Suffer no wizard to live” Myke Cole is known for his service in the military, being the endless butt of jokes from Sam Sykes on twitter, Trigger Discipline, being a breakout star of the CBS TV show Hunted and writing modern fantasy about how the military would deal with the Return of Magic to the world (The Shadow Ops series). With The Armored Saint, Cole expands his oeuvre in the writing sphere to secondary world fantasy.
Emily B. Martin’s trilogy of queens comes to an end with Creatures of Light, a breathtaking finale that ties up loose ends and left me aching for more even as I celebrated such a glorious end. I call this series a trilogy of queens because each book is written from the perspective of a different, strong woman. In Woodwalker, we followed ranger Mae on her journey to reclaim her place in her home country. In Ashes to Fire, we watched Mona fight to keep her country free from their former conquerors. And in Creatures of Light, Gemma risks everything to preserve her dreams for her own country even as her country condemns her actions.
Current science fiction and fantasy is heavily Anglophonic. English is an imperialistic language. I would like to see more science fiction and fantasy, especially from Southeast Asian, written in the languages of the region. For this edition of SEA Quest, I am focusing on two writers who write in Bahasa Melayu(or Malay). Previously, I wrote about Tunku Halim and Eve Shi who also write in their own language. I would like to highlight Isa Kamari and Hassan Hasaa’ Ree Ali.
Releasing books in a series in quick succession is nothing new. An author sells multiple volumes, already written, which come out in relatively short order with each other. It is far far less common, however, for a publisher to release multiple works by an author at the same time. It’s even rarer to have a pair of twinned works, who inform and influence each other. In The Black Tides of Heaven and The Red Threads of Fortune, two entangled novellas have been released by a new talent on the SF scene, JY Yang.
Many of the reviewers associated with the Skiffy and Fanty team have a contribution specialty. I’ve always avoided this because I don’t like the limitations; I read/review outside of these genres even. But if I were to have a niche, it would probably be short fiction. I adore the variety it affords and the low commitment to discover new authors. It’s easier to convince myself to step away from work for a moment to read a short story, compared to equal time reading a portion of longer works that may not have obvious stopping points. Most importantly, some of the most exciting writing I’ve seen comes from the short form.
I’ve made no bones of the fact that I am a fan of Martha Wells. I’ve read her work, in toto, since the nineties, starting in those days when I took a look at Nebula and Hugo nomination lists and took them as straight-up reading guides. Her Ile-Rien Nebula-nominated novel Death of the Necromancer introduced me to her work, then, and I moved forward from there. The Cloud Roads, in 2011, started a new universe for her. A world with many humanoid species living in a welter of civilizations and cultures, current and past. A world where two species above all were focused. The Fell, ravenous, destructive and dangerous shapeshifters, their Flights devastating to all, a threat to any and every community. And then there were the Raksura, a shapeshifting species far, far more benign to their neighbors. A species rich in culture and internal society, a matrilineal culture built around courts ruled by Queens, with their consorts and a couple of subvarieties of the species providing a rich social environment. One problem the Raksura have is that their more aggressive flying forms have more than a passing resemblance to the Fell, and so with few exceptions, the Raksura treat with other species in their humanoid form secretly, or not at all. Into this mix, enter Moon…
