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Writing Bits: Armadillocon Writer’s Workshop

This week Shaun gave me permission to talk about the Armadillocon Writer’s Workshop, which is a little event that I run for my local convention. It’s close to my heart for multiple reasons — among them is the fact that it gave me a leg up as a new writer. I feel passionate enough about it that I’ve been running it for seven years. If you’re interested in becoming a professional Science Fiction and Fantasy writer, I think it’s one of the best, least inexpensive workshops designed for beginning and intermediate writers. This year, it will be held on Friday, July 25th, and the manuscript submission deadline is June 15th. Each student is required to submit a manuscript of no more than 5,000 words, which will then be critiqued at the workshop. Check in begins at 8:30am, and the workshop runs until the convention starts (usually, at 4:30pm). It’s a full day of lectures, writing exercises, and critiques. In the last part of the session, students are sorted into critique groups of no more than five. Each group is led by two publishing professionals. We use the Milford Method, and each student both gives and receives critiques. This year, we’re proud to have the following instructors: Ian McDonald, Ted Chiang, Jacob Weisman, Skyler White,  Mario Acevedo, Martha Wells, Kat Richardson, Stina Leicht, Alex C. Renwick, Claude Lalumière, Joe McKinney, Martin Wagner, Marshall Ryan Maresca, Mark Finn, Dr. Anne-Marie Thompson, Derek Johnson, Jayme Blaschke, and Nicky Drayden If you’re a new writer without publishing credits and you’re interested in professional publishing, this is the workshop for you. It’s a lot of fun. The fee is $70. For more detailed information see the Armadillocon website.

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Film Review: Shank (2010) — A (World) SFF Film Odyssey

Most of you haven’t heard of Shank.  On some level, that’s probably a good thing.  Though low-budget can sometimes produce remarkable results, Shank is a film which suffers from a feeling of inexperience, overexertion, and disjointedness.  Set in a depression-rattled London in 2015, Shank follows a ragtag group of young men who are trying to earn enough money to do…something.  It’s never made clear exactly why they need to raise the money to go wherever they’re going, and this fact becomes irrelevant when Junior’s (Kedar Williams-Stirling) brother, Rager (Ashley “Bashy” Thomas — the UK rap artist), is murdered by rival gang leader, Tugz (Jerome Holder).  His dreams crushed, Junior sets off on a journey to get revenge, bringing along his family of gang members:  Kickz (Adam Deacon), Craze (Michael Socha, who looks suspiciously like Jake Gyllenhaal), and Sweet Boy (Jan Uddin).

Announcements and Errata

Poll: Shaun should read this as…?

If you’ve been paying attention, there’s this whole Worldcon Fundraiser thing going on for Shaun (i.e., me).  One of the Milestone Perks involves me reading a classic work of literature or philosophy as either Captain America (post-government cutbacks) or Yoda (the green ninja).  I’ve let one of the donors pick the work, but the general public (i.e., you) gets to pick the character I will play! Fabio Fernandes wants me to read from Thus Spoke Zarathustra: A Book for All and None by Friedrich Nietzsche.  Now it’s up to all of you to decide the character!

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My Superpower: Cassandra Rose Clarke

My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Cassandra Rose Clarke to talk about how the power of making time for TV (psst:  and organization) relates to The Wizard’s Promise. ——————————– Let us consider Wolverine. His superpower appears to be the ability to retract claws out of his knuckles like a cat, and indeed, for many years as a child I thought that was his superpower and wondered how such a weirdly specific mutation could come to be. But at some point I learned that Wolverine’s actual superpower is regeneration. It allows him to retract claws out of his knuckles like a cat and do other wonders as well — but mostly the cat claw thing. My writerly superpower is the same way.

Announcements and Errata

Top 10 Episodes and Blog Posts for April 2014

Here they are! Episodes: 201. The Hugo Awards (A Discussion w/ Justin Landon and Natalie Luhrs) 198. Brazilian SF w/ Fabio Fernandes, Cesar Alcázar, Libby Ginway, and Jacques Barcia #WorldSFTour 199. Sofia Samatar (a.k.a. Malkia wa Ndoto) at ICFA (An Interview) #WorldSFTour Episode 4.2 — Torture Cinema Meets The Wicker Man 200. We’re 200! (Hugos, World SF, and Trivia w/ the ENTIRE Crew) 197. Mannequin (1987): A Torture Cinema “Adventure” 116. Season of the Witch — A Torture Cinema “Adventure” 141. Final Hugo Thoughts + the Hugh Howey Fiasco w/ Justin Landon and Jonathan McCalmont #18. Summer Wars (2009) w/ Daniel Huddleston — #WorldSFTour 196. Fran Wilde (a.k.a. Chadwick’s Prodigy) — An Interview at ICFA Blog Posts: We’re Nominated for a Hugo Award! On Recent South(east) Asian SF/F by Benjanun Sriduangkaew (Guest Post) New to The Skiffy and Fanty Show podcast? Hello! Cultural Tourists (Part 2): Publishing and Representation by Charles Tan This Katamari Feels Cleaningsish — Magical Cleaning Methods! by Julia Rios Book Review: The Lies of Locke Lamora by Scott Lynch (by Paul Weimer) Mining the Genre Asteroid: THE DRAGON WAITING by John M. Ford (by Paul Weimer) A (World) SFF Film Odyssey: Mutant Girls Squad (2010) and Anime’s Excesses by Shaun Duke IDIC and the problem with gatekeepers by Joyce Chng Book Review: Heirs of Grace by Tim Pratt (by Paul Weimer) Enjoy!

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