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Cover of Nobody's Baby, by Olivia Waite, featuring two men and a woman dressed in Edwardian(?)-style clothing, leaning over a big white crib with a baby in it; the room has plants, but behind them are windows revealing a starfield.
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Book Review: Nobody’s Baby, by Olivia Waite

Using medical logs and other ship records, Dorothy quickly finds out the baby’s genetic heritage, but its origins are still swaddled in mystery. There’s a highly suspicious gap in the memory of someone who really ought to know what happened, so Dorothy has to do a bit of digging to find out the motives of several people involved (or not) with this little bundle of joy.

Cover of On Sundays She Picked Flowers by Yah Yah Scholfield, featuring a dark-skinned woman looking side-eyed through branches and plants.
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Book Review: On Sundays She Picked Flowers, by Yah Yah Scholfield

An amazing new talent has burst onto the Southern Gothic horror scene. On Sundays She Picked Flowers is the self-published debut novel of Yah Yah Scholfield, but I sure wouldn’t have guessed that from the text (reissued Jan. 27, 2026 by Saga Press). Protagonist Jude is a fa character, the environment she lives in is rich enough to sink into it, the love story is disturbing yet striking, and in the end, Jude finds a way to make peace with her violent past and her current situation. Violent? Oh, yes, this book contains very graphic violence, from beatings to fights and homicides, with very messy results. It is deliberatively transgressive along several other axes, too, but for the story, not for shock value. Nothing feels cheap or sensational here, but rather, thoughtful and deeply felt (and often sensual).

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