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My Superpower: Alisa Krasnostein

My Superpower is a regular guest column on the Skiffy and Fanty blog where authors and creators tell us about one weird skill, neat trick, highly specialized cybernetic upgrade, or other superpower they have, and how it helped (or hindered!) their creative process as they built their project. Today we welcome Alisa Krasnostein to talk about how Talking People Into Things relates to Kaleidoscope… I’m not sure I should actually tell you this but my superpower is talking people into getting involved in projects. I guess creative energy at the inception of a project is contagious. It’s definitely one of the best bits about publishing — the rush of coming up with a new project that you think can work, that you want to spend a year or two developing into something great and bouncing ideas off co-collaborators. That’s how we’re here— Julia and I—working on Kaleidoscope, an anthology of diverse contemporary YA fantasy. You see, I heard Julia Rios on a podcast recording of a panel at WisCon talking about YA dystopian fiction and how so much of it featured white, able bodied characters. And thinking about all the books I’d recently been reading, I realised how true that was and how little that made sense, really, that in post-apocalyptic worlds, only the white, able-bodied amongst us would survive some major world catastrophe. And I realised that I wanted to publish some fiction that was the opposite of that, to at least start to right that balance and provide some choice of something else for young adults to read. So I took this idea to Julia because I really wanted to work with her to make this project happen, since she’d prompted the idea, and, ok, I admit it. I used my superpower on her. And she said yes! And so here we are – this month we launched a crowdfunding campaign through the Australian platform Pozible to raise the funds to bring this anthology project to reality. The main characters in Kaleidoscope stories will be part of the QUILTBAG, neuro-diverse, disabled, from non-Western cultures, people of color, or in some other way not the typical straight, white, cis-gendered, able-bodied characters we see all over the place. Our focus is contemporary fantasy with protagonists from all sorts of backgrounds being the heroes of their own journeys. We’ve already acquired some fantastic stories from Sofia Samatar, Ken Liu, Vylar Kaftan, and Jim Hines and we’ll be opening the anthology to submissions when we raise $7k towards our fundraising goal. I can’t wait to bring this project to fruition. And um, use my superpower for good. To learn more about the project, check out the Kaleidoscope Pozible page! __________________ Alisa Krasnostein is editor and publisher at independent Twelfth Planet Press, a freshly minted creative publishing PhD student and recently retired environmental engineer. She is also part of the twice Hugo nominated Galactic Suburbia Podcast team. In 2011, she won the World Fantasy Award for her work at Twelfth Planet Press. She was the Executive Editor and founder of the review website Aussie Specfic in Focus! from 2004 to 2012. In her spare time she is a critic, reader, reviewer, podcaster, runner, environmentalist, knitter, quilter and puppy lover.

The Skiffy and Fanty Show Podcasts

#08 — The Riddick Trilogy (2000, 2004, & 2013) — A Shoot the WISB Discussion

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/ShootTheWISB08TheRiddickTrilogy/Shoot%20the%20WISB%20%238%20–%20The%20Riddick%20Trilogy.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSAlien monsters, action-packed slaughter-fests, and space Conan, oh my! Keffy, David, and Shaun offer their thoughts on the Riddick Trilogy:  Pitch Black, The Chronicles of Riddick, & Riddick.  That pretty much covers it… Spoiler Alert:  the following podcast contains spoilers for the film being reviewed; if you wish to see the film without having it ruined for you, download this podcast and save it for later. Download the episode here. Show notes (info about our contributors can be found on the about page): Pitch Black (2000) The Chronicles of Riddick (2004) Riddick (2013) Note:  We’re shifting over the Shoot the WISB segments from my personal blog to The Skiffy and Fanty Show.  Why?  It just makes more sense, I suppose.  If you’ve never listened to the Shoot the WISB casts, you’ll likely see them pop up in your iTunes or RSS feeds over the next few weeks.

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Feed the Machine: Blunderdome

This week’s Feed the Machine will be a little different. Before I go on, here is the link to the article in question: Following the missteps of giants — Phys.org It’s a short article, more a review than a science article really, but it got me thinking, and I want it to get you thinking. Why would one of the most respected scientists of the 21st century knowingly make such a blunder? Beyond this, what if, on an alternate earth, there was a scientist who was so respected, so smart, so right about everything, that her discoveries weren’t examined? In fact, they were taken as LAW the moment she set them down to paper? What if the world conformed to her laws, even when they were wrong? What if it didn’t? What if someone called her on it? Imagine a

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The Disquieting Guest: The Visceral and the Cerebral

The other day, I was exchanging a few thoughts with Shaun about film, the need to entertain, and the engagement of emotions versus the idea of a film that was a purely intellectual experience. This brought me to thinking about the same topic in relation to horror. Some years ago, I read an anthology of horror tales that was a success in that the stories were skillfully written, but a failure in that few, if any, worked at all as horror. The reason for this was (what seemed to me) a misplaced desire to “transcend” the field (a subject for another time), coupled with a form of self-referential storytelling that worked fine in and of itself but prevented the reader from engaging emotionally/suspending disbelief/what-have-you. Let me add here that I intend no disparagement to a more writerly (as opposed to readerly) style — each has its strengths and particular uses. However, what this

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This Katamari Feels Fundraisersish

(That’s probably because you rolled up nothing but interesting crowdsourced projects and fundraisers!) Crowdfunding and fundraising are two awesome things that I think the internet does really well. This week, I’m sharing some things I’ve supported lately. Kaleidoscope: Okay, so yes, I am starting with my own project! Kaleidoscope is an anthology of diverse contemporary YA fantasy stories that I am co-editing with Alisa Krasnostein of Twelfth Planet Press. We’re putting together an awesome collection of stories with teen protagonists by authors such as Ken Liu,

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On Writing: Cold and Dead

I don’t believe in literary trend tracking. I never have. Largely, the reason why is I’m a contrarian. If hordes of people are headed one direction, I’m very likely to push against the flow — particularly if the flow is overwhelming. More often than not, I’ve found that doing so has been helpful. It keeps me ahead of the game, as it were. I simply don’t trust fads, and I certainly don’t trust mobs. In large groups, people tend to think less of the consequences of what is happening. I want to think. I want to make my own decisions. I’m not interested in doing something just because it’s fashionable. Plus, I’ve been around long enough to know that the moment when everyone is doing it is the moment one should flee the scene. The pattern is as old as humanity. Look up the Dutch Tulip Bubble of 1637 if you don’t believe me. That’s why whenever a newbie writer asks me if they should follow trends, I tell them not to bother. They’re bullshit. Understand that by the time you finish

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