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On Genre’s Surrealist Tendencies

I just finished re-watching Groundhog Day (1993) (the Blu-ray 15th Anniversary edition, if you must know).  One of the things that makes this film so fascinating, even upon seeing it more than once, is its remarkably bizarre narrative.  You might say it is positively surreal in form, dragging us, and the main character, Phil, into repetitious situations without any way to ground ourselves in the real (pun not intended).  There are no fancy explanations for Phil’s “curse,” and in the process of watching him struggle with his identity in this new world order, we get a glimpse into a part of the human spirit that perhaps gets lost in the day-to-day hustle of life, just as Phil does at the start.  What may seem monotonous can be changed by human action:  we can change what we do,

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A Book By Its Cover: I Am Pusheen the Cat by Claire Belton

I Am Pusheen the Cat by Claire Belton Padhusheen Singh — Pusheen to her friends — starts the day like any other:  realizing that she will be late for class. What makes this day different?  She is scheduled to present her dissertation on phytoquantum felineconomics in fifteen minutes! Grabbing the bag that contains her experiment, Pusheen jumps on her cherry Vespa motorscooter and jams it into top gear. She slaloms through traffic like Peekaboo Streak. As the college comes into view, she glances down at her Hello Kitty watch. She’s going to make it in time! Pusheen doesn’t see the cement mixer until its too late. Lifting into the air, Pusheen clutches her bag and waits for the ground to send her to the reincarnation bingo hall (or however the gods do it; she was never very orthodox). Click. In a haze of strange quarks, she activates her experiment. A moment later, she is twisting through the air to land safely on the ground…on all four of her paws. I Am Pusheen the Cat puts readers inside the bell on Pusheen’s collar while she tries to negotiate school, life, and love as a woman-sized cat. While Pusheen is a chubby, cuddly-wuddly striped gray kitty on the outside, inside she’s your typical twenty-something Indian-American. Just because she’s as adorable as a newborn baby in a suit of teddy bears doesn’t mean she can miss her shift at Pizza Moat (“Can I get a supreme, but hold the hairballs please.”) or stand Chet the Quarterback up on Friday night (“You’re lucky I’m a Furry.”) No, life as a one hundred sixty pound cat with the mind of a Ph. D. student isn’t easy, but it is interesting. ——————————————————————— A Book By Its Cover comedically (re)imagines stories, plots, and characters of books based entirely on the cover.

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The Disquieting Guest: Sequels from Stony or Fertile Ground

I saw Insidious Chapter 2 last weekend. When discussing the film industry, and particularly the horror film industry, complaining about sequels is about as useful an endeavor as seeking to arrest the rotation of the earth. Given that Insidious was one of the most profitable movies of 2011, a follow-up wasn’t just inevitable, it was a command from God Almighty. According to Box Office Mojo, on a paltry $1.5 million budget, the film brought in a  take (world-wide) of $97 million. For say, Iron Man 3 to have been similarly profitable, it would have had to make over $13 billion. So, of course, Chapter 2 has come along, and its more-generous-but-still-chump-change $5 million has already turned into over $70 million, and counting. Obviously, more is on the way. Almost as inevitable as its existence is the fact that Insidious Chapter 2 is a disappointment. While it has a few effectively chilling jump scares, and some nice

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The Sound of Thunder (On Young Adult SF/F)

This weekend is the Austin Teen Book Festival. I’m excited about attending — not only because a number of the authors making an appearance at the festival share the same literary agency I do and our agency is a pretty tight little community on its own, but because I find YA inspiring and energizing. Also? My next series may be categorized as YA.[1] [listens for the groans] There are reasons for this. I worked at BookPeople in the Teen Book section for six years. Therefore, I have a background in Teen Fiction. My agency specializes in younger fiction (YA, picture books and mid-grade.) But the biggest reason why is because… that’s where it’s all happening. It’s where the LIFE of SF and F is these days. It’s where all the really cool ideas are encouraged and welcomed and nurtured, and where, by the Gods, authors are even paid for their work. Adult SF and F seems to be dying. Here’s where I type “Don’t Panic” in small friendly letters. DON’T PANIC. Or wait… maybe you should. Let’s think about this. The adult markets have been

Claire's Rhysling Award
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This Katamari Feels Mostly Like C.S.E. Cooney

(That’s probably because you rolled up nothing but Claire!) This week I am visiting the sparkly C.S.E. Cooney in her well-appointed Rhode Island garret, right across from the Victorian strolling park. Perhaps you are unfamiliar with the magnificence that is C.S.E. Cooney. Never fear, that shall soon change! C.S.E. Cooney is a writer of plays, poetry, and stories, an actor, a narrator, a singer and songwriter, a blogger, an editor, a lover of sea kings, and an all around infectiously delightful person. Here are a few bits of her gloriousness:

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