Short Fiction Review: January/February 2025
“My favorite stories from January and February look at conformity, assimilation, diversity, and connection from various angles.”
“My favorite stories from January and February look at conformity, assimilation, diversity, and connection from various angles.”
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-810-event-horizon/SandF_810_EventHorizon.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSHaunted engines, scary memories, and cancelled shore leave, oh my! Shaun Duke and Paul Weimer are joined by Eden Royce for a return visit to 1997’s Event Horizon! Together, they explore the film’s production history, its themes and approaches to horror, the cast and characterization, and much more! Thanks for listening. We hope you enjoy the episode!
It was an engrossing read; the characters continue to be fully engaging and the protagonists sympathetic (even though not always in agreement with each other), and the rich worldbuilding continues with interdepartmental squabbling providing insights into the politics.
The novella starts when Dorothy Gentleman wakes up and discovers she’s been uploaded off schedule and into the wrong body, and she finds out soon that someone else is dead. As one of the ship’s detectives, she shelves her personal feelings (that’s my little in-joke) and immediately starts investigating.
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-809-the-flintstones/SandF_809_TheFlintstones.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSPig disposals, dirty feet, and yabba-dabba-doo, oh my! Shaun Duke, Julia Rios, and Daniel Haeusser join forces to discuss 1994’s The Flintstones! Together, they chat about the history of the original show, tackle the film’s nonsensical plot choices, discuss 1990s practical set design, and get grossed out by feet, plus much more! Thanks for listening. We hope you enjoy the episode!
Elisabeth Mkheidze’s art is strong throughout. Characters are clearly delineated and distinct, and their emotional states are conveyed effectively through expression and body language. Some comics artists tend towards conveying intense expressions too strongly, and characters’ faces look like caricatures or theatrical masks as a result. This seems like a small point, but in a graphic novel with a protagonist who spends virtually all her time on the page some combination of furious, terrified, and grieving, it’s important.