Author name: Skiffy Fanty

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Book Review: Planetfall by Emma Newman

A colony on an alien planet was founded by a religious visionary inspired by a mysterious incident on Earth to create an expedition to the distant world. A 3-D printer repairer and expert in recycling, Renata Ghali is an important member of the small, fledgling colony. And with that visionary in God’s City, communing with God, Ren is one of the remaining pillars of the community, keeping it together. She also has terrible secrets, public, about what is really going on the colony and what happened when the colonists first arrived. Even more so, Ren has strong secrets about herself, that until now she has managed to keep from the colony. But the arrival of an unexpected visitor to the colony from without is the inciting incident that may upset the unsteady equilibrium that Ren has going. Planetfall marks a change from fantasy to science fiction for Split Worlds author Emma Newman.

The Skiffy and Fanty Show Podcasts

286. Zombies of Mora Tau (1957) — A Torture Cinema Late Halloween "Adventure"

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode286TortureCinemaMeetsZombiesOfMoraTau/Sandf–Episode286–TortureCinemaMeetsZombiesOfMoraTau.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSZombie mausoleums, DGNF grandmas, and cursed jewels, oh my!  Skiffy and Fanty officially becomes meta in this special (late) Halloween “Middleman Special” edition of Torture Cinema about Zombies of Mora Tau!  Prepare yourselves for a zombitacular festival of torture! Art crawl! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 286 — Download (MP3) Show Notes:

Shaun's Rambles

Shaun’s Rambles 011: Michael R. Underwood (Interviewing the Fans)

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/ShaunsRambles011InterviewingTheFansMikeUnderwood/ShaunsRambles011–InterviewingTheFans–MikeUnderwood.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSWhat makes Mike Underwood tick? What did he read when he was a kid? What inspired him to become a member of QUEST and invade the Free Worlds of the Noble and Benevolent Multidimensional Imperium?  I try to get to the bottom of some of these questions in an interview with the infamous figure! I hope you enjoy it! Some useful links:

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Book Review: The Middle Ages Unlocked: A Guide to Life in Medieval England, 1050-1300, by Gillian Polack and Katrin Kania

“The past is a foreign country: they do things differently there” — L.P. Hartley The conceptions and misconceptions of what medieval life was really like influence our perceptions of who we are as people, and the fiction and worlds that we create. There is a real struggle within certain sectors of the SFF genresphere about the fiction based on the world within what I call the “Great Wall of Europe”, fantasy with the viewpoint and a setting firmly grounded in conceptions of what Medieval Europe was like. Be it George R.R. Martin’s Westeros, or Kate Elliott’s Wendar and Varre, or a hundred others, Medieval Europe is, for a lot of writers and readers, THE setting to base their fantasy upon. However, many other writers get basic facts about Medieval Europe unintentionally wrong, further accentuating and perpetuating stereotypes and misconceptions about the Medieval world and mindset when they plug those misconceptions into their fiction, and those misconception are reinforced as misinformation about the real Medieval Europe.

The Skiffy and Fanty Show Podcasts

285. The Incredible Shrinking Woman (1981) — A Torture Cinema "Adventure"

http://media.blubrry.com/skiffyandfanty/dts.podtrac.com/redirect.mp3/archive.org/download/SandFEpisode285TortureCinemaMeetsTheIncredibleShrinkingWoman/Sandf–Episode285–TortureCinemaMeetsTheIncredibleShrinkingWoman.mp3Podcast: Play in new window | DownloadSubscribe: Apple Podcasts | Spotify | Android | iHeartRadio | Podchaser | Podcast Index | Email | TuneIn | Deezer | RSSGiant bacon, gorillas, and evil corporations, oh my!  In our last Childhood Destruction edition of Torture Cinema, we tackled Julia’s childhood love, The Incredible Shrinking Woman.  Some of us, it turns out, were a bit bitter about having to watch this one.  You’ll have to listen to find out who! We hope you enjoy the episode! Note:  If you have iTunes and like this show, please give us a review on our iTunes page, or feel free to email us with your thoughts about the show! Here’s the episode (show notes are below): Episode 285 — Download (MP3) Show Notes:

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 On Fury and Fairies and the Remnants of Gods by Gillian Polack

The other day, someone said to me that Tolkien’s elves were the real thing, because he was a Medievalist and so he knew. I’m a Medievalist and I know, too, and what the real thing is depends so very much on where one is and what one is writing. I’m not at all certain that Tolkien would have liked to be told that the closest thing to his elves in Old French tales are the blonde fairies (with hair that is red-gold, like fine wire, and the palest of skins and the prettiest of rose colouring on their cheeks) in the Arthurian romances. They are not the stuff of folkdom. They’re not even terribly legendary. They’re the object of quests by knights who don’t quite fit at court. They have the best tents and the most beautiful horses and an unlimited number of handmaidens more beautiful than anyone else in sight apart from the fairy herself. They’re not that real. When I stop and think about Tolkien’s elves, they’re not quite as perfect, but they come close at times. They’re not perfect because they’re annoyingly “I know so much and don’t see why I should tell you.” Neither of them have wings. These fairies are not the hidden folk of any of the various regions in Western Europe. They’re a literary construct. In fact they appear in the Marvel and DC of their time. I shall refer to the lead fairy (the one who the knight wins) as the Nick Fury of the magic realms from now on when I need to, on panels.

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