The Skiffy and Fanty Show Podcasts

222. Hawk the Slayer (1980) — A Torture Cinema “Adventure”

/

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/TheSkiffyAndFantyShowseasonFiveEpisode222TortureCinemaMeetsHawk/Sandf–Episode222–TortureCinemaMeetsHawkTheSlayer.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSRepeating magic crossbows, emotionless heroes, and gentle giants, oh my!  You voted for it.  We watched it, and then we got intoxicated and talked about it.  Feel our pain in this special LonCon3 editions of the British-produced Hawk the Slayer (1980)! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 222 — Download (MP3)  Show Notes: Hawk the Slayer (1980)(IMDB) Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

Blog Posts

Monopoly and Appropriation

/

is there a support group for people who used to like the word “diversity” but now they want to burn it with fire — Sofia Samatar (@SofiaSamatar) September 3, 2014 While appropriation is a two-way street, it is not always equal. Filipinos, Singaporeans, and Indians, for example, have appropriated English as their own language, and yet we are still often complimented for our good English. The corollary to that is best summed up by this statement from Aliette de Bodard:

Blog Posts

Book Review: SOFT APOCALYPSES by Lucy A. Snyder

/

Soft is a particularly ironic description for this collection of short fiction by Lucy A. Snyder. Brutal. Grisly. Unflinching. These are all words that are easier to associate with the dark nature of her stories. Indeed, a cover blurb by Seanan McGuire states that Snyder’s work “attacks the page with the raw, manic intensity of an early Sam Raimi.”

Blog Posts

Geekomancer Under Glass: Recent Comic Coolness, Sep. 2014

/

Hello, all! Today, we delve into the land of comics, one of my first narrative loves. I’ve been reading comics since I was a kid living in Brooklyn, taking the deposit from our cans and bottles down to the Friendly Local Comic Store and buying issues of X-Men and Spider-Man. I’ve been getting back into comics more in the last year, thanks to once again having a Friendly Local Comic Store with great taste and a friendly atmosphere. Add to that the ease of impulse buying digital comics via Comixology and things like Humble Bundles and I’m facing an embarrassment of riches. Since it’s Baltimore Comic-Con this weekend, I thought I’d give y’all a report on some of the comics I’ve been enjoying of late:

Blog Posts

Logic of Empire: Robert Jackson Bennett’s City of Stairs and Beyond

/

With superior power, technology, and a will to conquer, an empire uses that technological advantage to reach out and dominate/subjugate much of the world. The wealth of the world is plundered and bent to the service and the coffers of that empire. No dominance lasts forever, however, and the subjugated peoples learn how to fight back, to drive the invaders out of their lands, to regain independence. More so, as the wheel turns and the empire falls into eclipse and collapse, the formerly subjugated find that they have the geopolitical upper hand over their former colonial masters. This sounds awfully like the history of our world from the 19th century heyday of European Colonialism to the ‘rise of the rest’ and the relative decline of Western power happening right now, doesn’t it? City of Stairs, Robert Jackson Bennett’s first turn into secondary world fiction, tackles these concerns in a secondary world context.

Blog Posts

Indy Genre: Holy Motors (2012)

/

Over the past several years, I’ve come to the conclusion that independent film is the place to search for the weird, fantastic, and creative. You know:  the stuff of our genre. This is where labors of love and concepts a little too off beat to soothe conservative investors end up, where storytelling gets pushed to its limits… at times unsuccessfully. And with generally smaller budgets, if these films succeed, it’s not because they’ve leaned on visual spectacle and slow-motion pyrotechnics as a distraction from the fact that it’s really just a story about a white dude’s biceps and the director’s inescapable misogyny. Since this year’s Skiffy and Fanty theme is World SF, that dovetails perfectly with the hunt for smaller genre films. I hope you’re ready for subtitles. I promise, they won’t hurt a bit. We’re taking a ride on Holy Motors.

Scroll to Top