The Skiffy and Fanty Show Podcasts

Totally Pretentious #16. Succubus (1966): Avant Garde Femme Fatale, Jesús Franco’s Ouevre, and Late 2016s

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https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFTotallyPretentious16Succubus/SandF–Totally_Pretentious–16_Succubus.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSIt’s the triumphant return of Totally Pretentious, David and Shaun’s silly-with-a-side-of-pretentiousness movie review project that disappeared for a brief moment in time. But now they’re back with an episode they recorded a long time ago and forgot to release! In today’s super late episode, David and Shaun talk about some of the films they saw (back in 2016), especially Independence Day: Resurgence (2016) and its relation to Roland Emmerich’s ouevre, the Conjuring and Saw films, and more. Then they dive deep into David’s pick for this episode, Jesús Franco’s 1966 horror film, Succubus. They discuss the film’s reception, its approach to horror elements and the femme fatale, the challenges it presents to the audience of 1966 and our perceptions of narrative, and more. Enjoy the episode, and prepare yourselves for their next foray into cinematic goodness!

The Skiffy and Fanty Show Podcasts

Signal Boost #52 — L. D. Lewis (A Ruin of Shadows) and Ebony Elizabeth Thomas (The Dark Fantastic)

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https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFSignalBoost52LewisAndThomas/SandF–Signal_Boost_52–Lewis_and_Thomas.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSS In today’s episode of Signal Boost, Jen interviews L. D. Lewis, short story writer, author of A Ruin of Shadows, and Art Director of FIYAH Literary Magazine for Black Speculative Fiction! L. explains why the theme of changing allegiances after discovering the truth is something she likes to explore, how science fantasy helps her ground her world-building, her upcoming essay in Take the Mic: Fictional Stories of Everyday Existence, and what it means to be the Art Director of FIYAH and how she uses that platform to boost the work of Black artists. Then Jen talks to fangirl, Associate Professor, and KidLit activist, Ebony Elizabeth Thomas, about her new non-fiction work, The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games. Jen refused to cut anything because they talk about everything from the imagination gap in publishing to how Ebony’s long involvement with fandom and as a fangirl led to the critical lens through which she developed The Dark Fantastic, whether diversity in media is a moment or a movement, and so much more goodness that you just have to listen! We hope you enjoy the episode!

The Skiffy and Fanty Show Podcasts

At the Movies #74: Blade Runner (The Final Cut) (1982/2007)

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https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFAtTheMovies74BladeRunnerTheFinalCut/SandF–At_the_Movies_74–Blade_Runner_TheFinalCut.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSOrigami, abused toys, and kissing daddy, oh my! Since it’s finally 2019, the year that Ridley Scott’s Blade Runner takes place, it was time for us to finally discuss one of the most influential science fiction films of all time. As such, Shaun, Jen, and Paul, sit down to have a chat about the biggest problems in the film (including the treatment of Rachel, the Orientalism, what it means that so many POC are left behind on earth in the world of Blade Runner), what the central theme of the film is and whether or not Deckard is a Replicant (or if it even matters), the brilliant cinematography and its inspirations, the pros and cons of the various version of the film, and more! We hope you enjoy the episode!

Bloodline by Claudia Gray Cover
The Skiffy and Fanty Show Podcasts

#04. Bloodline – Thrawn and On and On (A Star Wars Literary Podcast)

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https://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFThrawnandonandon4Bloodline/SandF–Thrawnandonandon4–Bloodline.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSChill your coaxium and holster your blasters, the team is BACK!! That’s right, Shaun, Alex, and Kate have returned after a too long absence to tackle their first book in the NEW Canon, Bloodline by Claudia Gray. If you haven’t read the book yet, no worries, because the team will give you a giant spoiler wall just in case you think a book that whatever happens before Force Awakens and after Return of the Jedi could actually spoil anything for you. The team discusses how this is primarily a Leia book, what gave rise to the First Order, how and why this is not your mom’s hopeful Star Wars, and so, so much more. We hope you enjoy the episode!

Blog Posts

Book Review: State Tectonics by Malka Older

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State Tectonics concludes Malka Older’s Centenal Cycle trilogy, bringing to a head the tensions and potentials for change that have been laid in Infomocracy and continued through Null States. By the end of the second volume of the Centenal Cycle, Null States, the threats to the 21st century political and social order, the dominance of 100,000 person micro democracies, the centenals, has been laid bare and made clear. Sure, the remaining legacy nations have their problems with the dominant Centenal system and might, like China, seek to subvert it and change it for its own ends. Other more militaristic nations might overwhelm nearby Centenals.  But the greatest threat to the Centenal system is a hitherto unknown one—one from inside Information itself.

Blog Posts

Korean Drama Review: Kingdom (Season 1)

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Zombie stories are, for many reasons, a mess. Despite the fact that zombie lore originated with enslaved Haitians who feared that they would be forced to labor even after they died, many contemporary zombie stories focus on white people and their desire to run amok in a world disturbingly devoid of people of color. Not so, however, with the subject of this month’s Korean drama review: Kingdom. The Netflix original series, which released its entire first season in January of this year, transports zombies to medieval Joseon Korea and adds its own twists to the lore, utilizing it to deliver a commentary on the horrific consequences of poverty and inequality. (Warning for minor spoilers ahead.)

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