The Skiffy and Fanty Show Podcasts

788. The Renaissance and Other Historical Oddities w/ Ada Palmer — SF at School!

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-788-renaissance-palmer/SandF_788_RenaissancePalmer.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSMythical dark ages, historical rhythms, and papyrus, oh my! Shaun Duke and Trish Matson join forces to talk to author and historian Ada Palmer about the Renaissance and other historical oddities! Together, they explore the myth of the Dark Ages, how ideology and perspective influence historical narratives, the Renaissance, and so much more. Come learn with us! Thanks for listening. We hope you enjoy the episode!

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Thankfulness in tough times

Happy Thanksgiving Day to all who celebrate it in the U.S., and anyone else who needs a bit of cheer! These are tough times for many of us, for many reasons, but that makes it all the more important to celebrate love, community, courage, endurance, and whatever else continues to go right. Today, our three regular reviewers are taking the opportunity to share what makes them thankful and hopeful these days. Daniel Haeusser: Amid difficult times of stress and uncertainty, I am trying to find thankfulness in still being able to take part in things, and support, things that I find valuable for humanity and bring me joy, things like reading, writing, music, and service to organizations whose mission I value. As the world turns more to technology in favor of our brains, the human-made over the natural, and asocial interaction over actual connection, I’m thankful for the opportunity to still pursue alternatives to what I see as destructive. It becomes harder for me to lose all faith and succumb to despair when I become reminded of all that I do have, from basic needs of reliable food, water, and sanitation, to greater spoils available for entertainment and general enjoyment. In terms of genre, I’m particularly thankful these days for the many wonderful small, independent presses that just consistently put out amazing, interesting work, and of course the authors, illustrators, and many others that go into bringing those works to us. Trish Matson: I am thankful for my large and loving family; I realize that a lot of people aren’t as lucky as I am, to have been raised with kindness, generosity, love, laughter, and encouragement, and to still have a small safety net when some things have gone wrong in my life. Sure, there have been points of friction from time to time, but family ties can be wonderful. Found family is also a blessing, as are all types of love. I am incredibly thankful for all the love in my life and in the world.I am thankful for the education I received, not only for the good jobs that has helped me find in the past (and hopefully in the future), but also for how I learned to love the act of learning, and how much my knowledge base helps me to appreciate ingenuity and cultural connections wherever I encounter them. It makes me sad and frustrated when some people denigrate knowledge and education, but it gladdens me when I can share insights with other people and understand the points they’re making, and sometimes even help to elevate the discussions.I am thankful for the speculative fiction community. When people imagine different worlds and ways of life, they’re making room for their readers, viewers, players, and interacters to expand the possibilities here, now, and in the real, living future. I’ve seen some terrible, selfish, close-minded ways of being fans, but I have seen so many more people spreading appreciation, inspiration, and joy! I am thankful for this amazing universe. Truth can indeed be stranger than fiction, and far deeper and broader than our imaginations. I fear for the future of the Earth’s environment and climate, among other things, but I’m sure that if we can get enough people to understand the extraordinary gifts we’ve received just by existing here and now, we can come together, turn things around, and make things better. Paul Weimer: I am thankful for a person in my life. Sadly and tragically, circumstances mandate that I cannot name this wonderful person, but I want to acknowledge her existence and importance. She has lightened, gladdened, lifted and brought warmth and love to my heart. I adore her and I love her deeply and that love has been a balm, a source of strength, temperament and soul.I am thankful to the science fiction community who apparently decided, after the nonsense of last year, that I am good enough dammit, and so I won a Hugo Award. It still does not feel real, it feels like it happened to someone else, but there is photographic evidence of it, so it must have happened. I am thankful to all the people who nominated me, voted for me, and read and care about my genre work.I am thankful for the friends in my life. I don’t have much blood relations left who will talk to me—all I have is found family, and thus, friends. Their presence in my life should not be underestimated. Be they people I’ve driven hours to return a purse, or people on the other side of the world who kindly had me try vegemite with the best of intentions. I am thankful for all of them.Finally, I am thankful for everything that I have been able to see, photograph and visit. Not everyone has had the chances I have had, the adventures and misadventures I’ve had. I am lucky, very lucky and I should not underestimate or downplay that.

Cover of Grimbold's Other World by Nicholas Stuart Gray, featuring a young blond man or teen in a yellow shirt and pants/tights, next to a black cat, looking at a unicorn in a meadow between mountains.
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Into the Wardrobe: Grimbold’s Other World, by Nicholas Stuart Gray

“… Raised by a farming couple, he’s a dreamer, poet and storyteller who acts as the village goatherd. He is kind and likes to be useful. Sick at home one night, he’s visited by a talking cat who asks for his help, tells him how to ask the fire to cure his cold, and takes him across into the night-world to free another boy who’s trapped in a bad situation. …”

Cover of Usurpation, by Sue Burke.
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Book Review: USURPATION by Sue Burke

Unlike in Semiosis with the colonization of Pax and discovery of rainbow bamboo, humans on Earth are too familiar with their surroundings, too occupied with global turmoils, and too full of assumptions based on Terran life to give much deep thought to imports and immigrants from Pax such as the rainbow bamboo plant. The humans of Earth don’t realize the plant is sentient …

Cover of The Wolf and the Wild King by K.V. Johansen, featuring a black/gray wolf sniffing at the base of a tree, against which a sword leans; the ground is snowy, and there are bushes in the background, and the sky is lit with aurora colors.
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Interview with K.V. Johansen, by Paul Weimer

