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Book Review: Tales from Rugosa Coven (2026 edition), by Sarah Avery

Like most people, I never got to read the edition of Tales from Rugosa Coven that was published in 2013, even though it won the Mythopoeic Fantasy Award in 2015. When the rights reverted to author Sarah Avery, her blog said that it had only sold a few hundred copies, including print and ebooks. The book found a new home with publisher Candlemark & Gleam in 2025, and an updated and revised edition is now available for preorders, with the release set for Aug. 1. I have been privileged to read an eARC of this version, and it’s great! This is one of the most grounded-feeling urban fantasies I’ve ever read, with deeply developed characters whose real-life issues marvelously intertwine with the magic in their lives, featuring a strongly positive theme of a supportive, inclusive community.

Cover of transmentation-transgression, by Darkly Lem, featuring a swirl of red-orange-yellow colors and suggestions of structures or civilizations.
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Book Review: TRANSMENTATION | TRANSGRESSION by Darkly Lem

Last year on the podcast we interviewed Craig Lincoln & Cadwell Turnbull, two members of the multiverse SF writing collective published as “Darkly Lem,” which also includes Josh Eure, Ben Murphy, and M. Darusha Wehm. I this we discussed the first book of their Formation Saga series, Transmentation | Transcience, published by Blackstone Press. Our own Princejvstin also reviewed the novel for Nerds of a Feather. The Formation Saga stems from the Many Worlds, or The Simulacra anthology edited by Eure and Turnbull and featuring stories from the other members of Darkly Lem as well as other writers. Building a shared multiverse of “reality-bending stories” described as ranging “from quietly strange to ambitiously speculative,” the series rests on the foundational concept that societies of inter-dimensional travelers have developed across a primary universe through the ability of people to transfer consciousness between other universes, entering new bodies (known as proxies, or related terms depending on the society.) The bodies they leave behind in the primary universe continue existence, almost like automaton shells, while the state of the in-universe identities of the proxies their consciousness enters into become suppressed. Different societies have arisen through this power and ability of multiverse travel and expansion, with varying political and social characteristics across the spectrum. But as this has built up, the activities of the different societies find themselves interacting and in conflict more frequently at the level of individual travelers and society-wide machinations. Meanwhile, the nature of this ability to travel the multiverse, ‘gifted’ to humans via a mysterious entity known as the Simulacrum, itself remains enigmatic and ambiguous, raising core existential questions for the travelers. Do these abilities extend to life beyond humans? What is the nature of the body left left behind and its identity? Are the lives and rights of individuals in other universes equivalent to those in the primary universe? Are any from other universes entering the primary? Transmentation | Transgression: Or, a Spark on the Eve of the Five Hundred Year Burn continues the Formation Saga immediately following the events of the first book that climaxed with a clandestine assassination. The second novel continues to delve into a large cast of characters across the societies of travelers and through this also explore more into the nature and effects of traveling, particularly the confusion it can cause for self-identity.

Cover of Leviticus (2026) features the back and side profile of a young man in the embrace of another ... or ... ?
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Movie Review: LEVITICUS (2026), Directed by Adrian Chiarella

Back in February at this year’s Sundance, buyers reached the first deal of the film festival with the pick up of Adrian Chiarella’s Leviticus, produced by the Australian Causeway Films that also helped make Bring Her Back and the Babadook. Previously known for some well received short films in the past decade, Chirarella has kept busy directing episodes of several TV series amid writing and directing Leviticus. The rapid sale of Leviticus and its current summer release in theaters accurately reflects the quality, relevance, and resonance of this film described as conversion therapy supernatural horror. Yet for all its moments of darkness and uncanny terror, the ultimate message of Leviticus is one of resilience and hope.

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Book Reviews: Hugo Best Novel Finalists

The Skiffy and Fanty Show doesn’t, as a group, rank or endorse Hugo Award finalists, although individual columnists certainly may have their favorites. However, over the course of the past year and a half, Paul Weimer and I have reviewed all six of this year’s Best Novel finalists. All but one of those reviews were posted in the first four months of 2025, long before the finalists could be nominated, let alone announced. That just goes to show that at Skiffy and Fanty, we’re doing a good job of keeping our eyes on the speculative fiction field, although of course there’s too much out there to avoid missing some of the good stuff now and then. For the convenience of anyone new to the show/blog or who wants a refresher before voting for the Hugos, we’re linking all six reviews here. They’re listed in the order that the reviews were published, not indicating any preference.

Cover of Devils Kill Devils by Johnny Compton, featuring a small golden silhouette standing against a vast shadow with teeth.
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Book Review: DEVILS KILL DEVILS by Johnny Compton

Johnny Compton’s debut novel The Spite House from Tor Nightfire in 2023 was one of my favorite gothic horror reads in the last years, a familiar yet fresh take on the haunted house genre that read as if it were very personal to Compton, full of soul. It’s a story steeped in location and history. Though full of complexities, including multiple points of view and revelations, it’s simplified in the very relatable familial connection between a father and his daughters. A year or so later Tor Nightfire published Compton’s next novel, Devils Kill Devils (he’s also had Dead First released earlier this year through a new publisher). There are some things in common between Devils Kill Devils and The Spite House beyond being classified as horror/thrillers. Devils Kill Devils also uses multiple points of view and builds a complex plot of revelations. The world-building mythology of it is even stronger, however, as Compton turns to adapting vampire folklore into something new that has dashes of religious cult and cosmic horror in the mix. Researching and returning to global elements of vampiric legend, Compton’s vampires aren’t exactly the typical gothic or romanticized form that has become familiar to modern cultures. Here it is something more ancient, more demonic, tying into those horror sub-genres just mentioned.

Cover of Star Trek: Picard - To Defy Fate, by Dayton Ward, featuring Rafaela Musiker, Jean-Luc Picard, Wesley Crusher, Seven of Nine, and Beverly Crusher, clustered around a feminine silhouette at the center of a vortex/broken glass.
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Book Review: STAR TREK – PICARD: TO DEFY FATE by Dayton Ward

When CBS Paramount elected to move forward with the Star Trek Picard series on its streaming service it spelled curtains for a long-running Star Trek literary universe that tied together previous concurrently set Star Trek series of The Next Generation, Deep Space Nine, and Voyager. Like the Disney Star Wars sequels that relegated all those novels to ‘legends’ to make way for a new official “canon” so went Star Trek. Just as those Disney sequels now make the whole endeavor seem so not worth it, so too would I argue went Picard. The series was very hit or miss, far too simultaneously over- and under-developed. And the official canon Picard novels were generally tangential and mediocre by way of avoiding to do anything of substance, as the show still went on its wild course. Unlike the Star Wars novels, however, some of the biggest Star Trek literary universe authors were allowed to publish books that ended the continuity that they and their colleagues had built up, and pave the way (through the standard multiverse model of SF) to set up new canon continuity for characters and the setting. These were the Star Trek Coda trilogy by Dayton Ward, James Swallow, and David Mack. It too was wild, maybe a bit over-developed, but it was also glorious and a satisfying way to tie things up. Now that Picard is over and we’re back into having novels that may or may not stay canon, Dayton Ward returns to the characters of those three older Star Trek series… and the newer streaming series of Discovery, Picard, and Strange New Worlds to pen a novel very similar in style to Star Trek Coda. Something that takes characters and ideas from all these franchises and puts them into a multiverse adventure that imagines where a new literary universe (or multiverse) can go from where things left off in Picard. This is Star Trek – Picard: To Defy Fate.

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