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Adventures in Teaching: Trauma and Realism in (Some) Weird Novels

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Today was the last day of teaching for my survey course in American Literature.  As with all my literature courses, I included quite a few works of SF/F on the reading list, from “classic” SF like Joe Haldeman’s The Forever War to contemporary weirdness like Flight by Sherman Alexie.  This year, I realized there were a few unintentional trends in the works I’d selected.  First, almost every text I had my students read directly or indirectly addressed sex.  I’m not going to talk about that today, except to say that my students and I were quite amused that our small representation of American Literature seemed to suggest that all American Literature will talk about sex at some point.  That’s probably not true, but it’s amusing nonetheless. The more interesting unintentional theme is that of trauma and its representation through weirdness / magical realism / anti-realism.  This became apparent only recently, when we finished reading Flight by Sherman Alexie, a definitively non-realist novel about a time traveling / body-switching Native American foster kid who must discover himself through a myriad of other people’s experiences.  As the last novel for the course, it resonated quite well with several of the other recent texts, something I hadn’t expected at the time.  The angst and blunt honesty of the main character, Zits, on

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The Disquieting Guest — Horror in/and Fantasy

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A few weeks back, Shaun quipped to me that horror is “fantasy with scary bits.” Even further back, a discussion went around on Twitter as to whether horror and epic or high fantasy could coexist. A few remarks this week (which I will get to in due course) had me thinking about this issue again. As I’ve argued previously, horror is too polymorphous to be considered a genre — any attempt to define it as such winds up with exclusions and inclusions so remarkable as to invalidate the definition. For example:  an insistence that there must be an element of the supernatural excludes the likes of Psycho, The Silence of the Lambs, The Texas Chainsaw Massacre, and so on. On the other hand, horror’s symbiotic/parasitic nature allows it

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Worldbuilding: Why It Ain’t So Easy

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So, I appeared at an event at the San Marcos Library on Sunday where I’d been asked to give a talk about research. During the question and answer section, someone asked me why I would go to all the trouble of setting a fantasy in the real world? “Why do that when you can just make stuff up? That’s easier, after all. It’s a short cut!”  Yeah. Um. Not so much. First, writing isn’t easy, nor is making up stuff. Worldbuilding is hard work — very difficult, detailed work. If you’re not thinking about the worldbuilding aspects of your story that much, then what you’re doing is probably derivative, and that’s not good. It’s far easier to work with environments with which the reader is already familiar than it is to make up a foreign world and make it plausible. There are certain cues

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MINING THE GENRE ASTEROID: Where Late the Sweet Birds Sang by Kate Wilhelm

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“What is right for the community is right even unto death for the individual. There is no individual, there is only the community.” In the Shenandoah Valley of Virginia, in isolated Appalachia, a powerful extended family is determined to survive. Crop failure. Climate change. Ecological and environmental collapse. Pandemic, social upheaval and worse. All of this threatens the end of humanity, and indeed of most animal species in the bargain.This community builds itself a safehold to survive the turbulence and save a remnant of humanity in the bargain. When it turns out the pandemics have left everyone in the extended family infertile, the only solution that presents itself to save humanity is to clone the members of the extended family (and their local livestock as well). The clones can carry humanity ahead a generation or three, and then the ordinary course of marriage and mating can resume the community’s usual social structures.  However, once born, the clones have their own

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Geekomancer Under Glass: Beyond the Capes (Part Two)

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Hello! This is S&F’s own Geekomancer, Mike Underwood, back again to talk about more comics outside the supers genre. Today, I’m going to talk about one classic and a couple of more recent up-and-coming comics. Hinterkind One of the new offerings from Vertigo following the departure of long-time executive editor Karen Berger, Hinterkind (Writer: Ian Edginton, Artist: Franceso Trifogli) is pitched as The Inverse Fables.  In this world, Faerie creatures have returned and overthrown humanity, who now live in small enclaves hidden away, like Angus and Prosper’s group, which has ironically holed up in Central Park. When their closest human neighbors in Albany

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MINING THE GENRE ASTEROID: Three Hearts and Three Lions by Poul Anderson

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Holger Carlsen is an Allied covert operative in the Low Countries, fighting the Nazis in World War II. After an accident, he finds himself in a fantasy version of Europe. The West is held by Humanity, the East is held by Faerie, and the two are locked in a cold war that is looking to run hot. Not his fight, though, right? Holger needs to get home and fight the Nazis.  But why did he wind up being transported to a spot where a horse suited for him, and battle armor customized to fit him just happened to be? Who is Holger Carlsen, really, and what is the meaning of his coat of arms? And can he survive in a world where a world war like the one he left may be in the wings, but with dragons and giants instead of bombers and tanks? Three Hearts and Three Lions is one of many of the classic novels of Poul Anderson. Lighter than some of his more Scandinavian fantasy (e.g. the excellent The Broken Sword), Three Hearts and Three Lions (1961) introduced a lot of ideas into fantasy and gave them form. The division of the fantasy world into Law and Chaos. Trolls and Giants, creatures not often seen in fantasy in this point,  take the stage. And Anderson’s trolls are far more indicative of what most people think of trolls than the Cockney rhyming trolls of Tolkien’s The Hobbit.  Oh and did I mention there is a shapeshifting druid (complete with animal companion), a magical sword of ancient power (Cortana!), and the fact that you probably could stat up Holger in this fantasy realm as a Paladin and be not far from the mark?

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