Author name: trishmatson

Educated as a physicist yet living as a journalist, Trish Matson is an award-winning writer and editor whose ever-expanding list of interests includes a lifelong love of SF/F, plus wordplay, libraries, games, music, dancing, audio drama, and podcasting. She’s listed as TrishEM on various fora, but you can find her most easily on Twitter.

Cover of Rabbit Test and Other Stories, by Samantha Mills. The negative space in the letter A of Rabbit depicts a black rabbit with a red eye, and there's also a symbol in the middle of the letter I. "Test" is in red letters. All the text is against a black background.
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Book Review: Rabbit Test and Other Stories, by Samantha Mills

“Rabbit Test” by Samantha Mills was a stunningly good science fiction/historical fiction story. Published in Uncanny in 2022, it was inspired by the Supreme Court’s overturning of Roe V. Wade, and looked at women desperately seeking reproductive knowledge and options throughout the centuries and into the future. It won the Nebula, Locus, and Theodore Sturgeon awards for Best Short Story; it also won the Hugo, but Mills rejected that after the awards shenanigans of 2023 came to light. That was basically what I knew Mills for before this collection. I’d heard that her Compton Crook-winning debut science fantasy novel, The Wings Upon Her Back, was also great, but somehow it never made it to the top of my TBR pile. Upon seeing that Mills has a collection of her short stories coming out soon, I eagerly signed up to read and review Rabbit Test and Other Stories. I discovered that she’s written some other really great stories that I’d already read or heard from online magazines, but I hadn’t realized she was the author. Seeing all these great stories together really reinforces what an excellent and versatile author Mills already is, and increases my excitement over her potential for future amazing stories and books.

Cover of The Faith of Beasts by James S.A. Corey, featuring spaceships using beam weapons in a battle.
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Book Review: The Faith of Beasts, by James S.A. Corey

The Faith of Beasts (Book 2 of The Captives’ War), by James S.A. Corey, is an excellent sequel to The Mercy of Gods, which I reviewed very positively last year. It continues to develop the plots and themes introduced in the first book, while expanding the world- and universe-building in unexpected yet satisfactory and exciting ways. However, it definitely doesn’t stand on its own. I didn’t regret not having reread the first book, but I would have been lost if I’d skipped it entirely. (The more recent in-universe novella Livesuit provides additional perspective but doesn’t involve any characters from the novels, so it’s not essential.) Even if I’d started here with Book 2 and managed to follow the plot and keep the characters straight, I’d probably have perceived its characters very differently, primarily Daffyd Alkhor and the spy swarm.

Cover of What We Are Seeking, by Cameron Reed, featuring a flower partially eclipsing a black crescent (moon?), against a lighter blue background.
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Book Review: What We Are Seeking by Cameron Reed

I was intrigued by Tor’s description of Cameron Reed’s upcoming novel, What We Are Seeking: “On the planet Scythia, plants give birth to insects and trees can drag you to your death. Artificial monsters stalk the desert, and alien basket-men have wandered into town.“John Maraintha has been abandoned here, light-years from the peaceful forests that he loves.” This mutability of the wildlife made me think the book was going to be kind of like Adrian Tchaikovsky’s Hugo-finalist novel Alien Clay, which I thought was great. I kind of glided over the promotional text’s part about “soaring novel of queer hope and transformation” (thinking that might be associated with the alien genetic mutability part, contributing to the metaphors), and I assumed that the protagonist being abandoned among “people in thrall to a barbaric custom called marriage” would be mildly amusing in a quirky way, like the protagonist in Lois McMaster Bujold’s Ethan of Athos dreading having to meet female people on a space station, which turned out just fine. I also was ignorant of the author having won what is now the Otherwise Award in 1998, back when the award and she had different names, and when her gender was different, too. So, I started this story not only mostly unaware of some plot elements and themes, but actually wrong about some; however, I am happy to have had my expectations upheaved. This is a really interesting and engaging book, with some themes of survival in an alien environment, with alien translation and diplomacy and co-existence being important parts of the plot, but it’s also very much about human values and choices and cooperation, including guarding oneself and others against a proscriptive majority, with a side aspect of an ancestral online virtual “aiyi” culture that also occasionally enforces its opinions on others.

Cover of Ruiner, by Lara Messersmith-Glavin, featuring a bounding hare with wings, and hooved rear legs, above a murky area.
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Book Review: Ruiner, by Lara Messersmith-Glavin

Ruiner is a novel about a world where old ways and new are clashing, with a city that extracts resources from outer territories to benefit some of its citizens, and where disputes are settled via combat storytelling. The two protagonists start far apart, as one is a desert-dweller and another is a street rat, but events and elements in their lives draw them into each other’s arcs. Author Lara Messersmith-Glavin does a great job of drawing characters with rich backgrounds and inner lives. I really enjoyed diving into this world and learning about its people, and the ending definitely left me wanting more.

Cover of The Geomagician, by Jennifer Mandula, featuring trilobites, ammonites, a pterodactyl, a skeleton of an ichthyosaur, and various plants, with a cameo brooch of a woman.
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Book Review: The Geomagician, by Jennifer Mandula

Mary Anning was a real-life professional fossil collector and dealer in the first half of the 19th century; given the breadth and depth of her knowledge, she was also a paleontologist, but that wasn’t officially acknowledged until after her death, since she was a woman and therefore ineligible to join the Geological Society of London. In her excellent debut novel The Geomagician (coming March 31), Jennifer Mandula reimagines Mary as a woman living in a world with magic, in which fossils are the best medium for storing magical power. Hunting for freshly exposed fossils after a landslide, she is thrilled to discover a pterodactyl skeleton — and then one of the fossilized eggs comes to life and hatches in her hands! Mary is suddenly faced with new opportunities in her life, and new challenges.

Cover of It Came from the Floodwaters by Seann Barbour, featuring a blue skull against a black background, with red lettering.
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Book Review: It Came from the Floodwaters, by Seann Barbour

If you’re looking for an entertaining, tightly focused horror tale with interesting, diverse characters and a strong arc for the protagonist, you should consider Seann Barbour’s new novella, It Came from the Floodwaters, coming March 13. It starts out with people trapped in their Savannah apartment building by rising floodwaters, throws in some spooky notes, and then quickly escalates to pulse-pounding action with a high body count. But because the Big Bad is particularly interested in one special person, there’s also lot of creepiness woven throughout the story, along with the adrenaline rushes.

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