Author name: Skiffy Fanty

The Skiffy and Fanty Show Podcasts

265. The Black Hole (1971) — A Torture Cinema “Adventure” (Childhood Destruction Edition)

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode265TortureCinemaMeetsTheBlackHole/SandF%20–%20Episode%20265%20–%20Torture%20Cinema%20Meets%20The%20Black%20Hole.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSRobot blenders, mad scientists, and snarky companions, oh my!  In this special “childhood destruction” edition of Torture Cinema, the crew tackles one of Paul’s favorite childhood movies, The Black Hole. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 265 — Download (MP3) Show Notes: The Black Hole (1971; dir. Gary Nelson)(IMDB) The Listener Survey Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

Blog Posts

Short and Sublime: March 2015 Round-Up

March has been a month of unusual settings, stories of alienation and loss, and meditations on the nature of time. Tade Thompson’s “The Monkey House” (Omenana #2), dystopian horror, is a story about what it means to be trapped inside a system, and the horrors one must overlook to be a part of that system; what happens when the ability to ignore horrors both natural and fantastical is seized from you and you alone? The protagonist is an unreliable narrator — or is he far more reliable as a narrator than the characters that surround him? — and holds a banal job as a paper-pusher with an insidiously creepy company whose purpose is obscured. This dystopia is set not in the future but in the eighties and follows the Orwellian tradition while being rather Kafkaesque, but adds enough facets, from dark fantasy elements to the chronic illness of the protagonist, to create something entirely new.

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Book Review: Binary by Stephanie Saulter

Several years after the events of Gemsigns (see my review here at Skiffy and Fanty), the integration of Gems into society has continued. The violent spasm of reaction to Gems in the form of the godgangs has given way, some years later, to society seeking methods to harness the talents the Gems have in modern society.  It hasn’t always been smooth, or easy, but society and people have started to move on and grapple with the consequences of the aftermath of the fateful Conference and the Declaration arising from it. As in Gemsigns, however, both Aryel Morningstar, leader of the Gems, and the industrialist Zavcka Klist find their paths crossing. However, rather than being overt adversaries, Klist has a proposition for Morningstar, an offer of a collaboration of talents and skills. Klist’s  proposition is  to use the power of a certain Gem to explore the infotech technologies that had been abandoned in the wake of the Syndrome over a century ago. That Gem, Harran, with extraordinary power to connect to computers on a fundamental level, might be just the Gem to lead the effort into exploring infotech, and safely.  However, when delving into computers, and ancient records, sometimes dark and long forgotten secrets are discovered. Secrets of the past of Aryel Morningstar … and secrets of Zavcka Klist as well.

The Skiffy and Fanty Show Podcasts

Episode 2. The Wages of Fear (1953): Playing Genre, Masculinity, and the Post-War World

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/TotallyPretentiousEpisode002TheWagesOfFear/TotallyPretentiousEpisode002–TheWagesOfFear.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSPlaying Genre, Masculinity, and the Post-War World! In our second episode, we open by discussing what we’ve been watching, how films “stand the test of time,” and the supposed problem with the Hollywood blockbuster.  Plus, there’s a little bonus conversation about the state of horror films since 2000. The main event involves Henri-Georges Clouzot’s suspense thriller, The Wages of Fear (1953).  We cover some of its history, the underlying politics, the film’s play on genre and suspense, and much more. Enjoy!

The Skiffy and Fanty Show Podcasts

#31. The Middleman (Eps. 1-4) — A Shoot the WISB Subcast

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/ShootTheWISB31TheMiddlemaneps14/ShootTheWisb31–TheMiddlemaneps1-4.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSMobster gorillas, squid monsters, and training wheels, oh my!  Mike and Julia present a Shoot the WISB squeeful discussion of the 1st four episodes of ABC Family’s The Middleman, which may be the most wildly enjoyable show we’ve watched for the podcast to date. We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Spoiler Alert:  the following podcast contains spoilers for the film being reviewed; if you wish to see the film without having it ruined for you, download this podcast and save it for later. Download the Episode here. Show Notes:. The Middleman (IMDB) Our new intro music is “Time Flux” by Revolution Void (CC BY 3.0). That’s all, folks!  Thanks for listening.  See you next week.

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