Genre Fiction

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“Where Are the Wise Crones in Science Fiction?” by Athena Andreadis (Reprint)

[This essay first appeared at the Astrogator’s Logs of Starship Reckless.] “The childishness noticeable in medieval behavior, with its marked inability to restrain any kind of impulse, may have been simply due to the fact that so large a proportion of active society was actually very young in years.” — Barbara Tuchman, A Distant Mirror: The Calamitous 14th Century Until recently, women died on the average younger than men, primarily in childbirth – though they also died from overwork, undernourishment and beatings, like the beasts of burden they often resembled, or were killed in infancy for having the wrong hardware between their legs. However, this changed in the last few decades. UN records indicate that most of the world’s aged are now women (ignoring the “girl gap” of China, India and other cultures that deem sons a sine qua non). Concurrently, biology is (reluctantly) coming to the conclusion that grandmothers, particularly maternal ones, may have made humans who they are.

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Book Review: Upgraded edited by Neil Clarke

As a rule, I loathe anthologies in which the stories are united by a narrow subgenre. A general editorial direction is something I appreciate, but I have had several experiences in which I was lured in only to throw the book across the room after two or three stories. “Self, what the hell were you thinking? Did you really want to read twenty some-odd stories in a row about the Lovecraftian mythos/sapient aliens/marketing gimmick du jour?” It is therefore a great testament to the quality of the stories in Upgraded, a 2014 anthology edited by Neil Clarke, that I actually finished it.

The Skiffy and Fanty Show Podcasts

224. Multicultural Steampunk, World SF, and War Stories w/ Diana Pho and Andrew Liptak at ICFA

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode224DianaPhoAndAndrewLiptakAtICFA/SandF%20–%20Episode%20224%20–%20Diana%20Pho%20and%20Andrew%20Liptak%20at%20ICFA.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSRetrofuturism, power armor, and awesome clothes, oh my!  In one of our last recordings from ICFA, Diana Pho and Andrew Liptak join us to discuss Beyond Victoriana, multicultural sf, Western influence, and the now-available anthology, War Stories edited by Andrew Liptak and Jaym Gates. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 224 — Download (MP3) Show Notes: Beyond Victoriana (Diana’s Website) Diana’s Twitter Andrew’s Website Andrew’s Twitter Andrew’s Kirkus Page War Stories (buy it!) Apex Books The Reads: SteamPowered:  Lesbian Steampunk Stories edited by JoSelle Vanderhooft Steampunk World edited by Sarah Hans Virtuoso by Jon Munger Boilerplate:  History’s Mechanical Marvel by Paul Guinan and Anina Bennett Frank Reade:  Adventures in the Age of Invention by Paul Guinan and  Anina Bennett Leviathan Series by Scott Westerfeld The Clockwork Century Series by Cherie Priest Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

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Geekomancer Under Glass – Fall 2014 TV (Part One)

It’s that time of year again — New TV time! Here’s a short run-down of some early thoughts about the Fall 2014 TV season based on a few pilots and season openers. Gotham Let me start by saying that I’m a big Batman fan. You might already know this. I should also say that I love the comic series, Gotham Central. Gotham, however, is is not the TV show I wanted it to be. I wanted it to be a Gotham Central show, where GCPD cops try to keep the peace in an un-governable city cursed with larger-than-life villains and a guardian angel who is more terrifying than most of the villains he fights. But it’s not that show, and it’s not trying to be that show — it seems like it’s trying to be the story of Gotham before Batman and the story of the various villains and how they become who they are when Batman emerges.

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Mining the Genre Asteroid: War for the Oaks by Emma Bull

Eddi McCandry is the guitarist for a band that has just broken up. Her career in rock’n’roll is going nowhere; she’s broken up with her boyfriend; and she is more than a little adrift. Luckily for Eddi, a twist of fate makes her the one selected as the talisman for the conflict between two warring factions of faerie:  Seelie and Unseelie. They need a mortal present in order to be able to actually war against each other and physically battle, and Eddi has gotten the job. Add in a Phouka keeper to shepherd her through the runup to the Faerie confrontation, Eddi’s attempts to form a new band and find herself and her musical voice, and a gigantic helping of late 1980’s Minneapolis. And did I mention the Unseelie are trying to kill her?

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Metropolis (1927), Feminism, and Influence

Since there seems to be so much noise these days about the Golden Age of SF, I decided to begin rewatching (or in some cases, watching) classic genre films in order to get a more sound foundation in my chosen genre. If I do this with novels, why not films? In this case, I’m glad that I did. One of my graphic design professors had us watch Metropolis in class. I’d vaguely remembered it as stylish — it’s a fine example of Art Deco design — and only a little coherent. At the time, I wondered why anyone would sit through the whole thing. It made no sense. The professor didn’t mention that the film had been censored. I’m not sure she was aware of how much it’d gotten cut as she didn’t mention it in the introduction. When I looked for it on Netflix, I found two versions. The first claimed to have restored footage and an 80s soundtrack. The second also had restored footage. What I failed to notice was that the first print was one hour and fifteen minutes long. The second? Two hours and fifteen minutes. I recall the version I saw in class was less than an hour. Wow.

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