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Book Review: Infinite Detail, by Tim Maughan

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“It’s not enough to just take power away from those in charge. If we don’t use it ourselves, they’ll just take it back.” — “Anika” in Tim Maughan’s Infinite Detail “Be careful what you wish for; you may get it.” — Everybody since the 2001 ape threw a jawbone into the air Let’s think awhile about tools and how we use them, and how they end up using us when we’re not careful. Like how the human-engineered maize plant has basically turned us into a slave race frantically devoted to propagating it, defending it, etc. Let’s think about revolutions and why they tend to fail.

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COMICS REVIEW – Empowered and Sistah Spooky’s High School Hell

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Welcome to the latest installment of my comics review column here at Skiffy & Fanty! Every month, I use this space to shine a spotlight on SF&F comics (print comics, graphic novels, and webcomics) that I believe deserve more attention from SF&F readers. This month, a graphic novel that I was very much looking forward too is out, and I have thoughts. Because it’s a fave, but it might also be a problematic fave. So yeah, you better believe that I have thoughts. (This review contains spoilers!) 

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Book(s) Review: Alice Payne Arrives and Alice Payne Rides by Kate Heartfield

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Alice Payne Arrives and Alice Payne Rides form a pair of time travel novellas that stand ably alongside the other fresh and new time travel science fiction being written today. The late 21st and early 22nd century are, frankly, a mess. Even after the invention of time travel, the Earth is in a bad way. There are plans to try and move people to the future, when the climate ravages have hopefully settled down, or to the past, before the worst effects are baked in. Trying to change the past to try and fix everything has boiled down to a conflict between two time traveling factions, the Farmers and the Guides. They have very divergent ideas what to do with time travel, enough that they are in a no-win conflict  They have achieved a messy stalemate in their temporal cold war. In the meantime, though, a young woman in the late 18th century is using daring, stealth, and her lover’s clockwork automaton creation to gain the funds needed to keep her family’s estate afloat. Her name is Alice Payne, and she is soon swept into the temporal cold war.

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Book Review: LOST FILMS, Edited by Max Booth III & Lori Michelle

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Along with stories by Stephen King, cinematic horror is largely responsible for introducing the weird and terrifying to me and a generation or two of teens. For years my friends and I sought horror films both good and bad, and we heard that particular macabre whisper calling us to the most unhinged and obscure among them. The memorable ones have been those whose reputations have created anticipatory trepidation equal to the thrills of watching the movie itself. The cursed production history. The banned content of unfathomable realism. The haunted film. Horror built around such themes of its visual representation proves popular, from Apollinaire’s “A Good Film” to Suzuki’s Ringu or American Horror Story: Roanoke. Ironically, written explorations of horror in visual media have a stronger impact on me than the those relayed through a screen medium. An excellent recent example would be Marisha Pessl’s Night Film. The announcement of the Lost Films anthology from Perpetual Motion Machine Publishing therefore really excited me. Comprised of nineteen stories with an introduction by Max Booth III (co-editor with Lori Michelle), it is one of the strongest collections I’ve read, with several potential standout favorites for readers from both established and new authors.

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Book Review: State Tectonics by Malka Older

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State Tectonics concludes Malka Older’s Centenal Cycle trilogy, bringing to a head the tensions and potentials for change that have been laid in Infomocracy and continued through Null States. By the end of the second volume of the Centenal Cycle, Null States, the threats to the 21st century political and social order, the dominance of 100,000 person micro democracies, the centenals, has been laid bare and made clear. Sure, the remaining legacy nations have their problems with the dominant Centenal system and might, like China, seek to subvert it and change it for its own ends. Other more militaristic nations might overwhelm nearby Centenals.  But the greatest threat to the Centenal system is a hitherto unknown one—one from inside Information itself.

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Korean Drama Review: Kingdom (Season 1)

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Zombie stories are, for many reasons, a mess. Despite the fact that zombie lore originated with enslaved Haitians who feared that they would be forced to labor even after they died, many contemporary zombie stories focus on white people and their desire to run amok in a world disturbingly devoid of people of color. Not so, however, with the subject of this month’s Korean drama review: Kingdom. The Netflix original series, which released its entire first season in January of this year, transports zombies to medieval Joseon Korea and adds its own twists to the lore, utilizing it to deliver a commentary on the horrific consequences of poverty and inequality. (Warning for minor spoilers ahead.)

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