Star Trek: Discovery and the Clueless
We’re getting a new Star Trek series!!! It’s called Star Trek: Discovery, and I’m excited for multiple reasons. We haven’t had a new Trek series in quite a while, and Michelle Yeoh is going to be a starship captain. I’m a big fan of Michelle Yeoh. She’s an amazing martial artist and an incredible actor. Sonequa Martin-Green (see below) will be her first officer. A Trek series piloted by women of color?!?! In addition, this will be one of the few SF properties wherein the women of color are not covered in makeup which hides their race. Also? A black woman with Vulcan training? (I can’t decide if she’s part Vulcan or a Federation ambassador’s kid or someone sent to Vulcan by the Federation to learn as much as possible.) That is wonderful. I can only imagine how affecting it is to see this kind of representation as a black woman who is also a Spock fan. (Hey, it only took a bunch of women pilots in the background of a Star Wars movie to bring me to tears.) Holy crap, I’m so proud to be a Trekkie at this moment, but I’m also disappointed.
Guest Post: Religions on Mars, according to Me, by Mary Turzillo
I truly don’t know if human beings need religions or ideologies, but history seems to indicate that we do. Every time a culture attempts to base its social values on entirely non-spiritual things, that very agnostic value-system becomes a new religion. People from England, France, Germany, etc. migrated to North and South America and to Australia in order to practice religions that were banned or looked down upon in Europe. Once they got to the New World, some of them started religions that did not harmonize with the social mores of their neighbors. Animal sacrifice, child marriage, and polygamy were three of the customs sanctioned by various religions that caused them to be ostracized. So the devotees moved further west, into less populated territory. I think this will happen when humans begin to migrate to the moon and Mars. I don’t discuss this much in Mars Girls, although I’m building another novel (Isidis Rising) where dissidents sequester themselves in a Martian enclave.
Movie Review: “Wonder Woman” (See it!)
I grew up reading Marvel comics, not DC, so most of what I know about the lore of Wonder Woman is what I absorbed from the 1970s Lynda Carter TV show plus vague memories of the Super Friends. I’m aware that the character has had many reboots and reinterpretations, but my perspective is that of many viewers who come to the movie with only a small amount of background knowledge. I think most of them, like me, will love it. (Spoilers, with a warning, appear about halfway through this review.) “Wonder Woman” is a very satisfying film, even if it isn’t perfect. I have some logical quibbles with some of its elements in the beginning, and it is not exactly subtle; however, the notes it hits ring true all the way through. By the end, tears of both sorrow and joy were trickling down my cheeks. There’s a lot of building up and following through, from the quiet, simple, opening narrative to the firm statement of purpose at the end. It doesn’t have the snappy patter of many Marvel movies, but the emotional payoffs are pretty great.
Torture Cinema Poll: June Classics
Even though you probably haven’t even had the pleasure of listening to Shaun’s singing in our Queen of the Damned episode yet, it’s time to pick our torture for June! This time, we’ve decided to force you to torture us with a classic… Ok, so ‘classic’ is probably being too kind to the utter drek that you get to pick from this month. May Cthulhu have mercy on our souls.
Book Review: Everfair by Nisi Shawl
Approximately nine years ago, while browsing a local library’s new release section, I came across Filter House. A short story collection by Nisi Shawl, its description and critical blurbs promised rich literary fantasy from a talented and distinctive voice that was new to me. Reading it, I realized that promise was no exaggeration. Filter House is significant in both its quality and its revelation of a culturally non-dominant perspective (particularly within the SFF community). Nominated for a World Fantasy Award and winning the James Tiptree Jr. Award, Shawl’s collection did not go unnoticed within the critical community. Yet, I somehow felt unfulfilled after completing the collection. I had no regrets reading it; I appreciated it. But it still baffled me in its unfamiliarity and its thematic focus. Its Otherness required contemplation, attentive to the subtle graces of Shawl’s writing and listening to her viewpoint. For me, one read-through wasn’t sufficient to fully experience it.
Book Review: The Stars are Legion by Kameron Hurley
I came to Kameron Hurley’s work early, getting a copy of God’s War back at the beginning of her career, and following her work and worlds since. Sometimes I’ve had questions or issues with her work, but throughout, the “blood, bugs, and brutal women” that have been a hallmark of all of her worlds and characters have sustained my reading interest and been a welcome expenditure of my reading time. It was thus with great anticipation that I picked up The Stars Are Legion, the new Space Opera from Hurley. I started this review and continue to engage with the author on a metatextual as well as a textual level because her work responds to that sort of analysis. No writer is separate from her creation, but some writers are very intimately connected to what they write, how they write, and why they write as they do. Hurley falls into this camp. So, I went into the novel with expectations that there would be strong female characters, violence, perhaps worldbuilding that might frustrate me a tiny bit, and a harsh and high contrast verse that engages my senses. In photography terms, instead of a placid and straightforward landscape or portrait, Hurley’s work pushes pixels in both directions, sometimes discordantly, to deliberate and eye-arresting effect.
