The novella starts when Dorothy Gentleman wakes up and discovers she’s been uploaded off schedule and into the wrong body, and she finds out soon that someone else is dead. As one of the ship’s detectives, she shelves her personal feelings (that’s my little in-joke) and immediately starts investigating.
Elisabeth Mkheidze’s art is strong throughout. Characters are clearly delineated and distinct, and their emotional states are conveyed effectively through expression and body language. Some comics artists tend towards conveying intense expressions too strongly, and characters’ faces look like caricatures or theatrical masks as a result. This seems like a small point, but in a graphic novel with a protagonist who spends virtually all her time on the page some combination of furious, terrified, and grieving, it’s important.
The novella is a retelling of a reasonably well-known fairytale murder ballad, so alert readers may anticipate some of the story beats. There are two sisters, and a suitor, and a warning from beyond via music. But even if a reader has an idea of where the story is going, there are bends in this river of a plot.
It’s not a long collection, containing about 40 poems (some just a few lines, many several e-pages long), a foreword, a list of content warnings/triggers, a fascinating multi-page afterword, and an appendix that lists which fairy tales inspired which poems. I don’t necessarily recommend trying to read all the poems in one go, since that may blunt their edges and impacts, but rather reading a few per day, taking time to savor them.
… Although it is cumbersome to obtain at the time of writing (it is only currently published in India), if the idea of a SF legal thriller that turns on questions of sociology and society in a secondary world thrills you, The Sentence is definitely worth your time.
“I’ve now gone back and re-watched the entire trilogy across two days to put some of my thoughts on the X series down, including possible answers to that question, and an argument for why that third film should be better appreciated within the context of the series as a whole.”
