Genre Fiction

The Skiffy and Fanty Show Podcasts

182. Wesley Chu (a.k.a. Spymaster 1000) — The Lives of Tao (An Interview)

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode182InterviewWWesleyChu/SandF%20–%20Episode%20182%20–%20Interview%20w%20Wesley%20Chu.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAlien wars, symbiosis, and kung fu, oh my!  Wesley Chu joins Shaun, Julia, and Mike to discuss his thrilling science fiction novels, The Lives of Tao and The Deaths of Tao.  We talk genre blending, comedy and writing, injecting one’s personal life into their fiction, and much more! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 182 — Download (MP3) Show Notes: Wesley’s Website Wesley’s Books Wesley’s Twitter You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0).  Additional music from “Coffin Ships” by (Peter DiPhillips) / CC BY-NC-SA 3.0 That’s all, folks!  Thanks for listening.  See you next week.

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The Disquieting Guest — Hannibal, Horror and Television

I’m dreadfully late to this party, but over the course of the last few weeks, I finally had the chance to catch up on the first season of Hannibal. By and large, I enjoyed it very much, especially Mads Mikkelsen’s incarnation of the title character. I was very struck, too, both by how stylized the series is and how committed it is to bringing full-on horror to the small screen. In this respect, it is a pretty rare animal.* In his chapter about horror on television in Danse Macabre, Stephen King writes that horror has not been well-served by the medium. One of the big problems is that “television has really asked the impossible of its handful of horror programs — to terrify without really terrifying, to horrify without really horrifying, to sell audiences a lot of sizzle and no steak.” This is back in 1981, and the television landscape has, of course, changed radically since then. There were exceptions to this rule that King could point to then, and there have been even more since, but I think there is still a fair bit of

The Skiffy and Fanty Show Podcasts

181. SF/F and Music w/ Peter Orullian and John Anealio

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode181PeterOrullianAndJohnAnealio/SandF%20–%20Episode%20181%20–%20Peter%20Orullian%20and%20John%20Anealio.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSDeath metal, the fantastic, and ruuuurrrrrrrrr, oh my!  Author Peter Orullian and geekninja musician John Anealio join Paul and Shaun to discuss the intersection of music and science fiction and fantasy, recommendation politics, and much more. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 181 — Download (MP3) Show Notes: Peter Orullian’s Website Peter’s Twitter Peter’s Writing John Anealio’s Website John’s Twitter John’s Music You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0).  Additional music from “Coffin Ships” by (Peter DiPhillips) / CC BY-NC-SA 3.0 That’s all, folks!  Thanks for listening.  See you next week.

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My Superpower: Daniel Ionson

My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Daniel Ionson to talk about how his power of making nothing happen relates to After Life. In the game of Paper-Rock-Scissors, my superpower trumps all of the Supermen, X-Men, Whatever-Men, every time… in the most boring way possible. It’s the “Non-Event Sphere.” Wherever I go, there, nothing happens. How did I get such a plain cheese-sandwich superpower? Because the Universe and I made a pact: I decided that I was willing to forgo anything like an “adventurous life” so long as I can have an entire expanding series of multiverses in my head.

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Confessions of a Comics Junkie: Identity, Obsessions, and Everything

I buy quite a lot of comics — probably not as many as some, but enough that my collection has started to get a little overwhelming.  There are currently two long boxes of comics in my closet.  Full.  And on top of those long boxes are two stacks of comics that are likely to fill a third long box.  That’s a lot of comics to have collected in only a few months.  Lucky for me, I am good at finding deals, and my local comic guy gives me a discount on new comics if I pre-order them.[1] On top of that, I easily read fifty or sixty comics a month when I’m busy.  Right now, I’m 11 comics into Marvel’s The Ultimates, which I mostly read during the shortest third leg of my flight from Florida to California.[2][3]  On a good month, I can go through a crossover event or two in a week — Flashpoint and Avengers vs. X-Men events took me less than a week each. [4] So not only am I buying the heck out of comics, I’m also reading them

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Mining the Genre Asteroid: Lest Darkness Fall by L. Sprague De Camp

In late 1930’s Rome, American archaeologist Martin Padway is having a holiday from his dig in Lebanon. Over dinner with his Italian friend Tancredi, a discussion of the nature of time and how a man might change the web of time becomes of eminently practical use when, a few hours later while studying the Pantheon, Martin finds himself cast back in time, to 6th Century Rome. In 535 AD Rome, The Roman Empire is a half century dead, in the West anyway. The Gothic Kingdom rules Rome and Italy. The Byzantines lurk to the East, dreaming of reconquering Italy for the Eastern Roman Empire. Martin himself is a stranger in a strange land, of competing Christian sects and ambitious nobles. Its going to take all of Martin’s wits to not only survive in an alien country, but to forge an even grander scheme. You see, at the cusp of the long slide after the fall of the Western Roman Empire, Martin realizes he is at an important moment of history, and as per his old friend, might be able to tackle the greatest challenge of all:  To keep the Dark Ages from occurring. Lest Darkness Fall is a classic time travel story by L. Sprague De Camp. In six decades of writing, L. Sprague De Camp, separately and in collaboration, wrote over 100 books and numerous stories. From straight historical novels like Dragon at the Ishtar Gate to time travel stories like Lest Darkness Fall to reconstituting Burroughs like Sword and Planet stories with the Viagens Interplantarias series, De Camp was a seminal figure of early science fiction and fantasy who quietly but inexorably influenced generations of contemporaries and successors. While the conceit and methodology of sending Padway into the past is clearly just a literary device, once Padway finds himself in Rome, the novel goes into a “hard alternate history” sort of mode. No more fantastic elements.  Padway struggles with the language; his Latin is rusty, and it gives De Camp a

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