We’ve been enjoying ourselves forcing you guys to pick older movies and this month is no exception! The question is, what decade produced the WORST science fiction films? Honestly, I have no idea, and I really doubt this completely unscientific poll will answer that question, but WOW do these movies look awful! They’re all available on YouTube right now so if you want to watch before you decide, please do! But this poll ends on Friday, so hurry!
As a geneticist, Dan Koboldt has written extensively within his field of research and in nonfiction for the general reader (such as Clarkesworld) on science in speculative fiction and related genres. Expecting and hoping for his fiction to be filled with speculative elements related to genetics, I was caught off guard by his debut novel, a light-hearted portal fantasy titled The Rogue Retrieval. A successful start to a Harper Voyager series called “Gateways to Alissia”, it has been followed by The Island Deception earlier this year, and will continue in a third volume due early 2018. The protagonist and point-of-view character for The Rogue Retrieval is Quinn Bradley, a talented and witty stage magician/illusionist who dreams of finding large-scale success headlining Vegas. In addition to attracting the notice of casino reps, Quinn’s act also attracts the attention of agents for CASE Global, a secretive corporation with the financial resources to recruit Quinn into an exclusive contract too tempting to dismiss.
http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode327TortureCinemaMeetsFiendWithoutAFace/Sandf–Episode327–TortureCinemaMeetsFiendWithoutAFace.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSFacehugger brains, Canadian tourism, and the mountains of Manitoba, oh my! This month, Trish, Shaun, and David (our resident Canadian horror film professor!) talk about the 1958… ummm… classic? Fiend Without a Face! It’s bad, folks, I mean, it’s really bad… So bad that Shaun ends up defending the Transformers films in response. However, David lays down some horror film factoids and Trish appreciates the stupidity, so make of that what you will. We hope you enjoy the episode! Note: If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 327 — Download (MP3) Show Notes:
Welcome to my new comics review feature here at Skiffy & Fanty. Every month, I’m going to use this space to shine a spotlight on SF&F comics (including print comics, graphic novels, and webcomics) that I believe deserve more attention from SF&F readers. Because Saga and Squirrel Girl are freaking amazing, but there’s so much more out there to love! This month, I’m kicking things off by asking you to turn your attention to the graphic novel Another Castle: Grimoire. (This review contains spoilers.)
It’s been a long time since I’ve posted one of these. Since the Skiffy and Fanty crew collectively listen to more podcasts than there are episodes of our show (totally scientific, promise), it’s about time we brought the Around the Podosphere back to share some of the goodness worming its way into our ears. So, here goes:
My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Tansy Rayner Roberts. My superpower is making extra work for my publisher. When your publisher is one of your best friends, and you’re invested in her success almost as much as your own career, it’s a very different relationship than when they are a distant, shiny corporation in a big city somewhere in the world. I’ve had quite a few publishers over the last 19 years as a professional author, and I am very attached to many of them, but Twelfth Planet Press feels like my baby almost as much as it belongs to its publisher, Alisa Krasnostein. I’ve been there from the beginning; watched her projects and aesthetic evolve. I was there as the idea for ‘hey what about monthly collections by female authors’ developed into a massive, sprawling 4 year project.
