Our world is dark and full of terrors. I won’t bother enumerating them here. Either you already know them or you’re already hiding in the peace and safety of your own personal new dark age. And anyway, it all will have changed utterly by the time we hit publish on this review. Bummed out? Now think about the people of Iraq, the cradle of civilization that we’re only the most recent society to have somehow decided would be better off blown to splinters. As exiled Iraqi artist Hassan Blasim reminds us in the introduction to Iraq + 100, the ordinary people of Iraq haven’t known peace in anyone’s lifetime, and that’s just for starters. But some people have gotten out, including some amazing artists, including the aforementioned Blasim, primarily a filmmaker, but also a writer and anthologist, who, from faraway Finland saw that if there was one thing his beleaguered countrymen (and the rest of us) needed these days, it’s some speculative fiction, some stories created under the assumption that Iraq (and the rest of us) will still be around in 100 years. And thus was born Iraq + 100, an anthology of fantastic, disturbing, wondrous and deeply historically grounded stories by authors and translators who now live all over the world but once called Iraq home.