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#Booktube – May 2019

Because it’s proving difficult for us to do this on a consistent basis, we’ll just be doing monthly wrap-ups! May was a bit light, as was everything around here, but hopefully you’ll enjoy some of the fun content we produced! We were super excited when we got to 100 subs last month because it means we now have a unique url for our Youtube channel! It’s Youtube.com/skiffyandfanty, so head on over there any time and subscribe if you haven’t already. Another way to make sure you don’t miss these is to sign up for our newsletter. These are in the order we posted them, not by show (because they do occasionally reference one another!)

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Book Review: A SECRET GUIDE TO FIGHTING ELDER GODS edited by Jennifer Brozek

The return of the Lovecraft mythos to fiction and popular culture has been a burgeoning tendency in modern day fiction and culture. From Charles Stross’ Laundry Files to plush Cthulhus, the idea of the Mythos is more well known in popular culture than ever. There has also been a surge and rise in the popularity of YA as a subgenre, with teenagers and young adults navigating some rather perilous territory. It makes sense to me that the perilous territory that YA protagonists face might include encounters with Deep Ones, the Dreamlands, Ghouls, and the other terrors inherent in the Mythos. In addition, many of the stories in Lovecraft’s oeuvre are centered around familial concerns — learning one’s heritage, coming to terms with it, rejecting it, or even being possessed by it. Of course, such family dramas can underpin many YA stories, too. Thus, in A Secret Guide to Fighting Elder Gods, editor Jennifer Brozek marries these two concepts with a selection of stories from a wide range of authors. Like any anthology, the quality and interest of an individual story and author varies for me. Some of the stories stood out for me and showed the promise and possibilities of the form. Overall, I found that the authors and the stories embraced and lived up to the challenge of introducing YA protagonists and themes into the Mythos. The Mythos, upon reflection and after reading these stories, seems to me now like a natural sub-subgenre of fantasy for YA writers to consider.

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Book Review: WE SET THE DARK ON FIRE by Tehlor Kay Mejia

We Set the Dark on Fire, Tehlor Kay Mejia’s debut YA fantasy novel, is lush, lyrical, and sure to take the YA world by storm. Intensely descriptive and emotional, every page of this novel is a journey along a path of conspiracy and doubt, told through the eyes of a young woman who is desperate to find herself a secure place in a world that has been set against her since birth. This contemporary Latinx fantasy is a must-read for fans of dystopian worlds where badass women break social norms for the betterment of their people while celebrating their home culture in rich detail. The novel, set on a fictional version of the Philippine island of Medio, follows Daniela Vargas, a top student at the Medio School for Girls, where distinguished young women are raised and trained to be dutiful wives to their future husbands. Daniela, however, has a secret — she has been lying to everyone about her pedigree, her identity a forgery obtained by her parents to give their daughter a better life. When Daniela is chosen as the Primera for a rising political star, she must maintain her careful facade or lose everything. But when everything seems to go wrong at the last minute, Daniela finds herself facing a hard choice:  become a spy for the revolution and be part of her people’s salvation or cling to the dream her parents had for her when they sent her to the capital.

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Book Review: RADICALIZED by Cory Doctorow

Radicalized, the new collection of four novellas by Cory Doctorow, features an uncommon structure for a book. Authors tend to release either standalone novels or collections of short stories. Sure, sometimes they’ll release a standalone novella or include a novella or two in a collection, but I’m not sure I’ve ever read another book composed solely of a handful of novellas before. However, I really enjoyed this structure, and I wish more authors would release books like this. Although the novellas are unconnected and each stand on their own, their interweaving themes of technology, activism, politics, and society work together to make Radicalized a cohesive and powerful collection. And it’s timely too. In a recent interview, Doctorow said that he “didn’t intend to write ANY of these — they got blurted out while I was working on another book.” The stories deal with refugees, police brutality, terrorism, preppers, and other elements of our increasingly dystopian modern world. Since there’s so much to talk about here, I’m going to explore each story individually.

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Book Review: THE LAST ASTRONAUT by David Wellington

Some books grab me by title alone. As someone whose life has been spent very emotionally involved with the fortunes of the United States’ space program, I felt positively yanked by David Wellington’s The Last Astronaut. An actual last astronaut is something that I fervently hope never actually exists except in the extremely long-term “heat death of the universe” sense. The idea has haunted me since at least my teenage years when I grappled with Bruce Sterling and William Gibson’s melancholy short story, “Red Star, Winter Orbit.” In this story, there are still people going into space, but only for commercial gain; the tasks are finite, clearly defined, not even suggested if they don’t enhance shareholder value. Whatever the members of such crews are, they are not astronauts. They are not exploring the sea of stars. It’s a sad and all too plausible vision of the future of the space program. The Last Astronaut has its own unique take on the future of human space travel. Just look at the cover!

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Book Review: THE RAVEN TOWER by Ann Leckie

Ann Leckie is best known for her space opera work in The Ancillary series, a series that uses a first person point of view, pronouns, scope, and perspective to give a fresh and literary spin on that subgenre. I’ve highly enjoyed Leckie’s work in this arena and was excited to discover that she has an interest in writing fantasy as well. In her new novel, The Raven Tower, a second person point of view and experimentation with narrative and protagonists support an interesting turn for the author into fantasy novels. In a world very similar to our own — save that there are Gods — conflicts between city states and other polities run very much like they did in our Earth during the bronze age. Rulers strive for temporal supremacy over important resources and locations alike. Having the favor of a God or two is the “killer app” of warfare and conflict on this world, but when both sides have powerful Gods on their sides, conflicts become more subtle, more complex, and longer lasting. A key strait and a pair of cities on either side provide a venue for men and Gods to war against each other. And the Strength and the Patience of the Hill, a humble God from the far north, watches and patiently waits, even as They (for that is the God’s preferred pronoun) are inevitably drawn into the conflict.  It is the God’s story, as refracted into the human protagonist Eolo who provides much of that action that is the heart of Ann Leckie’s story in The Raven Tower.

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