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Cover of Metal from Heaven, by August Clarke, featuring a woman and several other people, seen from behind looking from a forest toward a civilized enclave.
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Book Review: Metal from Heaven by August Clarke

It starts off as a novel interested in worker’s rights…and changes into a novel about anarchy and communes with the equivalent of a pirate town, as we watch Marney grow into who and what she is. It’s a novel that explores Marney’s power and disability, her toxic ability to manipulate Ichorite, that both poisons her and yet is also malleable to her magical power. 

Cover of One Level Down by Mary G. Thompson, featuring a stack of cubes with clouds and skies on some sides and circuitry on others, with a little blond girl walking on one of the lower levels.
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Book Review: One Level Down, by Mary G. Thompson

I found the focused self-control and resilience of the protagonist inspiring, and I was rewarded with a very satisfying conclusion. This is a novella with a compelling character and some really interesting ideas, and I will definitely be looking for more from Thompson.

Cover of The Incandescent, by Emily Tesh, featuring a coppery line drawing of a bird against a dark background of stars and planets in orbits.
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The Incandescent by Emily Tesh

It’s not that surprising to me that this perspective has been uncommon in fantasy, because the shininess of students learning magic is just so iconic and emblematic. But Tesh shows us that the space of teachers, adults, in a “magical school”, as front and center characters, is intensely interesting.

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