The adjectives that come to mind when I start describing the stories in Jamie Lackey’s latest collection — “graceful”, “elegant”, “accomplished”, “economical”, “beautiful” — all trouble me a bit, because they all come straight out of the 19th century’s idealization of Womanhood, but I just can’t help it. They all apply, and to every one of these tales.
Priest of Bones imagines what would happen if the Godfather had gone off to war in an early Renaissance world, only to return home to find the “family businesses” have been taken over by others. He takes this rather badly.
This month I have five stories to recommend, and each story is pure and simple fun. First, I loved “The House on the Moon” by William Alexander, which appears in Uncanny Magazine‘s recent Disabled People Destroy Science Fiction special issue. In this story, Ana, a disabled girl living on the moon, goes on a field trip to a Welsh castle that’s been moved onto the moon. Ana is a delightful, witty narrator who has a lot to say about the politics and constructedness of (dis)ability. Second, I recommend “Jump” by Cadwell Turnbull, which appears in Lightspeed Magazine Issue 100. In “Jump,” a couple accidentally teleports home one day, but they are unable to recreate the experience. Turnbull’s story starts with a fun science fictional “what if” and then explores its repercussions in a fascinating way. Third, do you enjoy Victorian era lost world adventure stories, but want one that deftly avoids the problematic tropes that often underlie those stories? If so, then don’t miss Carrie Vaughn’s “Harry and Marlowe and the Secret of Ahomana,” which also appears in Lightspeed Magazine Issue 100. Next, we have “Nation Building and Baptism” by Octavia Cade, which appears in Capricious Issue 10. It’s a moving tale about rebuilding and welcoming refugees after the catastrophes of climate change. If the news has you feeling down, you really should read this warm and gentle story. Lastly, if you love stories about magical books and bookstores, then you simply must check out “The Secret History of the Clockwork King” by Heather Morris, which also appears in Capricious Issue 10.
Recently, I was approached by Radish to write for them. We talked and now I am a verified Radish author! For my inaugural serial, I will be publishing the Asian-inspired dragon-racing YA fantasy I have been talking about for a while now. It has been languishing in my hard drive, bypassed by agents, and now — hopefully — it will have a new lease of life on Radish. (Hopefully (again) that it will be a physical book at the end of the journey… Publishers? Bueller?)
Corey J. White’s Static Ruin and Spencer Ellsworth’s Memory’s Blade each willingly bring to a conclusion a space opera trilogy started in the flush of Tor.com’s season of space opera two years back.
When I was a kid, my primary school teachers thought I might have hearing problems, but my paediatrician determined that I was actually just a ‘selective listener’. That was the accepted explanation for a long time. I was scatterbrained, away with the fairies, head in the clouds. These things were (and still are) true, but eventually it got to a point where none of those things could adequately explain why I couldn’t always control the beehive in my head. So earlier this year, and after a lot of thought on my part, I made myself some appointments and was formally diagnosed by a professional as having Attention Deficit Disorder on the Inattentive spectrum. ADD is, in two words: A Trip.
