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Retro Childhood Review: The Neverending Story

Bastian Balthazar Bux’s passion was books. If you’ve never spent whole afternoons with burning ears and rumpled hair, forgetting the world around you over a book, forgetting cold and hunger — If you’ve never read secretly under the bedclothes with a flashlight, because your father or mother or some other well meaning person has switched off the lamp on the plausible ground that it was time to sleep because you had to get up so early — If you have never wept bitter tears because a wonderful story has come to an end and you must take your leave of the characters with whom you have shared so many adventures, whom you have loved and admired, for whom you have hoped and feared, and without whosecompany life seems empty and meaningless — If such things have not been part of your own experience, you probably won’t understand what Bastian did next. — The Neverending Story, by Michael Ende When I was 8 years old, my father handed me a book with a magical symbol on the cover, with text in red or green by turn, with a protagonist that for all intents and purposes was ME. I doubt I could ever adequately express what this book meant to me at that particular point in my life, nor in the subsequent years in which I read the book again and again, till the corners of the pages turned soft and the imprint on the cover became something you could only see in the right light at the right angle. I first met the characters of The Neverending Story when the movie was released in 1984. I was enraptured by every aspect of the film, but it was the book that truly captured me. The movie is a near perfect adaptation of the first half of the novel, but it misses some crucial elements that make this book a powerful masterpiece of Children’s fiction.

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Book Review: Galactic Empires, edited by Neil Clarke

In the 1970s Brian Aldiss published a seminal anthology of SF stories. Called Galactic Empires, it was a two-volume set of over two dozen stories set in such realms, with authors ranging from Arthur C. Clarke, Isaac Asimov and Poul Anderson to A.E. Van Vogt and Clifford Simak. The age of the stories spanned from the 1940s to the 1970s, not only showing a wide range of themes and ideas revolving around Galactic Empires, their rises, heights and falls, but also showing the breadth of style changes in the genre over that period. It was not only a snapshot of the subgenre, right at the time that Star Wars was dominating the cinema and changing SF forever, but a look backward to the roots of the subgenre as well. Now, in 2017, Neil Clarke has stepped into the very large shoes that Aldiss has left, and created his own anthology called Galactic Empires. Clarke’s collection of stories have the same remit as Aldiss’: To show the Galactic Empire, in all of its forms, and with a wide range of voices, styles and authors. Clarke’s choices all date from the 21st century. While this does mean that Clarke’s anthology misses the 1980s and ’90s, he does manage to capture more recent eras in glorious diversity. For all of how important the Aldiss anthology was and is, Aldiss’ general overlook of half of the SF field and having an entirely American/British viewpoint was a weakness in his anthology. Only one female author, Margaret St. Clair, was included in Aldiss’ two-volume collection. By comparison, out of the stories Clarke has gathered, nearly half are by women. Further, Clarke’s choices includes significant contributions from the likes of Yoon Ha Lee, Tobias Buckell, and Aliette de Bodard. 

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Book Review: Starborn by Lucy Hounsom

Kyndra is a seemingly ordinary young woman in a nondescript village in the mountains. Her mother runs an inn, and is a sometimes hard woman, even on the day of Kyndra’s Ceremony. This village does have something unusual in it — an ancient artifact, which, when invoked, will tell you your true name and your future. For decades, as children of the town have come of age, the artifact has guided them to their life and future.  When Kyndra is presented to the artifact in her Ceremony, however, the artifact unexpectedly breaks, setting in motion events that will send Kyndra across the continent, and to her true destiny. An initially traditional seeming epic fantasy protagonist and world evolve into a much more nuanced and complex tale in Lucy Hounsom’s debut epic fantasy novel, Starborn.

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Book Review: The Cold Eye by Laura Anne Gilman

Being the Devil’s Left Hand is not the easiest job that Isobel could have chosen, but she did choose it, fought for it, and has proven herself, so far, to be a solid choice to ride the Territory on the Boss’ behalf. Now that she has some miles done on her circuit, Isobel’s life as the Devil’s Left Hand continues. As before, her partner Gabriel, as per his own agreement with the Devil, continues her training. But even as Isobel is  growing into the role, new dangers are arising, dangers that the two of them may not be equal to face. Dangers great enough perhaps to threaten even the Devil himself. The Cold Eye is the second Devil’s West novel by Laura Anne Gilman, following Silver On the Road.

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Book Review: The High Ground by Melinda Snodgrass

Her Imperial Highness Mercedes Adalina Saturinia Inez de Arango, the Infanta, the eldest daughter of the Emperor of the Solar League, has a problem. She’s a woman. Her father, the Emperor, has managed, like English King Henry VIII centuries ago, to wind up with no male children to name as heir. The conventions and expectations of his society make naming a female heir a dicey proposition, especially because the Heir is expected to attend and graduate The High Ground, the “star fleet academy” of the Empire. The High Ground, however, has never had female cadets before, and so the attendance of the Infanta is a change too far for many. Thracius Ransom Belamor, to his chagrin called Tracy by everyone, has a different problem. In the aristocratic, near feudal world of the Solar League, being from the middle class and unconnected to the noble Fortune Five Hundred families means that his scholarship to the High Ground is a poor billet indeed. In social circles far beyond his normal station, even aptitude and hard work may be far short of what Tracy needs to survive, much less succeed, at the Naval academy.  The High Ground is the first in the Imperials series by Melinda Snodgrass, and tells the story of Tracy and Mercedes’ attendance at the titular High Ground.

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