“Now, with The Wolf and the Wild King, I’ve done something I’m calling high fantasy, an older term not used so much any more, but to me it suggests a subtly different flavour of secondary world fantasy from epic — a world more mysterious, less explained; more folkloric roots showing through the moss, more things half-seen in the shadows. “

Covers of Lightspeed 173 and Clarkesworld 217 and the permanent Podcastle banner.
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Short Fiction Review: October 2024

My favorite stories from October feature characters who care deeply for their local community, for communities across the world, and for their planet itself. In “Hot Hearts” by Lyndsie Manusos (published in Lightspeed Magazine Issue 173), a headstrong woman is determined to terraform a lifeless rock into a world that bears life. In “The Children of Flame” by Fiona Moore (published in Clarkesworld Magazine Issue 217), a woman tries to hold her community and its allies together when they are threatened by a contemptible acquaintance from her past. In “A Most Lovely Song” by Albert Chu (published in PodCastle Episode 861), a talking bird accompanies a Chinese boy and his descendants through times of war and protest, but the bird might not be as altruistic as it first seems. Let’s get to it. “Hot Hearts” by Lyndsie Manusos Dallas signed up and trained to foster a planet, and she chose a solo mission. Now, she has awakened from hyper sleep in a remote and lifeless solar system, and it’s her responsibility, all on her own, to guide and jump-start her planet into a habitat that can support life. She was prepared for this to be difficult, but now that she’s here, she sees it’s even more hopeless than she was prepared for. Here’s how the story begins: Dallas gazed out the viewing window of her ship, beheld her planet, and despaired. She’d anticipated something more. Better. She’d studied the worst-case scenarios. She’d read about the lost causes. But she’d never really believed one would be her first. Why had the program given her a shell? One thing I like about this story is how it diverges from more traditional narratives about terraforming planets and colonizing space. Dallas is trying not only to birth an atmosphere and make the planet capable of supporting life, but to cultivate a planet filled with life. However, there is no direct mention of preparing the planet to be colonized by humans. Earth is referred to as a failed planet and Dallas’s namesake as “a city that no longer existed”, so presumably people may want to immigrate to this planet, but colonizing the planet doesn’t seem to be the primary goal, since terraforming it will take decades or centuries and since Dallas is on only one of many such missions scattered throughout the galaxy. Instead, it seems the primary goal here is simply to foster life. It’s a beautiful vision of environmental (planetary?) stewardship. “Hot Hearts” is also just a motivating, inspiring read. Dallas wakes from hyper sleep to a monumental, near-impossible task. Sure, she feels overwhelmed and hopeless at first, but she’s intelligent, resourceful, and committed — and she has an encouraging audio diary from her mother. I found it powerful to see Dallas persevere and rise to the challenge before her. She is a headstrong character intent on bending a planet to her will, and I found it tremendously fun to watch her try. “The Children of Flame” by Fiona Moore Morag is doing the best she can in a fallen world. After society as we know it has collapsed, Morag tends to her farm, cooperates with the people around her, and tries to help them cooperate with each other. She’s pretty good at it, even when dealing with the Children of Flame, an odd group of religious nomads who spend the winter in Morag’s village. She faces a true challenge, however, when visited by a former acquaintance, a wannabe warlord running a protection racket. This story reminds me of two others. First, it reminds me of A Canticle for Leibowitz by Walter M. Miller Jr. Like A Canticle for Leibowitz, it takes place after civilization has fallen, during an interregnum where some people are cooperating and trying to preserve knowledge while others work to accumulate resources and power for themselves. There’s an interesting tension in this story in which some characters feel pressured to either embrace feudalism or become nomads while Morag tries to preserve peaceful cooperation as a realistic choice. Also, like A Canticle for Leibowitz, “The Children of Flame” pays attention to the role of religion, something I always appreciate. The Children of Flame are a strange religious group who seem to abstain from talking for most of the year, who practice rituals the villagers don’t understand, and who say wonderful things like, “We have to stop the sky wolves from eating the sun.” They aren’t explained in much detail (which is a shame because I’d love to read more about them), but that isn’t a problem because they feel believable and fascinating and the core conflict in the story has more to do with the wannabe warlord. This story also reminds me of “Masque of the Red Death” by Cory Doctorow, a story included in Doctorow’s Radicalized collection which I previously reviewed on this site. Both “Masque of the Red Death” and “The Children of Flame” explore conflicts in post-apocalyptic settings between cooperators working to foster community and selfish individualists who serve only themselves. “Masque of the Red Death” is focused on a prepper who brings about his own tragedy, while “The Children of Flame” tells a story about how the cooperators manage to unite and support each other in a moment of danger, which makes this story feel more upbeat and hopeful. It also has a fun robot. You can’t go wrong with weird, friendly robots. [Editor’s note: Fiona Moore has more stories involving Morag and Seamus the robot, as well as others, at Clarkesworld.] “A Most Lovely Song” by Albert Chu This story opens in Chongqing in 1939. After a young boy’s father is killed in a Japanese bombing campaign, the boy meets a magical talking bird that offers him advice and helps lead him to safety. The story then progresses through three other scenes: Korea in 1951, New York in 1970, and New York in 2024. In these scenes, the boy and his descendants find themselves facing wars and protest movements, and always the magic bird is there

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