Book Review: *Now* There is a God: THE INFINITE by Ada Hoffmann
Ada Hoffmann’s The Infinite completes the Outside Trilogy, revealing not only the future of the world of A.I. Gods and extradimensional powers, but also, its origins.
Ada Hoffmann’s The Infinite completes the Outside Trilogy, revealing not only the future of the world of A.I. Gods and extradimensional powers, but also, its origins.
Bleak Houses, by Kate Maruyama, represents the debut of this line, consisting of two novella-length stories: Safer and Family Solstice. The small independent press Omnium Gatherum previously published Family Solstice in 2021, when Rue Morgue Magazine named it Best Fiction Book of the year. The release of Bleak Houses by RDSP thus represents an opportunity for new readers to discover that story while also being treated to another previously unpublished story born from the horrors of pandemic isolation.
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-750-empireofthe-ants/SandF_750_EmpireoftheAnts.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSScreaming ants, screaming humans, and swamps, oh my! Shaun Duke, Becca Evans, and Daniel Haeusser join forces to take down Empire of the Ants (1977). Together, they ponder the logistics of managing a human ant colony, why ants scream like that, who deserves to die first, and the intricate world of alcoholic beverages, objectifying Gerard Butler, and more. Thanks for listening. We hope you enjoy the episode!
In Green Fuse Burning, Morris takes Dylan Thomas’ theme of the intertwined nature of life and death in an endless cycle of time and applies it through a spectrum of ecosystems from the grandiose to the individual to explore the psychology of grief and guilt both personal and collective.
We’re excited to bring you short reviews of three terrific seasonal horror offerings recently out from various YA imprints of Penguin Random House.
I have to give Leiber a pass on the fridging in Ill Met in Lankhmar. But I don’t have to enjoy it.
One of the many reasons I still love Saber & Shadow is that its women don’t get fridged, because they are the protagonists. Their lovers don’t get fridged, either, because these women are into each other. It’s a joyful romp, albeit with a lot of tense moments, and a few traumatic memories for one character.