“The past is a foreign country: they do things differently there” — L.P. Hartley The conceptions and misconceptions of what medieval life was really like influence our perceptions of who we are as people, and the fiction and worlds that we create. There is a real struggle within certain sectors of the SFF genresphere about the fiction based on the world within what I call the “Great Wall of Europe”, fantasy with the viewpoint and a setting firmly grounded in conceptions of what Medieval Europe was like. Be it George R.R. Martin’s Westeros, or Kate Elliott’s Wendar and Varre, or a hundred others, Medieval Europe is, for a lot of writers and readers, THE setting to base their fantasy upon. However, many other writers get basic facts about Medieval Europe unintentionally wrong, further accentuating and perpetuating stereotypes and misconceptions about the Medieval world and mindset when they plug those misconceptions into their fiction, and those misconception are reinforced as misinformation about the real Medieval Europe.