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Book Review: All Good Things by Emma Newman

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I was introduced to the writing and the work of Emma Newman by means of Between Two Thorns, an urban fantasy novel. I don’t normally read much urban fantasy as a general rule, but I was taken by the small stories Newman wrote in support of the novel and that world, and by the writer herself when she came all the way from the U.K. to attend a local convention here in Minneapolis. I was enchanted by her writing and her personality, and resolved to read all of her work henceforth. That decision led me to read more of the Split Worlds, as the series has come to be called,  so I read Any Other Name and All is Fair, the second and third books in the series. When Newman, in conjunction with her husband, started Tea and Jeopardy, what is now a Hugo award-winning podcast, I started consuming that as well. Other writing efforts took the author’s time, and I started to read those wonderful SF efforts as well.

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Fabulous and Free in SFF: Fictional. Queer. Here.

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Hello everyone!  I’m Becca, the new intern for Skiffy & Fanty!  Long story short, I’m ecstatic to be a part of this amazing community and to lend my own voice to it.  I’m happy to announce that I’ll be writing a few articles about the LGBT+ community within science-fiction and fantasy, and it starts here!   A significant aspect of these articles is the use of the word “queer,” which has been debated for years within the community.  For me, reclaiming the word has been an important part of my own identity, and is one way I can describe myself and others in this context without fear.  Here at the Skiffy and Fanty Show, we’re on our own journey to represent all of the wonderful people in the LGBT+ community, and we feel that using “queer” as an identifier is a more inclusive and supportive way to do so.  Check out this article from Pride.com for more information!

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SEA Quest: A SG Writer's Thoughts about ASEAN Lit

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SFF in ASEAN Writing Who am I? I write science fiction (mostly) and YA.  And things in between. What draws me to science fiction and YA? I like the genre. Science fiction is a genre. YA is the target audience, not a genre. I like science fiction because you can imagine worlds. You can write about werewolves in space and fantastic space battles. It’s basically what-ifs and futures and what kind of futures you want to see. Science fiction is visionary; it opens eyes and broadens horizons. It makes you think. It makes you travel through space and time. It has enormous potential for change. YA? I teach and I like teaching. My students happen to fall within this category. It talks about an interesting and not-so-easy time: the teenage years.

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Guest Post by Stephanie Burgis: Alternate History: Taking a New Path

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I love historical fantasy, both as a reader and a writer – which won’t surprise anyone who’s read any of my first five novels. Three of them (forming the Kat, Incorrigible trilogy) were frothy, fun MG adventures set in Regency England; two of them (Masks and Shadows and Congress of Secrets) were dark, romantic adult fantasies set at different historical points in the Habsburgs’ Austro-Hungarian empire. My first three MG novels and my first two adult novels have been very different in tone from each other, but there was one thing all five of those novels had in common: They all approached historical fantasy as a secret history, in which magic worked discreetly behind the scenes of our real history books. (For instance, the opera house at Eszterháza Palace really did burn down in the historical year I wrote about in Masks and Shadows – but in reality, I very much doubt it was burned down by an act of dark alchemy! Or at least…that certainly wasn’t the official explanation that landed in any of the history books I read. 😉 )

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The Intersection: IT

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I’m a Stephen King fan. He’s not perfect. No writer is. To this day, I still love his work. Anyway, I read IT ages ago, and the book gave me nightmares. My experience with the book was mostly positive. Mostly. One of the things that I like about King is that his characters often choose to be their better selves under dire circumstances. Also, in The Stephen King-verse, violence isn’t always the answer. I adore that. Of course, this philosophy complicates the task of writing a satisfying ending. Audiences want to see the Big Bad™ roughed up. This is why employing “Love defeats Hate” isn’t a simple or easy way to write a story. And this is why the end of IT…stumbles. To make matters worse, the novel suffers from one of the worst tropes when it comes to female characters: the “Woman equals Love” trope, even the children’s part of the story. The newest movie has similar issues, but at least it didn’t involve raping an eleven/twelve year old girl. I do like the novel—just not that part of it. Which is why I was relieved it wasn’t in this movie. (Thank the gods.)

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