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The Skiffy and Fanty Show Podcasts

173. The Gate (1987) — A Torture Cinema “Adventure” (the Halloween Special)

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http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode173TortureCinemaMeetsTheGate/SandF%20–%20Episode%20173%20–%20Torture%20Cinema%20Meets%20The%20Gate.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSBackyard demons, claymation creeps, and geodes, oh my!  Shaun, Julia, and Paul return to form with a special Halloween-themed torturous review of The Gate.  Needless to say, they had a bit of fun tearing this one apart! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 173 — Download (MP3) Show Notes The Gate (1987)(IMDB) You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

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Movie Review: Mama (2013)

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One of the things I enjoy about horror is its connection with fairy tales. Anyone who has actually read Grimm’s Fairy Tales is aware of this association. It’s one of the reasons why Andrés Muschietti’s 2013 film, Mama, attracted me. The story has a mundane, if tragic start fed to the audience in the form of a car radio news story — a dramatic stock market downturn results in the suicides of several members of a prominent investment firm. The abandoned car is parked in front of a beautiful house and there is a gunshot. The camera pans closer and the next scene is of a little girl named Victoria dressed for school. Her one-year-old sister is in her crib nearby. Their father arrives. His clothing is speckled with blood. Victoria asks, as all Fairy Tale heroines do, all the right questions, but her father, who is insane with grief, brushes her questions aside. He collects the girls and drives off into the wilderness with them. The car wrecks in the snow and they end up in an abandoned cabin, which is, naturally, haunted. Their

The Skiffy and Fanty Show Podcasts

#09 — Gravity (2013) — A Shoot the WISB Discussion

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http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/ShootTheWISB09Gravity2013/Shoot%20the%20WISB%20%2309%20–%20Gravity%20%282013%29.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSSpace, vacuums, and terror, oh my! Mike, Paul, David, and Shaun offer their thoughts on the Alfonso Cuaron’s Gravity.  That pretty much covers it… Spoiler Alert:  the following podcast contains spoilers for the film being reviewed; if you wish to see the film without having it ruined for you, download this podcast and save it for later. Download the episode here. Show notes (info about our contributors can be found on the about page): Gravity (2013)(IMDB) Note:  We’re shifting over the Shoot the WISB segments from my personal blog to The Skiffy and Fanty Show.  Why?  It just makes more sense, I suppose.  If you’ve never listened to the Shoot the WISB casts, you’ll likely see them pop up in your iTunes or RSS feeds over the next few weeks.

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This Katamari Feels Ghostly, and Also Netflixish

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(That’s probably because you rolled up nothing but spooky things on Netflix streaming!) This is my LAST chance this year to write about Halloween before the actual day arrives, and if you know me at all, you know I’m taking advantage of that! This week, I’ve been browsing Netflix instant viewing, and here is a selection of the top things in my instant queue. ParaNorman: This may be one of the best kids’ movies I’ve seen in recent years, and I watch way more kids’ movies than a grownup without kids might be expected to watch. Norman, like Haley Joel Osment in The Sixth Sense, can see dead people. Only, unlike in the The Sixth Sense, everyone else around him knows this, and thinks he’s a freak. When his town’s curse comes true, and some undead puritans rise from their graves, he’s gotta do something about it,

The Skiffy and Fanty Show Podcasts

#08 — The Riddick Trilogy (2000, 2004, & 2013) — A Shoot the WISB Discussion

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http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/ShootTheWISB08TheRiddickTrilogy/Shoot%20the%20WISB%20%238%20–%20The%20Riddick%20Trilogy.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAlien monsters, action-packed slaughter-fests, and space Conan, oh my! Keffy, David, and Shaun offer their thoughts on the Riddick Trilogy:  Pitch Black, The Chronicles of Riddick, & Riddick.  That pretty much covers it… Spoiler Alert:  the following podcast contains spoilers for the film being reviewed; if you wish to see the film without having it ruined for you, download this podcast and save it for later. Download the episode here. Show notes (info about our contributors can be found on the about page): Pitch Black (2000) The Chronicles of Riddick (2004) Riddick (2013) Note:  We’re shifting over the Shoot the WISB segments from my personal blog to The Skiffy and Fanty Show.  Why?  It just makes more sense, I suppose.  If you’ve never listened to the Shoot the WISB casts, you’ll likely see them pop up in your iTunes or RSS feeds over the next few weeks.

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The Disquieting Guest: The Visceral and the Cerebral

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The other day, I was exchanging a few thoughts with Shaun about film, the need to entertain, and the engagement of emotions versus the idea of a film that was a purely intellectual experience. This brought me to thinking about the same topic in relation to horror. Some years ago, I read an anthology of horror tales that was a success in that the stories were skillfully written, but a failure in that few, if any, worked at all as horror. The reason for this was (what seemed to me) a misplaced desire to “transcend” the field (a subject for another time), coupled with a form of self-referential storytelling that worked fine in and of itself but prevented the reader from engaging emotionally/suspending disbelief/what-have-you. Let me add here that I intend no disparagement to a more writerly (as opposed to readerly) style — each has its strengths and particular uses. However, what this

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