Cover of The Scarlet Ball, by Nghi Vo, featuring an Asian woman in a red ballgown holding a white mask, with spectral hands reaching out toward her.
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Book Review: The Scarlet Ball, by Nghi Vo

If you’re like me, you should NOT do what I did and try to read a chapter or so of Nghi Vo’s new book, The Scarlet Ball, before bed. I ended up staying up into the wee hours reading this lush, sharp, scary, sexy, and utterly absorbing novel of manners and magic. It’s described as a historical dark fantasy, but it certainly verges on horror as well; however, it’s also amazing! If all you’ve read by Nghi Vo is the novellas from the Singing Hills Cycle, be aware that this book is very different from them. For one thing, it’s set in New York City in the Gilded Age; for another, it’s about desperate power struggles and making deals with demons. It has much more in common with Vo’s The Chosen and the Beautiful and its sequel, Don’t Sleep with the Dead. I adored both of those books, but they weren’t nominated for many awards, possibly because of being re-imaginings of F. Scott Fitzgerald’s The Great Gatsby, and what came afterward. (It’s even possible that they’re meant to be in the same universe as TSB, although later in this alternate history, since this book, like TCatB and DSwtD, refers to a drink called Demoniac.) I am hoping that The Scarlet Ball, with its completely original plot and characters, will win well-deserved recognition. From the publisher’s description:In exchange for enough wealth to outrun her past, Judith strikes a deal with the matriarch of the powerful Howard family: she will stand in for the missing Howard granddaughter, who was poised to make her debut when she disappeared. With Miss Iphigenia Marshall’s face stitched over her own, Judith is white, rich, and about to risk body and soul in the deadly games that determine which girls will find a match—and which will be devoured. If she can keep her wits and her life, her reward will be a husband with undreamt-of power who will be hers to command…so long as she can keep his infinite hungers fed. But to survive the season, Judith will have to seduce a storm in the shape of a man, before the night to which everything has been leading—the Scarlet Ball where the demons choose their brides.

The Skiffy and Fanty Show Podcasts

876. Beth Cato (a.k.a. The Haunted Housesitter) — A House Between Sea and Sky

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-876-beth-cato/SandF_876_BethCato.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSStrange homes, Hollywood secrets, and cozy bones, oh my! Shaun Duke and Paul Weimer interview Beth Cato about A House Between Sea and Sky! Together, they explore Cato’s approach to historical fantasy, the curious uses for bones, Golden Age Hollywood, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of Cassandra Khaw's Find Me Where It Ends, featuring an indistinct picture of a black dog with red eyes and a snarling mouth, against a gray background.
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Book Review: Find Me Where It Ends, by Cassandra Khaw

I first heard of the Black Dog (of death), as a psychopomp rather than a terrifying hellhound, in a 2023 reading of Peter S. Beagle’s story, “Mr. McCaslin.” That’s a gentle, sweet, and occasionally funny story. Cassandra Khaw’s upcoming short novel, Find Me Where It Ends, has some gentle moments and occasional humor, even bits of beauty, but it’s far more brutal and harsh, too; maybe that makes it more honest. In the end, however, it’s a story that provides some solace and strength. Find Me Where It Ends demands some content warnings, but it’s well worth reading.

The Skiffy and Fanty Show Podcasts

875. Norman’s Awesome Experience (1988; dir. Paul Donovan) — Torture Cinema #166

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-875-normans-awesome-experience/SandF_875_NormansAwesomeExperience.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSBalloons, confused Romans, and Omni, oh my! Shaun Duke, Paul Weimer, and Trish Matson join forces to talk about 1988’s Norman’s Awesome Experience. Together, they try to make sense of its plot, rip it apart for its treatment of the Romans, tear apart its ridiculous view of science, and much more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

874. Teenage Mutant Ninja Turtles (Eastman + Laird) — Reading Rangers

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-874-tmnt/SandF_874_TMNT.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSMutants, benign aliens, and feet clans, oh my! Shaun Duke, Stephen Geigen-Miller, and Daniel Haeusser join forces to talk about the first compendium of Eastman and Laird’s Teenage Mutant Ninja Turtles! Together, they talk about the history of TMNT, how to read action comics, TMNT’s themes and its connections of the comics to its adaptations, and much more! Thanks for listening. We hope you enjoy the episode!

Movie poster for Electric Meat (2026), directed by Dan Schaffer, featuring a bound body, a woman's face mostly covered in blood, a face with very intense eyes staring at the viewer, and a wall covered with photographs.
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Electric Meat (2026), directed by Dan Schaffer

Just making its world premiere at Tubi FrightFest 2026, Dan Schaffer’s directorial debut Electric M eat will likely polarize viewers with its experimental minimalist form and its psychosexual and artistic themes. Jarring throughout, the film opens with its high contrast black & white image and relatively quick cuts on scenes of abstract expressionism that immediately convey violence, hysteria, and insanity. And after what might be considered a brief prologue, the film continues in the same fashion, without dialogue beyond ethereal whispers barely detectable and a soundtrack of industrial or discordant intrusions. The latter fit not just with the atmosphere of madness in Electric Meat, but also its urban setting amid smokestack-saturated industrial wasteland.

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