I came to Kameron Hurley’s work early, getting a copy of God’s War back at the beginning of her career, and following her work and worlds since. Sometimes I’ve had questions or issues with her work, but throughout, the “blood, bugs, and brutal women” that have been a hallmark of all of her worlds and characters have sustained my reading interest and been a welcome expenditure of my reading time. It was thus with great anticipation that I picked up The Stars Are Legion, the new Space Opera from Hurley. I started this review and continue to engage with the author on a metatextual as well as a textual level because her work responds to that sort of analysis. No writer is separate from her creation, but some writers are very intimately connected to what they write, how they write, and why they write as they do. Hurley falls into this camp. So, I went into the novel with expectations that there would be strong female characters, violence, perhaps worldbuilding that might frustrate me a tiny bit, and a harsh and high contrast verse that engages my senses. In photography terms, instead of a placid and straightforward landscape or portrait, Hurley’s work pushes pixels in both directions, sometimes discordantly, to deliberate and eye-arresting effect.
