The Skiffy and Fanty Show Podcasts

174. Cassandra Rose Clarke at Worldcon (an Interview of Sorts)

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http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode174CassandraClarkeAtWorldcon/SandF%20–%20Episode%20174%20–%20Cassandra%20Clarke%20at%20Worldcon.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSMad scientists, assassins, and publishing, oh my!  Cassandra Rose Clarke joins Jen and Shaun in a mysterious San Antonio restaurant to talk about her novels, writing, the fantasy genre, galactic empires (well, Shaun talks about that), and much more!  Plus, there may be a few half-truths in here.  We’ll leave you to figure them out! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 174 — Download (MP3) Show Notes Cassandra’s Website Angry Robot Books You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

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Out-Brutalling the Last Guy: “Grim and gritty, yes … but make sure it’s doing some honest work” by K.V. Johansen

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I’ve written some reasonably grim stuff. The hero of Blackdog does tend to go for the throat on the battlefield and the assassin hero in my forthcoming series, Marakand, has a past that is decidedly Not Nice (his present just gets worse). Violence, horror, fear, pain, death — these are all part of epic fantasy, which almost by definition is going to deal with war at some point along the way and will certainly throw its characters into nasty situations, both as active doers of deeds and as suffering victims. Sometimes detailed physical description is what you need to do what the story needs done. Sometimes it isn’t. When it is, the detailed physical description alone shouldn’t be the point of the exercise. I was talking about this just last night with the Spouse, and then, while procrastinating on Twitter this morning, I wandered into a conversation with Juliet E. McKenna and Tom Lloyd that touched on the same ideas. This led me to wonder if, as we see the increased brutality inflicted in books praised as some kind of standard that is supposed to be achieved, we fantasy writers don’t sometimes get the feeling that we’d

The Skiffy and Fanty Show Podcasts

173. The Gate (1987) — A Torture Cinema “Adventure” (the Halloween Special)

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http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode173TortureCinemaMeetsTheGate/SandF%20–%20Episode%20173%20–%20Torture%20Cinema%20Meets%20The%20Gate.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSBackyard demons, claymation creeps, and geodes, oh my!  Shaun, Julia, and Paul return to form with a special Halloween-themed torturous review of The Gate.  Needless to say, they had a bit of fun tearing this one apart! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 173 — Download (MP3) Show Notes The Gate (1987)(IMDB) You can also support this podcast by signing up for a one month free trial at Audible.  Doing so helps us, gives you a change to try out Audible’s service, and brings joy to everyone. Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

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Movie Review: Mama (2013)

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One of the things I enjoy about horror is its connection with fairy tales. Anyone who has actually read Grimm’s Fairy Tales is aware of this association. It’s one of the reasons why Andrés Muschietti’s 2013 film, Mama, attracted me. The story has a mundane, if tragic start fed to the audience in the form of a car radio news story — a dramatic stock market downturn results in the suicides of several members of a prominent investment firm. The abandoned car is parked in front of a beautiful house and there is a gunshot. The camera pans closer and the next scene is of a little girl named Victoria dressed for school. Her one-year-old sister is in her crib nearby. Their father arrives. His clothing is speckled with blood. Victoria asks, as all Fairy Tale heroines do, all the right questions, but her father, who is insane with grief, brushes her questions aside. He collects the girls and drives off into the wilderness with them. The car wrecks in the snow and they end up in an abandoned cabin, which is, naturally, haunted. Their

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Business Time: Ebooks are here to stay. Now what?

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Hello, my business-savvy Skiffy and Fanty folk. Continuing on the thread of talking about the business side of publishing, I wanted to spend today talking about digital distribution, both generally and more specifically. Ebooks are really new as far as the publishing business is concerned. They’ve been around longer than they’ve been important, and now that they’re important, things have been changing very quickly. Ebooks have gone from 19% of Unit Sales in Science Fiction in 2010 to around 43% by latest reports (my ‘now’ data is from early 2013). And these days, we don’t just read ebooks on e-ink readers or on our computers. We have tablets and mobile phones. I still prefer to read physical books when I can, but I’ve gotten great use out of my e-ink reader, thanks to the fact that it doesn’t contribute as much to eye strain (I spend a *lot* of time looking at glowing screens). Oyster is a ebook service that’s trying to apply the Netflix model to books. For a monthly subscription rate of $9.95, members can read an unlimited selection of the ebooks Oyster has in their library on iPhone and iPad. The selection is currently limited, but only in the way that Netflix’s selection was limited when it

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