The Skiffy and Fanty Show Podcasts

856. Mannequin 2 (1991; dir. Stewart Raffill) — Torture Cinema #162

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-856-mannequin-2/SandF_856_Mannequin2.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSPink Cadillacs, ridiculous fantasies, and dancing, oh my! Shaun Duke, Daniel Haeusser, and Paul Weimer join forces to talk about 1991’s Mannequin 2! Together, they talk about why the film even exists, its approach to comedy, the absurdity of its plot, and much more! Thanks for listening. We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

855. Oliver Brackenbury + Molly Tanzer (NESS) — Signal Boost

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-855-brackenbury-tanzer/SandF_855_BrackenburyTanzer.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSWanderers, big swords, and snake cults, oh my! Shaun Duke and Trish Matson join forces to talk about sword and sorcery with Oliver Brackenbury and Molly Tanzer. Together, they explore the history of the subgenre, talk about New Edge Sword & Sorcery and its current crowdfunding efforts, Tanzer’s work with Joiry, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of It Came from the Floodwaters by Seann Barbour, featuring a blue skull against a black background, with red lettering.
Blog Posts

Book Review: It Came from the Floodwaters, by Seann Barbour

If you’re looking for an entertaining, tightly focused horror tale with interesting, diverse characters and a strong arc for the protagonist, you should consider Seann Barbour’s new novella, It Came from the Floodwaters, coming March 13. It starts out with people trapped in their Savannah apartment building by rising floodwaters, throws in some spooky notes, and then quickly escalates to pulse-pounding action with a high body count. But because the Big Bad is particularly interested in one special person, there’s also lot of creepiness woven throughout the story, along with the adrenaline rushes.

The Skiffy and Fanty Show Podcasts

854. Krakatit (1948; dir. Otakar Vávra) — At the Movies

https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/sand-f-854-krakatit/SandF_854_Krakatit.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | Email | TuneIn | Deezer | RSSSurrealist apocalypses, power games, and WMDs, oh my! Shaun Duke and Daniel Haeusser join forces to discuss Krakatit (1948; dir. Otakar Vávra), recently re-released by Deaf Crocodile. Together, they explore the film’s gorgeous visuals, its surrealist dream logic, its politics and ideas about mass destruction, and much more! Thanks for listening. We hope you enjoy the episode!

Cover of Jitterbug by Gareth L. Powell, featuring a silhouetted black rocketship against a red background with white grid planetoids, with tethered astronaut being dragged behind it against a black wake behind it.
Blog Posts

Review: Jitterbug by Gareth Powell

Gareth Powell’s Jitterbug takes Powell’s talents for Space Opera and sets them into a Baxterian-like story of Big Dumb Objects, a starship crew, and the fate of humanity.  The fate of humanity and the universe is nothing new for Gareth Powell. He’s written plenty of large scale science fiction, be it Future’s Edge, with a destroyed Earth and alien artifacts, or Stars and Bones, with humanity on arks, or the Embers of Wars novels, full of Big Dumb Objects. But always, going back earlier to his Ack-Ack Macaque novels, it’s in the end about the characters, not all of them human, that really is the center of the story. In Jitterbug, however, Powell keeps his character focused style of novel and story, and enlarges the outside scale even more this time.

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