Michael Wehunt’s debut novel The October Film Haunt combines a lot of horror genres and tropes that I enjoy — the cursed object, demons, and slashers — and puts unique spins on them each in addition to the style of their combination.
Memory is a subject that has long been of interest to science fiction writers, but naturally it is becoming much more topical with artificial memory extensions available via data files (notes and recordings) and the Internet. We’re not at the stage yet where actual memories can be preserved, transmitted, or uploaded, but those processes do seem likely to arise eventually. However, at that point, all sorts of moral and societal questions arise, such as, who gets control over those memories? In much of North America and Europe, the answer would likely be a combination of corporations and government. In Yiming Ma’s 2025 novel, These Memories Do Not Belong to Us, the Party that rules Qin (and apparently most of the world) decides what memories are appropriate for upload to the network of everyone’s Mindbanks, and what memories should be deleted, with their holders destined for punitive re-education; however, quite a few people hold onto memories that they suspect may be borderline, and some choose defiance, however ephemeral. These Memories Do Not Belong to Us is structured as a set of short stories, framed with interstitial messages from one such rebel, who found a trove of unauthorized memories upon his mother’s death, experienced them, and decided to share them with the world despite the punishment he’s sure he’ll face. They’re not all his mother’s memories, not even most of them, but rather memories she somehow gathered from other sources throughout history, from what seems to be the past or present, to a near-future war, to shortly after the war, to a far future.
Though in her seventies, Rose DuBois is still full of life, surrounded by her small group of friends in the Autumn Springs Retirement Home and connected with her daughter and grandson. However, as active and involved that she is within the community, she finds it hard to committing herself to any deeper or passion-filled relationship like so many of her fellow residents seem to pursue. She’s not looking for a new partner, but is content with the freedom of possibilities she can enjoy in late life while still appreciating the friendships she’s established, particularly with Beauregard Mason Miller (just plain Miller). When one of the residents appears to die from a fall and injury, no one at Autumn Springs is particularly surprised. And when her partner soon follows her in an apparent suicide, there is some heightened shock, but nothing that cannot be explained or understood. But then the deaths keep coming. Rose and Miller consider some of the true crime stories they enjoy to talk about and begin to suspect that something similar may be happening here: A killer seems to be loose in Autumn Springs. But who is it? Could it be the crazy conspiracy theorist down the hall, or could those three odd sisters that everyone whispers about being witches somehow be involved? A police detective slowly begins to pay closer attention, but the escalating fear and chaos within the walls of the retirement community may make it too late for Rose and her friends to enjoy the last moments of existence they have left. In The Autumn Springs Retirement Home Massacre, Philip Fracassi takes the core of slasher tropes and transfers it from an isolated community of hormone-driven, substance-imbibin’ teens (like a camp) to an equally horny and drug-saturated group of septua- and octa-genarians. The formula fits perfectly while making the entire thing seem completely fresh and interesting.
https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-839-geeky-collectibles/SandF_840_GeekyCollectibles.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSGorgeous dice, occult texts, and birbs, oh my! Shaun Duke, Jennifer Brozek, and Sandra Wong join forces to talk about why we collect and, more importantly, WHAT we collect. Each host shares some of their collectible objects, talk about why they matter, and more. This episode has a visual component, so checking out the video might be beneficial if you’re able! Thanks for listening. We hope you enjoy the episode!
I enjoyed Eden Royce’s new book, Psychopomp & Circumstance, coming Oct. 21. It’s billed as a Southern Gothic fantasy, but for me, it’s much less about the fantastic and much more of a coming-of-age story, as a young woman learns to stand up for herself and make choices; she also learns some unsettling truths about her family and its history. From the author’s website:Phee St. Margaret is a daughter of the Reconstruction, born to a family of free Black business owners in New Charleston. …When word arrives that her Aunt Cleo, long estranged from the family, has passed away, Phee risks her mother’s wrath to step up and accept the role of pomp—the highly honored duty of planning the funeral service. Traveling alone to the town of Horizon and her aunt’s unsettling home, Phee soon discovers that visions and shadows beckon from every reflective surface, and that some secrets transcend the borders of life and death.
Well, I found my comics Holy Grail, at the 2017 Toronto Comics Arts Festival, where I met the creator and was able to purchase a then-brand-new complete collection of the comic. It was a funny-animal comic, influenced by classic comic strips and really classic — like, pre-Warner Brothers — cartoons. A comic by a Canadian creator. A comic that was… a musical comedy?!
