Within these two apocalyptic settings where all four of the Horsemen of Revelation ride, the stories of three protagonists intertwine via multiple points of views and narrative voices (first- and third-person). In both Puerto Rico and in the Yucatán, these characters face their dystopic present to envision positive Indigenous-led futures enacted by purposeful decolonization and embrace of their ancestral ways.
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-744-brothers-grimm/SandF_744_BrothersGrimm.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSToadalingus, torture devices, and jerk brothers, oh my! Shaun Duke, Alex Acks, and Daniel Haeusser join forces to take down The Brothers Grimm (2005). Together, they try to figure out why there’s so much bestiality in this darn film, how the film’s plot works, what Matt Damon was doing, the film’s Italian stereotypes and torture devices, and so much more! Lots of laughs were had. Thanks for listening. We hope you enjoy the episode!
We are pleased to have this interview on the Skiffy & Fanty blog with S.L. Huang about their newly released novel The Water Outlaws, out now from TorDotCom in the US and Solaris in the UK.
I felt drawn to the mythology of Lemberg’s Birdverse and was intrigued by the structure of the island society, but most of all, I enjoyed the well-developed characters, their contrasts, and where their interactions led — to a relationship, to magical discoveries, and to a struggle for survival amid upheavals.
It’s that time, y’all! Time for this month’s live events, of which there are many. The events are as follows: Going forward, we’ll be standardizing our schedule for these live shows/events (and we’ll announce them far sooner). So stay tuned for that. We hope to see everyone there! Bring your friends! Share this on your socials!
Dehiscent has a form of New Weird that combines eco-horror with what might be considered cozy horror, despite unsettling themes of the prison that can form from the recognition of privilege while feeling powerless to change it. With rich, quiet atmosphere and an exceptionally compelling and realistic, empathetic protagonist, Deng lifts a mirror to our current lives to reflect a fantastic image of how divisions of humanity would continue.
