The Skiffy and Fanty Show Podcasts

At the Movies #72 – The Christmas Chronicles (2018)

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFAtTheMovies72ChristmasChronicles/Sandf-AtTheMovies72-ChristmasChronicles.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSCrime, creepy Gremlin elves, and Marxist critiques of late capitalism, oh my! It’s the holidays, and that means it’s time to wax lyrical about holiday movies. This year, Shaun, Paul, Alex, and Mike join forces to discuss the brand new smash hit, The Christmas Chronicles. They talk about Netflix’s approach to the holidays, the film’s treatment of Christmas and Santa, the terrors of bad CG, and the cliched sappiness that makes the holidays as good as a nice warm cup of cocoa! We hope you enjoy the episode!

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Short Fiction Review: November 2018

This month we have three new stories by new (and newish) writers that all feature queer characters and interesting points of view. Let’s get right into it. First, if you like fairy tale retellings, check out “Toothsome Things” by Chimedum Ohaegbu, which appears in Strange Horizons. It’s an imaginative reworking of Little Red Riding Hood that’s poetic and powerful. Next, I loved “How to Swallow the Moon” by Isabel Yap, which appears in Uncanny Magazine Issue 25. This lovely novelette features a moving romance, a rad monster, and wonderful Filipino-inspired worldbuilding. Lastly, I recommend “Talk to Your Children about Two-Tongued Jeremy” by Theodore McCombs, which appears in Lightspeed Magazine Issue 102. It’s a smart and gripping story about how technology, society, and capitalism can sometimes mix together in tragic ways.

The Skiffy and Fanty Show Podcasts

Signal Boost #48 — Sabrina Vourvoulias (Ink) and Stephanie Gunn (Icefall)

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFSignalBoost48VourvouliasGunn/Sandf–SignalBoost48–VourvouliasGunn.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSS In today’s episode of Signal Boost, Shaun talks to Sabrina Vourvoulias about the re-release of her incredibly prescient novel, Ink. They discuss how the book’s conversation about immigration is more timely than ever, the courageousness of Rosarium Publishing, what it means to be primed to notice the signs of authoritarianism, journalism, and much more! Then Elizabeth has a chat with Stephanie Gunn about her new novella, Icefall. They talk about the colonialist issues of mountain climbing, the challenges of being a female mountineer, how technology can reduce accessibility rather than improve it, and the co-existence of science and spirituality. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

355. Celine Kiernan (a.k.a The Ghost of NIMH) — Begone the Raggedy Witches (An Interview)

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode355CelineKiernanBegoneTheRaggedyWitches/Sandf–Episode355–CelineKiernanBegoneTheRaggedyWitches.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSPuppies, crows, and rainbows, oh my! We’re just so happy to have back one of the oldest friends of the Skiffy and Fanty Show, Celine Kiernan. In this episode, Jen and Elizabeth have a chat with Celine about her first juvenile fiction, Begone the Raggedy Witches! They discuss everything from the themes of control and depression, how motherhood is complicated, why Celine feels like horror is appropriate for children, how she used rhyme as a tool of an evil fascist witch queen, the way she uses ghosts to explore cultural trauma, and so very much more! We hope you enjoy the episode!

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Bedtime Stories: Alma and How She Got Her Name

Bedtime Stories highlights Children’s Books with a diverse, global perspective. If you ask her, Alma Sofia Esperanza José Pura Candela has way too many names: six! How did such a small person wind up with such a large name? Alma turns to Daddy for an answer and learns of Sofia, the grandmother who loved books and flowers; Esperanza, the great-grandmother who longed to travel; José, the grandfather who was an artist; and other namesakes, too. As she hears the story of her name, Alma starts to think it might be a perfect fit after all — and realizes that she will one day have her own story to tell. Alma and How She Got Her Name, from Candlewick Press, is the debut of Juana Martinez-Neal as author-illustrator and, though it isn’t my typical fairytale fare for this column, there is nothing more powerful than the telling of your own story. Alma and How She Got Her Name is an important story about both how our names have histories and how we can create our own stories. Told through almost hazy artwork in soft pinks, grays, and blues, this is a story that, though told by a father, is filtered through the eyes of a very young girl, Alma Sofia Esperanza José Pura Candela. Alma is frustrated by the fact that her name just doesn’t seem to fit. And though she seems to be talking about how it doesn’t fit on the page, her truth is that she isn’t quite sure if it fits her. Thus begins her father’s tale of the people for whom Alma was named: the grandmother who loved flowers and books, the great-grandmother who dreamed of traveling the world, the grandfather who was an artist, and more. Through these stories Alma learns who her family was and her connection to them, not just through her name, but through the things that she loves herself. I was absolutely charmed by this beautiful book and it inspired me to reminisce about my own name, and those of my children, and how they forge the connections in my own family’s story. Alma and How She Got Her Name is the perfect book to open a conversation between parents and their little ones, whether their own names are from family, friends, or perhaps a favorite book. Suitable for children ages 4-8.

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