Blog Posts

Book Review: The Guns Above by Robyn Bennis

A pair of intriguing, antagonistic characters, steampunk airships, a dry sense of humor, and feats of derring-do are at the heart of The Guns Above, a debut novel by Robyn Bennis. The novel’s strong focus on the action beats as well as the main characters marry a sense of character along with large helpings of crunchy detail to a finely honed level. Lieutenant Josette Dupre is the first female airship commander in Gandian history. She is determined, ambitious, intelligent, strong-willed, and has a delightfully dry and snarky sense of humor. She’s also keenly aware of the precarious nature of women in the Signal Corps, and her own command an even more tenuous position. At the beginning of the novel, she is convinced that she has lost her command after the destruction of the Osprey, even in service of stopping an enemy advance. Thus when she instead is given the brand new but experimental, cantankerous, and ill-designed airship Mistral, she will not allow a command, even of a potential deathtrap, to be taken from her. In a real sense, the novel is a story of the relationship of a commander to her new airship, with all the pitfalls and joys of that, especially as it turns to be a trial under fire.

The Skiffy and Fanty Show Podcasts

Signal Boost #12: A Conversation about Conventions, Economics, and Inclusion

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFSignalBoost12ConventionsEconomicsAndInclusivity/Sandf–SignalBoost12–ConventionsEconomicsAndInclusivity.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSOn today’s Signal Boost, Shaun and Jen discuss conventions, the economics of attendance, and how they can be more inclusive. They’re particularly concerned with how convention culture tends to be somewhat exclusive, how conventions often fail utterly at disability access, and how something called WorldCon should MAYBE travel around the world a bit more. Then they squeeeeeee about this week’s mini-boosts. Make sure you let us know about things that YOU love that we should share in future boosts! *Note: Jen conflates SFWA with WSFS. SFWA is NOT in charge of the Hugos, WSFS is! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below):

The Skiffy and Fanty Show Podcasts

329. Inclusivity in Games — A Discussion w/Lorraine Fryer, Vladimir Barash, and Carlos Hernandez

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode329InclusivityInGames/Sandf–Episode329–InclusivityInGames.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSMagic circles, subverting Cthulhu, and preserving heritage, oh my! Lorraine Fryer, Vladimir Barash, and Carlos Hernandez join Julia Rios to discuss Inclusivity in Games! This discussion tackles the importance of representation, colonization of cultural folklore, and how these game designers have specifically worked inclusivity into the narratives of their games. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below):

Blog Posts

Book Review: Nebula Awards Showcase 2017

Since the Nebula Awards’ inception some combination of its winners and nominees has been annually published together in a collection edited by a major genre figure. Unlike typical anthologies or collections, the content isn’t chosen by the editor, but by the members of the Science Fiction Writers of America. Therefore the responsibilities of the editor (this year Julie E. Czerneda) appear minimal, mainly to write the introduction and decide on which category might have its nominees included. Individual stories also include introductions by the authors providing insight into the creation of their work. Nebula Awards Showcase 2017 thus offers an ideal and affordable digest for seeing what members of the speculative fiction field view as its current best representations. For readers who somehow manage to keep up with all corners of the genre, the collection provides a nice summation and reminder of the current vibe, views, and insights that have gained notice. For the casual or new reader, it offers an opportunity to discover some talented writers and powerful stories.

Blog Posts

The Intersection: Let's Talk Double Standards

These days there’s a great deal of discussion about what Diversity means (hint: it doesn’t mean cultural appropriation), why we should or shouldn’t have it, and who is permitted to engage in it. This is, despite the contention and disruption in the community, a very good thing. Change doesn’t happen unless we actively engage it—particularly when the problem in question (systemic bias) is complex and multi-layered. Let me emphasize this again: the issue of diversity in Science Fiction and Fantasy is a complex one. In my experience, it requires extensive self-awareness, a willingness to endure uncomfortable situations and discussions without defensiveness, the ability to understand that a larger, implied context is a factor in communication, and a great deal of humility. Systemic oppression isn’t an easy problem to resolve. Humanity has been struggling with it since the first human being grabbed leadership of a group and declared another group the enemy. If it were as simple as say, one group “getting over it” or “waiting until the old people die off, carrying their offensive beliefs with them,” it would’ve been resolved generations ago.

Blog Posts

Guest Post: Movie Remakes vs. Movie Covers by Melissa F. Olson

I don’t know very much about music, but one thing I’m sure of: there’s no point in doing a cover of a song that’s exactly the same as the original. The best covers I’ve heard take a great piece of music and try something different with it. The songwriter comes at the same melody from a different angle (or in this case, key, I guess?) creating a new work that shares DNA with the original, but succeeds on its own. Last year Ryan Adams famously covered an entire Taylor Swift pop album with his own unique style, but I also like Damhnait Doyle’s haunted-music-box take on “I Want You to Want Me” or Yael Naïm’s surprisingly unsettling rendition of Britney Spears’ “Toxic.” Covers are not actually about being better or worse than the original. Good covers become their own unique thing.  And movies are often the same.

Scroll to Top