Cover of It Came from the Floodwaters by Seann Barbour, featuring a blue skull against a black background, with red lettering.
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Book Review: It Came from the Floodwaters, by Seann Barbour

If you’re looking for an entertaining, tightly focused horror tale with interesting, diverse characters and a strong arc for the protagonist, you should consider Seann Barbour’s new novella, It Came from the Floodwaters, coming March 13. It starts out with people trapped in their Savannah apartment building by rising floodwaters, throws in some spooky notes, and then quickly escalates to pulse-pounding action with a high body count. But because the Big Bad is particularly interested in one special person, there’s also lot of creepiness woven throughout the story, along with the adrenaline rushes.

The Skiffy and Fanty Show Podcasts

854. Krakatit (1948; dir. Otakar Vávra) — At the Movies

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-854-krakatit/SandF_854_Krakatit.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSSurrealist apocalypses, power games, and WMDs, oh my! Shaun Duke and Daniel Haeusser join forces to discuss Krakatit (1948; dir. Otakar Vávra), recently re-released by Deaf Crocodile. Together, they explore the film’s gorgeous visuals, its surrealist dream logic, its politics and ideas about mass destruction, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of Jitterbug by Gareth L. Powell, featuring a silhouetted black rocketship against a red background with white grid planetoids, with tethered astronaut being dragged behind it against a black wake behind it.
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Review: Jitterbug by Gareth Powell

Gareth Powell’s Jitterbug takes Powell’s talents for Space Opera and sets them into a Baxterian-like story of Big Dumb Objects, a starship crew, and the fate of humanity.  The fate of humanity and the universe is nothing new for Gareth Powell. He’s written plenty of large scale science fiction, be it Future’s Edge, with a destroyed Earth and alien artifacts, or Stars and Bones, with humanity on arks, or the Embers of Wars novels, full of Big Dumb Objects. But always, going back earlier to his Ack-Ack Macaque novels, it’s in the end about the characters, not all of them human, that really is the center of the story. In Jitterbug, however, Powell keeps his character focused style of novel and story, and enlarges the outside scale even more this time.

Cover of Hell's Heart, by Alexis Hall, featuring a great eye surrounding by squirming pink tentacles, against a black background.
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Book Review: Hell’s Heart, by Alexis Hall

It did take me just a little work at the beginning of the book to get into it. If you hated Moby-Dick for its pacing, or lack thereof, and for all its digressions, you’ll almost certainly hate Hell’s Heart too. If you hate disaster characters, you’ll cringe at many decisions made by “I.” But there’s much more than enough in here to keep an attentive reader thoroughly engaged and entertained. I thought it was great!

Free Planet, Volume 1 - cover
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Comics Review: Free Planet, Volume 1

If it wasn’t clear by now, in addition to being very good comics, this is very good science fiction. There are many ways to approach science fiction in the comics form, but this might be the most genuinely speculative, the most deeply considered and textured, the most well-thought-out future history of any comic I’ve read since my old friend Carla Speed McNeil’s Finder – and Finder was one of my favorite comics of all time. There are no SFFnal elements that feel extraneous, tacked-on, or like they’re there just for Rule of Cool.

Kickstarter page image for The Cookout anthology, featuring a ticket, a flying saucer, jellyfish floating in space or the sea, and various cookout foods including sausages and shish kebabs.
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Kickstarter Signal Boost: THE COOKOUT: An Anthology of Speculative Fiction from the African Diaspora, Edited by Erin Brown, Emmalia Harrington, Tonya R. Moore, & P.C. Verrone

Coming up in March we’re planning a podcast Signal Boost interview with writer/editor Tonya R. Moore about The Cookout, an anthology of science fiction and fantasy stories by Black authors of the African diaspora, centering on the traditions of “the cookout” — the joy, the drama, and the delicious food! A Kickstarter campaign is currently going on to support the anthology and help pay the contributors, who include Brent Lambert, Eden Royce, DaVaun Sanders, and Sheree Renée Thomas to date. There is just FIVE more days left to support this campaign, before we have the live recording with Moore or are able to release the podcast, so we’re also boosting this now on the blog. They are close to their goal, so be sure to check it out and help if you are able! Moore is a Jamaican speculative fiction writer and editor based in Florida. She is the editor-in-chief at Rogue Star Magazine, Poetry Editor at Solarpunk Magazine, and an associate writer at Galactic Journey. Her latest short story publications include “Water Baby”, published in The Magazine of Fantasy & Science Fiction and “Anansi and the Astronaut”, published in the Spacefunk! Anthology. Moore is co-editing the collection with three others: 1) Erin Brown, a poet and author of horror, fabulist, and fantasy short fiction who has been published in FIYAH, Nightmare, Midnight and Indigo, The Deadlands, and many other venues, 2) Emmalia Harrington, a disabled QBIPOC novelist of Walk on Grey Ruins, whose short stories can be found at FIYAH, Abyss and Apex, Flame Tree Press, and elsewhere, and 3) P.C. Verrone, an author and playwright whose work has appeared in FIYAH, Nightmare, PodCastle, and numerous anthologies, and whose debut novel Rabbit, Fox, Tar is forthcoming from Catapult this year. Why The Cookout? How did this idea come about? Find more information on The Cookout and its editors/contributors on its website. And help support the project on Kickstarter.

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