Cover of Sleeping Worlds Have No Memory, featuring a tower against a stormy background, with a few birds wheeling around it, and a silhouette of a person in the lower foreground.
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Book Review: Sleeping Worlds Have No Memory, by Yaroslav Barsukov

What seems like fairly standard science fantasy, combining feudal lives in cities where people walk around open markets with tech like airships and massive building projects, turns into something akin to a trip to a dangerous, mysterious part of the Dreamlands. Back in the this world, things keep getting weirder and more wondrous…

Cover of an Elephant for Aristotle, featuring a man and woman in antique costumes, with an elephant and soldiers in the background.
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Mining the Genre Asteroid: An Elephant for Aristotle

“… This reinforces the clear point of view that De Camp promotes in the book, and that is one of multiculturalism and diversity being good things for people to experience and for polities to have. Time and again, having a wide and diverse group, or tribe, or nation is superior, clearly, to monoculture alternatives.”

Cover of Someone You Can Build a Nest In, by John Wiswell, featuring a plump woman holding a lantern next to a fire, against the silhouette of a tall cloaked figure wearing a witch's hat, with tentacles, chains, and other things against a red background.
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Book Review: Someone You Can Build a Nest In, by John Wiswell

You see, the protagonist/narrator is a shapeshifting monster who keeps rebuilding her body from the remnants of defeated enemies, but a lot of the people she deals with are monstrous in their own ways. … and when she meets a uniquely likeable and caring woman, Homily, and tries to help her and communicate with her instead of just eating her, readers like me end up cheering for both of them.

Cover of The Improvisers by Nicole Glover; description in review.
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Book Review: The Improvisers, by Nicole Glover

Glover’s prose doesn’t often soar to poetic heights, but it’s direct and practical and a breeze to read. There’s a lot going on in this 443-page book, but it doesn’t feel nearly that long; Glover keeps it all racing along together and lands the ending with a very satisfying touchdown.

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