any from other universes entering the primary? Transmentation | Transgression: Or, a Spark on the Eve of the Five Hundred Year Burn continues the Formation Saga immediately following the events of the first book that climaxed with a clandestine assassination. The second novel continues to delve into a large cast of characters across the societies of travelers and through this also explore more into the nature and effects of traveling, particularly the confusion it can cause for self-identity.

Cover of Leviticus (2026) features the back and side profile of a young man in the embrace of another ... or ... ?
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Movie Review: LEVITICUS (2026), Directed by Adrian Chiarella

Back in February at this year’s Sundance, buyers reached the first deal of the film festival with the pick up of Adrian Chiarella’s Leviticus, produced by the Australian Causeway Films that also helped make Bring Her Back and the Babadook. Previously known for some well received short films in the past decade, Chirarella has kept busy directing episodes of several TV series amid writing and directing Leviticus. The rapid sale of Leviticus and its current summer release in theaters accurately reflects the quality, relevance, and resonance of this film described as conversion therapy supernatural horror. Yet for all its moments of darkness and uncanny terror, the ultimate message of Leviticus is one of resilience and hope.

Cover of Devils Kill Devils by Johnny Compton, featuring a small golden silhouette standing against a vast shadow with teeth.
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Book Review: DEVILS KILL DEVILS by Johnny Compton

Johnny Compton’s debut novel The Spite House from Tor Nightfire in 2023 was one of my favorite gothic horror reads in the last years, a familiar yet fresh take on the haunted house genre that read as if it were very personal to Compton, full of soul. It’s a story steeped in location and history. Though full of complexities, including multiple points of view and revelations, it’s simplified in the very relatable familial connection between a father and his daughters. A year or so later Tor Nightfire published Compton’s next novel, Devils Kill Devils (he’s also had Dead First released earlier this year through a new publisher). There are some things in common between Devils Kill Devils and The Spite House beyond being classified as horror/thrillers. Devils Kill Devils also uses multiple points of view and builds a complex plot of revelations. The world-building mythology of it is even stronger, however, as Compton turns to adapting vampire folklore into something new that has dashes of religious cult and cosmic horror in the mix. Researching and returning to global elements of vampiric legend, Compton’s vampires aren’t exactly the typical gothic or romanticized form that has become familiar to modern cultures. Here it is something more ancient, more demonic, tying into those horror sub-genres just mentioned.

Cover of Star Trek: Picard - To Defy Fate, by Dayton Ward, featuring Rafaela Musiker, Jean-Luc Picard, Wesley Crusher, Seven of Nine, and Beverly Crusher, clustered around a feminine silhouette at the center of a vortex/broken glass.
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Book Review: STAR TREK – PICARD: TO DEFY FATE by Dayton Ward

When CBS Paramount elected to move forward with the Star Trek Picard series on its streaming service it spelled curtains for a long-running Star Trek literary universe that tied together previous concurrently set Star Trek series of The Next Generation, Deep Space Nine, and Voyager. Like the Disney Star Wars sequels that relegated all those novels to ‘legends’ to make way for a new official “canon” so went Star Trek. Just as those Disney sequels now make the whole endeavor seem so not worth it, so too would I argue went Picard. The series was very hit or miss, far too simultaneously over- and under-developed. And the official canon Picard novels were generally tangential and mediocre by way of avoiding to do anything of substance, as the show still went on its wild course. Unlike the Star Wars novels, however, some of the biggest Star Trek literary universe authors were allowed to publish books that ended the continuity that they and their colleagues had built up, and pave the way (through the standard multiverse model of SF) to set up new canon continuity for characters and the setting. These were the Star Trek Coda trilogy by Dayton Ward, James Swallow, and David Mack. It too was wild, maybe a bit over-developed, but it was also glorious and a satisfying way to tie things up. Now that Picard is over and we’re back into having novels that may or may not stay canon, Dayton Ward returns to the characters of those three older Star Trek series… and the newer streaming series of Discovery, Picard, and Strange New Worlds to pen a novel very similar in style to Star Trek Coda. Something that takes characters and ideas from all these franchises and puts them into a multiverse adventure that imagines where a new literary universe (or multiverse) can go from where things left off in Picard. This is Star Trek – Picard: To Defy Fate.

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Movie Discussion: VOIDANCE (2026; dir. Marianna Dean)

DIRECTED BY: Marianna DeanCAST: James Cosmo (Game of Thrones, Braveheart), Zoe Cunningham (Breaking Infinity), Neil Bishop (Beautiful Disaster), Mim Shaikh (Queenie), Billy Price (Hollyoaks), Chris Charles (Hollyoaks).WRITTEN BY: Simon X. FrederickPRODUCED BY: Tom Taplin, Marianna Dean. Zoe Cunningham Try. Fail. Repeat. In order to become an ATIC agent, Alana Toro faces her final assessment. Inside a simulated space station bar, she must prevent a terrorist attack before it happens. Each failed attempt allows her to restart the scenario, but with limited chances to get it right. As Alana navigates a cast of guarded and unpredictable patrons, gaining trust proves as difficult as identifying the threat itself. With each attempt, new details emerge and assumptions shift, forcing her to rethink who she can rely on. As the pressure builds, Alana is pushed towards an unorthodox solution, one that may challenge everything ATIC expects of her. You can watch the trailer here.

In a building that looks like a church, with faint green light, a woman in a wimple or white cloak and dark dress looks from the side toward a stained glass window.
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Book Review: THE LAST CANTERBURY TALES by Jean Ray (Translated by Scott Nicolay)

Over the past years Wakefield Press has been doing a tremendous job releasing seminal works of Weird Fiction, chief among them the fiction of the “Belgian Poe” Jean Ray. One of several pseudonyms of Raymundus Joannes de Kremer, Jean Ray is a personality of enigmatic history, whose biography could double for that of a protagonist in one of his stories. Among the releases from Wakefield Press include multiple short story collections, starting with his alcohol and briny sailor-filled Whiskey Tales, and his best-known novel, the strange and exquisitely crafted 1943 gothic horror Malpertuis. Director Harry Kümel adapted the latter into a film featuring Orson Welles in 1972, which had a recent, gorgeous release from Radiance Films.   Translator and writer Scott Nicolay has brilliantly translated and annotated each volume of Jean Ray’s work released by Wakefield Press, and I’ve had the fortune of discovering Ray and reviewing several of those books through this. (I believe all the previous reviews I’ve done have been for Rachel Cordasco’s Speculative Fiction in Translation.) This year marks a new release of a Nicolay-translated Ray work, 1944’s Les derniers contes de Canterbury (The Last Canterbury Tales), the literary equivalent of a single-artist anthology film, a short story collection that contains both tremendous variety and precise construction to thematically and narratively tie individual stories together with wraparounds that themselves wrap (or warp) time and space. In introductions and postscripts Nicolay and others comment on the structural and thematic ties between Malpurtis and The Last Canterbury Tales, two forms of work that embody the core of Ray’s fiction and Weird creativity.

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