It’s a style of science fiction that may feel rather retro.² However, stylistically, the writing from Cambias does make The Godel Operation a throwback and calling back to relatively breezy and fun science fiction novels.
Mary and the other viewpoint characters are a lot of fun to follow through their adventures and evolutions, and Murphy’s insights into storytelling and explorations of the Victorian/Edwardian period are as entertaining as they are enlightening — Murphy examines historical horrors rather than glossing over them, but her characters overcome these challenges with verve.
This is a book not quite about the power of books and doors and going places by opening one, but instead, it is a twisting and intricately devised narrative of stable time travel loops. Brown has a lot of fun in the novel…
The representation of Indigenous people in comics and in SF&F alike has historically been … as someone who’s not Indigenous, I’m just going to say that my understanding is that on balance, and despite some notable exceptions, it’s been not great. Viewed most frequently through the understanding and expectations of white creators and readers, the depiction of Indigenous characters has often been profoundly stereotypical. And whether those stereotypes were entirely negative or partly positive, they were reductive and limiting. Of course, Indigenous people have always been telling their own stories, but which stories were able to reach a wider audience was heavily influenced by the expectations of, again, white publishers, reviewers, and readers – and that means that the works that broke through often focused on present or historical Indigenous trauma.
But Indigenous people are more than their pain. Indigenous creators shouldn’t have to perform pain to be considered worthy of our attention.
And on a planet like Kiln, where the alien life is incompatible with human life…but the alien life is extremely good at trying to bridge that gap, this is a slow death sentence…or is it? Daghdev is a classic protagonist in the Tchaikovsky model, often isolated from his fellows and only slowly coming to bridge those gaps as well…
The Vengeance is an enjoyable romp by Emma Newman, a flintlock fantasy about a pirate girl’s quest to find her long-lost birth mother. The publisher’s tagline calls it a “swashbuckling adventure set in a version of Alexandre Dumas’s world haunted by vampires” but there isn’t any real hint of the supernatural in the text until about two-thirds of the way through. So if you’re primarily interested in horror, or if you’re really not into pirates, this may not be the book for you. If you enjoy a feisty female protagonist getting into fish-out-of-water misadventures, plus sapphic romance, keep reading. Anna-Marie, the pirate captain who raised her, confesses on her deathbed that she had stolen Morgane from her real mother, whom she calls a monster. But Morgane finds a letter from her birth mother begging for her return and hinting at her own safety concerns. There are various other puzzlements, such as why Anna-Marie had exclusively attacked one trading company’s ships (beyond saying that the owner had ruined her life). However, since Morgane has never run into any situation she can’t handle (albeit with the backing of her fellow pirates), she decides to go and rescue her birth mother. By Chapter Five, Morgane is on her way to France. Once she gets there, she runs into trouble almost immediately; she doesn’t have any idea how many people are going to want to use her, and she knows nothing of how feudalism works. She doesn’t understand why the peasants don’t just vote out their tyrannical lords, the way a pirate crew would reject any pirate captain who wasn’t fair to them. She’s very worldly in some ways, but very naive in others. Note: Morgane tells this story (first person past tense), and she is almost entirely uncritical of the pirate code and lifestyle throughout. She’s rightly proud of how capable it’s made her, but she only feels mild regret for the deaths she’s caused after someone whose lover was killed berates her, and that’s brief. After seeing the vast inequality of wealth in France, she’s sure that trading ships just make rich people richer, so they’re legitimate targets. Anyway, Morgane eventually finds a few people who will help her navigate the treacherous tides of French society, and makes her way toward the estate where she believes her mother is being held. Things turn out very differently from how she had thought, with some shocking scenes and revelations, but with her pistols, sword, dagger, fierce will, and the power of love, Morgane achieves a happy ending. The publisher lists The Vengeance, which comes out May 6, as Book #1 of The Vampires of Dumas, but it works perfectly well as a standalone novel. There are one or two minor dangling plot threads I can think of, plus the likelihood that Morgane will encounter more supernatural and worldly threats in the future, but all the current major perils have been vanquished and the emotional arcs resolved satisfactorily by the end of this book. Content warnings: Piracy, deaths, bloody violence, long-told lies, vampires and other supernatural stuff. Comps: Scarlet, by Genevieve Cogman. Disclaimers: I received a free eARC for review from the publisher via NetGalley.
