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Book Review: Behind the Throne by K.B. Wagers

Behind the Throne by K.B. Wagers takes a familiar idea, the fish out of water, from a distant part of a galactic empire, and updates it for a 21st century mentality and enlightened point of view. In not all, but many works past, the protagonist would be male, it’d be a patriarchal empire ruled by a King, Emperor, what have you. Women would have at best secondary roles, with even the occasional strong female character having a relatively unexplored interior life, and certainly not a full-on point of view that gives us her real story (I’m looking at you, Princess Leia). A man’s world, where men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centauri. Some novels and novelists have tried to buck this sausage fest of space opera in the past. Elizabeth Moon’s Vatta series, for example. Some of Debra Doyle’s and James D. MacDonald’s Mageworld novels feature a strong female protagonist front and center. Even with these exceptions, Space Opera and space adventure have for decades  been overwhelmingly a male-dominated and male-catered affair. Luke Skywalker and Han Solo cast long shadows indeed.

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Every wild idea, and dinosaurs too: Rob Walton's Ragmop

Welcome to the latest installment of my comics review column here at Skiffy & Fanty! Every month, I use this space to shine a spotlight on SF&F comics (print comics, graphic novels, and webcomics) that I believe deserve more attention from SF&F readers. This month, I’m going to draw your attention to a webcomics series, new in 2017, that tells a complete story that you can read for free online – that also marked the surprising and welcome return of some old friends: Rob Walton’s Ragmop. (This review contains spoilers!)

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Guest Post: Things I Wish I Knew When I Started – Thoughts on Finishing a Trilogy by Jacey Bedford

I committed trilogy accidentally—twice! It all started back in 2013 when I sold my first book to DAW and on the back of that sale was offered a three book deal for EMPIRE OF DUST (science fiction), WINTERWOOD (fantasy), and a sequel to Empire, CROSSWAYS (sold on the basis of a one page synopsis). Wow, it was the offer of my dreams; a fabulous speculative fiction publisher was paying me to do what I loved doing best—making up stories. In the bad-old (but fun) unpublished days, I’d made the classic mistake of starting to write a trilogy without having sold Book One, only to realise that the two years of work put into Book Two was a waste of time. I was never going to sell Book Two before I’d sold Book One. That should have been obvious, of course, but I was having such fun writing it that I never really stood back and asked myself what I was doing.

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