Blog Posts

Blog Posts

Book Review: These Memories Do Not Belong to Us, by Yiming Ma

Memory is a subject that has long been of interest to science fiction writers, but naturally it is becoming much more topical with artificial memory extensions available via data files (notes and recordings) and the Internet. We’re not at the stage yet where actual memories can be preserved, transmitted, or uploaded, but those processes do seem likely to arise eventually. However, at that point, all sorts of moral and societal questions arise, such as, who gets control over those memories? In much of North America and Europe, the answer would likely be a combination of corporations and government. In Yiming Ma’s 2025 novel, These Memories Do Not Belong to Us, the Party that rules Qin (and apparently most of the world) decides what memories are appropriate for upload to the network of everyone’s Mindbanks, and what memories should be deleted, with their holders destined for punitive re-education; however, quite a few people hold onto memories that they suspect may be borderline, and some choose defiance, however ephemeral. These Memories Do Not Belong to Us is structured as a set of short stories, framed with interstitial messages from one such rebel, who found a trove of unauthorized memories upon his mother’s death, experienced them, and decided to share them with the world despite the punishment he’s sure he’ll face. They’re not all his mother’s memories, not even most of them, but rather memories she somehow gathered from other sources throughout history, from what seems to be the past or present, to a near-future war, to shortly after the war, to a far future.

Cover of The Autumn Springs Retirement Home Massacre, by Philip Fracassi, featuring a shadowy silhouetter hand holding a butcher knife poised for a downward stab, although the blade appears to be reversed.
Blog Posts

Book Review: THE AUTUMN SPRINGS RETIREMENT HOME MASSACRE by Philip Fracassi

Though in her seventies, Rose DuBois is still full of life, surrounded by her small group of friends in the Autumn Springs Retirement Home and connected with her daughter and grandson. However, as active and involved that she is within the community, she finds it hard to committing herself to any deeper or passion-filled relationship like so many of her fellow residents seem to pursue. She’s not looking for a new partner, but is content with the freedom of possibilities she can enjoy in late life while still appreciating the friendships she’s established, particularly with Beauregard Mason Miller (just plain Miller). When one of the residents appears to die from a fall and injury, no one at Autumn Springs is particularly surprised. And when her partner soon follows her in an apparent suicide, there is some heightened shock, but nothing that cannot be explained or understood. But then the deaths keep coming. Rose and Miller consider some of the true crime stories they enjoy to talk about and begin to suspect that something similar may be happening here: A killer seems to be loose in Autumn Springs. But who is it? Could it be the crazy conspiracy theorist down the hall, or could those three odd sisters that everyone whispers about being witches somehow be involved? A police detective slowly begins to pay closer attention, but the escalating fear and chaos within the walls of the retirement community may make it too late for Rose and her friends to enjoy the last moments of existence they have left. In The Autumn Springs Retirement Home Massacre, Philip Fracassi takes the core of slasher tropes and transfers it from an isolated community of hormone-driven, substance-imbibin’ teens (like a camp) to an equally horny and drug-saturated group of septua- and octa-genarians. The formula fits perfectly while making the entire thing seem completely fresh and interesting.

Cover of Psychopomp & Circumstance by Eden Royce, featuring a young black woman in a high-necked gown, with her hair worn high, and fancy earrings, against old-fashioned patterned wallpaper.
Blog Posts

Book Review: Psychopomp & Circumstance, by Eden Royce

I enjoyed Eden Royce’s new book, Psychopomp & Circumstance, coming Oct. 21. It’s billed as a Southern Gothic fantasy, but for me, it’s much less about the fantastic and much more of a coming-of-age story, as a young woman learns to stand up for herself and make choices; she also learns some unsettling truths about her family and its history.  From the author’s website:Phee St. Margaret is a daughter of the Reconstruction, born to a family of free Black business owners in New Charleston. …When word arrives that her Aunt Cleo, long estranged from the family, has passed away, Phee risks her mother’s wrath to step up and accept the role of pomp—the highly honored duty of planning the funeral service. Traveling alone to the town of Horizon and her aunt’s unsettling home, Phee soon discovers that visions and shadows beckon from every reflective surface, and that some secrets transcend the borders of life and death.

Cover to The Collected Neil the Horse, by Katherine Collins
Blog Posts

Comics Review: The Collected Neil the Horse

Well, I found my comics Holy Grail, at the 2017 Toronto Comics Arts Festival, where I met the creator and was able to purchase a then-brand-new complete collection of the comic. It was a funny-animal comic, influenced by classic comic strips and really classic — like, pre-Warner Brothers — cartoons. A comic by a Canadian creator. A comic that was… a musical comedy?!

Masculinity in SF
Blog Posts

Book Review: Masculinity in Contemporary Science Fiction by Men: No Plans for the Future 

Masculinity in Contemporary Science Fiction by Men: No Plans for the Future  by Sara Martin is an academic study of several male authors and their relatively recent work. The book, in their own words: “Exploring a broad selection of writers and works, the fourteen chapters present a panoramic overview of men’s contributions to current SF and explore their slow but noticeable progress in the representation of gender. The impact of feminism and gender studies, and the demands of readers, have profoundly transformed men’s SF, which now presents far more caring and vulnerable male characters. The old stereotypes are being replaced by a collective reflection on how men and masculinity are changing, though the lack of a common agenda results in novels that, while exciting and often challenging, sometimes miss the chance to imagine a better, anti-patriarchal, pro-feminist future for men and for all human beings…”

Scroll to Top