The Skiffy and Fanty Show Podcasts

837. Jason Sanford (a.k.a. Biographer of Vengeance) — We Who Hunt Alexanders

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-837-jason-sanford/SandF_837_JasonSanford.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSBlood maws, neurodivergence, and the monstrous, oh my! Shaun Duke and Paul Weimer are joined by the wonderfully weird Jason Sanford for an interview about his new novella, We Who Hunt Alexanders! Together, they discuss Sanford’s approach to monstrosity, neurodiverse protagonists, writing style and influences, and so much more! Thanks for listening. We hope you enjoy the episode!

Cover of Night & Day (or Day & Night), a horror anthology edited by Ellen Datlow. The Night cover is blue-toned and features some sort of ghoul-like monster; the Day cover is red-and-orange with a gray-skinned woman with a huge cowlick (?) and what looks like a root coming out of her mouth.
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Book Review: Night & Day, edited by Ellen Datlow

As usual, readers who broadly enjoy the genre and styles of stories/authors will have a higher chance of loving the collection overall. But the book would also serve as a great entry point for people wanting to try out more from the genre, particularly with the cohesive strength and interesting dichotomy that this anthology holds.

The Skiffy and Fanty Show Podcasts

836. Unknown Island (1948) — Torture Cinema #157

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-836-unknown-island/SandF_836_UnknownIsland.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSWarthog sloths, dinosaur hugs, and lecherous captains, oh my! Shaun Duke, Jen Zink, and special guest R.E. Junker join forces to talk about 1948’s Unknown Island! Together, they discuss the film’s remarkably ridiculous dinosaurs, the many types of 1940s men, plot contrivances, Corriganville, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of A Game in Yellow by Hailey Piper, featuring what looks like a pair of crossed women's legs with the lower legs starting to melt, or maybe there's a woman's hair instead of just darkness, and maybe an ear, and maybe a worm or tentacle-mouth.
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Book Review: A GAME IN YELLOW by Hailey Piper

Though her books don’t fall within my favorite niche of horror, I respect the hell out of Hailey Piper’s writing. The stories might not end up being personally beloved, but I can still recognize how effectively they will squarely hit for readers with experiences and appreciations that I just simply lack. As many people should quickly recognize, Piper’s new novel draws its title (and at least a portion of its inspiration and plot/framework) from Robert W. Chambers’ classic story of a cursed book/play The King in Yellow. That classic has been referenced countless times, from other horror writers to True Detective to The Dead Milkmen, punk band from my homeland area of Philly. Piper’s novel also owes debt to Ambrose Bierce’s short story “An Inhabitant of Carcosa,” which Chambers incorporated into his work. The King in Yellow also has elements that put it into taxonomical relation to Lovecraft. And this makes perfect sense for something for a cosmic horror author like Piper to draw from. Piper’s A Game in Yellow may not have a focus on any abundance of monstrous elder Gods or eldritch horrors within it, but the existential vibe of the novel with its characters’ anxieties, depression, and bleak failures in full view entrench it in that cosmic horror vein. But Piper combines this with an intimate look at a trio of characters and their relationships with one another. And that element is blended into the narrative with strongly and responsibly written erotica.

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