I didn’t get the chance to read as many books or watch as many films as I would like this year, and so any ruminations on my part about what might or might not constitute the best of the year should be taken with a Dead Sea’s worth of salt. My impression is that by and large, this has not been a stellar year for horror movies in the theatres. The box office returns tend to confirm that perception, which leads to Scott Mendelson’s gloomy appraisal of the situation here. But what needs to be factored in, regarding horror’s relatively poor showing in terms of numbers, is how few of this year’s films are actually any good. Compounding the problem is the fact that the two recent movies receiving the most glowing acclaim — Ana Lily Amirpour’s A Girl Walks Home Alone at Night and Jennifer Kent’s The Babadook — have received criminally minimal distribution. Last I heard, The Babadook, which by all accounts is absolutely terrifying and would be leading my Best-Of list had I been able to see it, has only played in a single theatre in all of Canada. I hope to catch both of these films in 2015, but as I have yet to see them, I can’t say anything else about them in the context of this column other than express my anticipation. And here, have a trailer.