781. Galaxy Quest (1999) — At the Movies w/ Marshall Ryan Maresca
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-781-galaxy-quest/SandF_781_GalaxyQuest.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSCrawfish villains, Trekkies, and Alan Rickman, oh my! Shaun Duke and Daniel Haeusser are joined by Marshall Ryan Maresca for a discussion of 1999’s Galaxy Quest! Together, they tackle the film’s comedic stylings, exceptional casting choices, the realms of parody and homage, and even creature work! Thanks for listening. We hope you enjoy the episode!
780. S&F Clacks #7: The “Problem” w/ Worldbuilding
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-780-clacks-7-worldbuilding/SandF_780_Clacks7Worldbuilding.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSTotalizing worlds, imagined cultures, and genre limits, oh my! Shaun Duke, Paul Weimer, and Stephen Geigen-Miller join forces to discuss the so-called “problems” with worldbuilding, the impact of worldbuilding obsessions on story, and what SF/F could be without so much worldbuilding! Thanks for listening. We hope you enjoy the episode!
Short Fiction Review: June 2024
My favorite stories from June feature characters who are struggling to find answers or closure and who are interrogating the narratives that reinforce power. In “In the Hands of the Mountain God” by Deborah L. Davitt (published in Lightspeed Magazine), a woman reckons with the problem of evil, risking her own life to get demand answers from a god. “Three Faces of a Beheading” by Arkady Martine (published in Uncanny Magazine) is a smart and surprising story about the power of narratives, both those published in history books and those we watch/play out in games. “Himalia” by Carrie Vaughn (published in Clarkesworld Magazine) is set on a lunar outpost that’s about to be abandoned, a beautiful, detailed setting for a story about moving forward even when closure is hard to find. “In the Hands of the Mountain God” by Deborah L. Davitt After a plague kills Sennu’s family and people, she finds herself at a monastery of Eero the mountain god. Eero isn’t even one of Sennu’s people’s gods, but it seems her gods have died. Eero, at least, “was a god. He might have answers for her. An answer for the terrible whys that burned in her heart and soul.” So Sennu, brimming with grief and rage, struggling against despair, prepares for a dangerous pilgrimage to meet Eero and hopefully wrest some answers out of him. This is a story, in short, about the problem of evil: about why awful things happen to good people, about grappling with these “terrible whys” and trying to find some way to move forward. It’s a meaningful and relatable story. Crucially for a story like this, the ending is strong. The problem of evil doesn’t have easy answers, so it would be easy for a story like this be feel unsatisfying, whether because it doesn’t offer any insights or it offers poor ones. Instead, the story leans into the character of Sennu — her strength and her desire — and offers a believable, moving, and satisfying conclusion. If you appreciate stories that incorporate religion, or if the problem of evil keeps you up at night, check this one out! “Three Faces of a Beheading” by Arkady Martine “Three Faces of a Beheading” has three main threads. First, there’s the present day, in which “you” watch and participate in “mass-story games,” which are kind of like live streamed virtual reality role-playing games. An anonymous player piloting “the Soldier” makes a bold — and dangerous — political statement about the empire/regime you live under, which both inspires and unnerves you. This portion of the story feels like a near-future world, one that’s novel and weird yet deeply relatable and arguably already here. For example, I particularly enjoyed this line: You’ve played the Soldier. Everyone tries it, once or twice. (Everyone who gets into mass-story games, at least. There’s people out there whose lives are very boring and don’t contain narrative experiences at all. You’ve met them at work.) Second, there’s a history: the story of a failed revolt against the empire, the story which informs the mass-story game you’re watching/playing. This pairs well with the third thread: a detour into an academic mode (complete with footnotes), reflecting on historiographies, narratives, power, and politics. For example: A historiography presents a view of events-which-happened which is acceptable or understandable to the larger culture-complex, even when that view is meant as an intervention into the current state of affairs—a historiography which means to rehabilitate a ‘bad’ emperor, for instance, is still engaged in normative narrative-making, as it uses the values which already exist in the culture to make new claims about events which have occurred in the past. The academic discourse is admittedly dense, but as a nerd for these sorts of things, I enjoyed it! However, it’s the shortest part of a fairly short story and history of the revolt is easier to follow. Together, these threads remind readers that the histories we tell are contingent things — the historical narratives we weave don’t just serve power but can be rewritten to question and challenge power as well. The present-day thread extends that to the stories we play out in video games and around the tables of role-playing games. These narrative experiences are inextricably political — and therefore powerful and important. “Three Faces of a Beheading” is a marvelous story about history — not just what happened in the past but importantly how we form narratives and create meaning from the past and how those narratives wield power. This is a fun, opinionated, and surprising story, one that’s both playful and weighty, and I highly recommend it, especially to fans of video games, role-playing games, history, or academia. “Himalia” by Carrie Vaughn Jenny grew up on Himalia, a small moon of Jupiter. Her family is part of a mining co-op that set up a temporary base on the moon, one that’s lasted for decades. Jenny left years ago to find her own way in the system, but now she’s returned to visit because the base is closing down and soon to be abandoned. It’s her chance to reconnect with family and friends and say goodbye to the place she grew up in. Importantly, it’s Jenny’s chance to make amends with and support her childhood bestie Niri, who was never able to bring herself to leave Himalia before and who even now may not be ready to abandon her home. Similar to The Expanse, this story takes place in a universe where humans have colonized the solar system, with outposts on different planets and moons. It’s futuristic, but believably so, imaginably so, and this story pays fine attention to the details of it. Vaughn does a tremendous job immersing you in the setting, making the moon feel inhabited and the story feel real. Here’s an example: Going from artificial light to open space, I needed a moment to take stock. The filter darkened my visor, but I squinted anyway, reflexively. The rule was to look at your
Comics Review: Failure To Launch: A Tour of Ill-fated Futures
Failure To Launch, in its theme, structure, and overall approach – the promotional material uses the phrase “bite-sized ‘pop-history’ vignettes” – reminds me a lot of the Big Book Of series published by Paradox Press (an imprint of DC Comics), between 1994 and 2000.
Into the Wardrobe: 2095 by Jon Scieszka (1995)
As with other books I’ve been finding at thrift shops and using for Into the Wardrobe, the Time Warp Trio series is one I was too old for when it was originally published, so I’m completely new to it. According to Goodreads, the series went on for 16 volumes, and it spawned a television show adaptation.
778. R.O.T.O.R. (1987) — Torture Cinema #142
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-778-rotor/SandF_778_ROTOR.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSBad boy robots, cop mustaches, and lassos, oh my! Shaun Duke and Daniel Haeusser join forces to discuss 1987’s R.O.T.O.R! Together, they try to unravel its dystopian vision of Dallas, Texas, why it chose to use a strange dub for the main character, what the police do in this hellscape, and the terrors of very bad robots chasing people who don’t know how to run. Plus, more! Thanks for listening. We hope you enjoy the episode!
