Cover of Children of Owl, featuring a long-haired boy with wings /eyes of an owl above a mountain with a Lipan Apache girl with braided hair standing in front of a mountain.
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Book Review: Children of Owl, by Darcie Little Badger (illus. Abigail Rajunov)

Having been a big fan of Darcie Little Badger’s previous books (see my review of Sheine Lende) and enjoyed her readings at WorldCon and Armadillocon, I’ve been looking forward to reading her new contemporary fantasy novel, Children of Owl, but events conspired against me, so I didn’t finish it until today, publication day. However, any time is a good time to read this one! It has several engaging young-adult viewpoint characters, really interesting interwoven storylines, and themes of friendship and perseverance through loss and danger. Furthermore, I love the charming illustrations throughout, including quite a few graphic-novel-style pages that carry the story forward in picture form! The other way the format changes throughout the book is that the text alternates between regular first-person past and present narrative in the voice of the main protagonist, and diary entries by her and her friends (indicated by appearing on what looks like scholastic-type lined paper and a handwriting-style font); I didn’t have any trouble following the viewpoint changes, and they offered useful perspectives on what was happening. Middle-grade and YA readers should enjoy this very much, but I also highly recommend it for adults.

Cover of Call Me Traitor, by Everina Maxwell, featuring two people in a face-off on a peak next to an ocean.
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Book Review: Call Me Traitor, by Everina Maxwell

I yielded to temptation and skipped way ahead in my TBR lineup, to a book that’s not coming out until December. Unfortunately for my self-discipline, my impatience was amply rewarded, because Call Me Traitor by Everina Maxwell is amazingly good! I had seen it described as a romantasy, so I was expecting something similar to Maxwell’s previous science-fiction romances, Winter’s Orbit and Ocean’s Echo, where it was easy to ignore the somewhat handwavy worldbuilding because the lovely longing feelings took center stage. In Call Me Traitor, however, the worldbuilding starts with intriguing little hints, builds up as the action continues, and then starts getting a lot deeper and broader with flashbacks to an interrogation, until some truly horrifying foundational facts are revealed to the characters and the readers. There is romance, of course, and it is integral, but it doesn’t really manifest as a plot element until well along in the book. There is also horror, comfort, academia, exciting action scenes, some lyrical descriptive language, divided loyalties and identity conflicts, callousness and kindness, scary antagonists that may not be so villainous after all, and supposed allies that have terrible secrets. This is as good and deep as any great fantasy novel that I’ve read lately; it does a LOT, but it all comes together amazingly satisfyingly in the end.

Cover of The Asterist, by A.T. Sayre, featuring a man in a spacesuit walking on a rocky terrain; alien limbs are stretching out toward him. The astronaut, terrain, and alien are gray, but the sky is red.
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Book Review: The Asterist, by A.T. Sayre

Knowing nothing about A.T. Sayre, I requested his new book The Asterist on NetGalley just because the description sounded interesting. Bill Jeffries was marking time at a remote outpost, there just in case there’s an emergency and a human was needed to give instructions to the computer that normally runs the relays, when an alien spaceship crashed on the asteroid: “Thrust into circumstances beyond his pay grade, Jeffries investigates the wreckage and makes the shocking discovery of a four-foot-long spider-like being inside. If the alien still lives, Jeffries and his superiors from light years away must decide if it should be treated as an ambassador, a test subject, or a threat.” This was an enjoyable read that reminded me a lot of Andy Weir’s Project Hail Mary, except it was more focused (just over half as long), had lower stakes, and didn’t annoy me with misgendering of the alien. There’s a surly, isolated man as the main character, who ends up stepping into a bigger role than he ever imagined or wanted, there’s a very nonhuman alien, there is bonding, and there are hard choices.

The Skiffy and Fanty Show Podcasts

878. Suyi Davies Okungbowa (a.k.a. Breaker of Empires) — Season of the Serpent

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-878-suyi-davies-okungbowa/SandF_878_SuyiDaviesOkungbowa.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSChoosing sides, erasure, and the dead, oh my! Shaun Duke and Paul Weimer interview Suyi Davies Okungbowa about the third book in the Nameless Republic series, Season of the Serpent! Together, they explore talk about the intricacies of diplomacy, challenging imperialist narratives and the consequences of war, the wonders of maps, and much more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

877. The Stuff (1985; dir. Larry Cohen) — Torture Cinema #167

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-877-the-stuff/SandF_877_TheStuff.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSMarshmallows, hungry beds, and 80s families, oh my! Shaun Duke, Paul Weimer, and Beth Cato join forces to talk about 1985’s The Stuff! Together, they explore the film’s bonkers plot, unpack the real meaning of The Stuff, have fun talking about whiskey, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of A Wall Is Also a Road, by Annalee Newitz, featuring a woman's face and hear, tentacles, planets, and a spiral nebula, done with mosaic elements.
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Book Review: A Wall Is Also a Road, by Annalee Newitz

I enjoyed reading A Wall Is Also a Road by Annalee Newitz, although the protagonist’s victories came a bit easier than I was expecting. The publisher’s description calls it “heartwarming” but, like Newitz’ Automatic Noodle, I would say its tone is closer to “cozy” despite a few passages where the protagonist feels fear, pain, and shame. It’s a science fiction/academia novel, but it’s also historical, since about half the book is spent in field-research visits to the Roman Empire. Science fiction, academia, research, and history are all interests of mine, and I did like the young protagonist’s curiosity, warmth, and, eventually, courage, despite a few stumbles, so I was quite satisfied with how it all turned out.

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